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Gender inequality in literature topics
Gender Issues In Literature
Gender Issues In Literature
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In any writing the author must go through a specific thought process. This would be especially so if they were revising a previously written work and can be seen when comparing the two. The specific works that will be discussed here are the play, Trifles, and the story, “A Jury of Her Peers”, which were both written by Susan Glaspell and explores the suppression of women in a male dominated world and was based on a real-life murder trial of an Iowa woman that the author had reported. Trifles, a one-act play, was written in 1916. As the play opens, it is a frigid winter day and the characters are in the kitchen of the home, which is the crime scene and the main location of the play, of both the victim and the suspect. In comparison, the story …show more content…
Not only do the actors use movement to get a point across, but they also will show feelings. MRS. PETERS [in a frightened voice]: Oh, I don’t know. (1.1.562)
The brackets are used here to tell the person to show a specific emotion instead of some kind of movement. In a play characters of the story have specific movements and emotions to show to the audience, but how does this change for a story? In the story the actions must be described in detail, so the reader understands what the person is in the story is doing. “The two women had drawn nearer, and now the sheriffs wife spoke”. (571) “Mrs. Peters’ husband broke into a laugh”. (571) “The young attorney set his lips”. (571) Not only is it necessary to describe the actions of the characters, but also their emotions. The author must use descriptive words to elicit or create a feeling in the reader, “A frightened look blurred the other thing in Mrs. Peters’ eyes”. (574) “Their eyes met – something flashed to life, passed between them; then, as if with an effort, they seemed to pull away from each other”. (576) These statements conjure pictures of the feelings that the ladies in the story are having as they seem to realize something about their surroundings. The way feelings are conveyed in a play versus a story are different, but both can have an equal, profound
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In trifles, the scene is described to the actors at the beginning of the writing, but the scene is set on stage for the audience. There are props on the stage to set the picture of being inside the farmhouse of Mr. and Mrs. Wright. When the county attorney says “This feels good. Come up to the fire, ladies.”, (1.1.558) there is actually a stove set on stage for them to walk up to. When the attorney needs to wash hands and dry them on a towel roll, [He gives it a pull to expose its full length again.] (1.1.561] there is actually a towel roll for him to use. The entire scene is set up including a backdrop to look like the inside wall of a kitchen. The room would have everything necessary to look like a normal kitchen in a farmhouse of the period. The difference in the story is that it is non-visual, there is nothing to look at. In the same scene where the attorney needed to wash his hands the author uses more words to describe the fact that the towel is dirty and not change; “Dirty towels! Not much of a housekeeper, would you say, ladies?” (572) This short statement allows the imagination to not only see that the towel was dirty but that maybe the rest of the house was also a bit unkept. Powerful words and statements are used in the story to help the reader imagine what the place looked like as the story moves. The scene setting of a play is different than the scene setting of a story. The play
2. The author creates tone, which changes from peaceful and calm to horror. Words in the story like humorlessly and awkwardly help the reader feel the tension in the town. In the story, “She held her breath while her husband went forward” proved that the characters was dealing with ...
These help to increase the pace of the act towards the climax, they increase the volume, so therefore the suspense and emotion, too. Sudden silences also build up the tension the audience wants to be. inside the characters minds to hear what they are thinking. P 107 indicates that ‘The emotion flowing between them prevents anyone from speaking for an instant.’ This quizzes the minds of the audience.
...ile forms an image of her character. By comparing her eyes with marbles the reader can construct that Mrs. Merkle was expressionless and had cold, glazed hard eyes. For every instance that Mrs. Merkle is mentioned the phrase is repeated, in the last occurrence to excuse her from not crying for the loss of Mrs. Bylow. Wilson’s adaptation of a motif in her writing shapes the character’s conscience based on their emotional reactions to a situation.
evidence in the kitchen the women take notice of a quilt that is not finished, “She was
words so that the sound of the play complements its expression of emotions and ideas. This essay
In the play Trifles, written by Susan Glaspell, a small number of people are at the Wright house trying to figure out why and how Mr. Wright was murdered. Mrs. Wright is already the suspect, and all that is needed for the case is evidence for a motive. The jury needs something to show anger or sudden feeling so that they can convict her for murder. The men, Mr. Henderson, Mr. Peters, and Mr. Hale are there to find the evidence. The women, Mrs. Peters and Mrs. Hale, are there to pick up a select few items for Mrs. Wright. While the men are going about business and looking for evidence to build a case against Mrs. Wright, the women are looking over what Mrs. Wright left behind and intuitively trying to understand what happened. They are also trying to fathom why Mrs. Wright would be compelled to perform such an act of violence. As the story goes on, it constructs each of the characters in slightly different means. Susan Glaspell presents Mr. Wright and Mrs. Hale as having contrasting and comparable characteristics. While Mrs. Hale and Mr. Wright differ in terms of emotions, they are similar in their cleanliness and are well respected by others.
In the story “A Jury of Her Peers” by Susan Glaspell, Mr. Lewis Hale arrived at the Wright house to find that his neighbor, John Wright, had been strangled in his sleep. Hale asked John’s wife, Millie Wright, a few questions about what had happened. Suspiciously, Mrs. Wright’s dry answers didn’t add up. Now the sheriff, the county attorney, Mr. and Mrs. Hale, and Mrs. Peters the sheriff’s wife, are investigating the house. Although Mrs. Wright claims to be asleep during her husband’s murder, the women conclude that she strangled her husband as evidenced by the broken bird cage, the slaughtered canary, and the errant quilt patch.
Through the implementation of truncated sentences, Judy’s yearning and longing for Christopher’s affection is exemplified. This enables the responder to acknowledge the highly emotional state in which she is in. The setting of Christopher and his mother being alone in the bathroom also aids in the emotional, intimate and highly sensitive nature of their conversation. Despite how affected Christopher may be in realising his mother is alive, he is unable to recognise the plea in his mothers voice and fails to reciprocate the smallest morsel of physical affection towards her due to his desperation to keep things orderly and un-changing, therefore exposing the complicated nature of communication between the two.
Frightening details begin to unfold about the room, including: barred windows, a bolted down bed, and of course, the wallpaper itself (227). Gilman uses the imagery to create an air of suspense and insinuates the narrator’s coming fall into insanity. The setting of “The Yellow Wallpaper,” in large, leads to the narrator’s collapse. Almost instantly, the narrator’s already unstable mind perceives a ghostliness that begins to set her even more on edge. Her tense mind is then further pushed towards insanity by her husband,
Susan Glaspell highlights the settings as theatrical metaphors for male dominated society in the early 20th century. “Trifles” begins with an investigation into the murder of Mr. Wright. The crime scene is taken at his farmhouse where clues are found that reveals Minnie Wright to be a suspect of murder. In the beginning of the play, it clearly embodies the problems of subordination of women. For example, there are two main characters in this play—Mrs. Peters and Mrs. Hale, who are brought along with the sheriff and attorney to find evidence for Mr. Wright’s murder. The men gather and work together at the stove and they talk with each other in familiarity while women “stand close together near the door behind men” (Glaspell 444). Perhaps the location of the women standing behind the men near the door reflects also their secondary or inferior social standing in the eyes of the men. Moreover, it seems that the wo...
Susan Glaspell's play, "Trifles", attempts to define one of the main behavioral differences between man and woman. For most of the story, the two genders are not only geographically separated, but also separated in thought processes and motive, so that the reader might readily make comparisons between the two genders. Glaspell not only verbally acknowledges this behavioral difference in the play, but also demonstrates it through the characters' actions and the turns of the plot. The timid and overlooked women who appear in the beginning of the play eventually become the delicate detectives who, discounted by the men, discover all of the clues that display a female to be the disillusioned murderer of her (not so dearly) departed husband. Meanwhile, the men in the play not only arrogantly overlook the "trifling" clues that the women find that point to the murderer, but also underestimate the murderer herself. "These were trifles to the men but in reality they told the story and only the women could see that (Erin Williams)". The women seem to be the insightful unsung heroes while the men remain outwardly in charge, but sadly ignorant.
The play “Trifles” by Susan Glaspell is type of murder mystery that takes place in the early 1900’s. The play begins when the sheriff Mr. Peters and county attorney Mr. Henderson come to attempt to piece together what had happen on the day that Mr. Wright was murder. While investigating the seen of the murder, they are accompanied by the Mr. Hale, Mrs. Hale and Mr. Peters. Mr. Hale had told that Mrs. Wright was acting strange when he found her in the kitchen. After taking information from Mr. Hale, the men leave the women in the kitchen and go upstairs at seen of the murder. The men don’t realize the plot of the murder took place in the kitchen.
Trifles is based on a murder in 1916 that Susan Glaspell covered while she was a journalist with the Des Moines Daily News after she graduated from college. At the end of the nineteenth century, the world of literature saw a large increase of female writers. Judith Fetterley believed that there was an extremely diverse and intriguing body of prose literature used during the nineteenth century by American women. The main idea of this type of literature was women and their lives. The reason all of the literature written by women at this time seems so depressing is due to the fact that they had a tendency to incorporate ideas from their own lives into their works. Glaspell's Trifles lives up to this form of literature, especially since it is based on an actual murder she covered. This play is another look at the murder trial through a woman's point of view.
Upon moving in to her home she is captivated, enthralled with the luscious garden, stunning greenhouse and well crafted colonial estate. This was a place she fantasized about, qualifying it as a home in which she seemed comfortable and free. These thoughts don’t last for long, however, when she is prescribed bed rest. She begins to think that the wallpaper, or someone in the wallpaper is watching her making her feel crazy. She finally abandons her positivity towards what now can be considered her husband’s home, and only labels negative features of the home. For example, the narrator rants about the wallpaper being, “the strangest yellow…wallpaper! It makes me think of… foul, bad yellow things” (Gilman). One can only imagine the mental torture that the narrator is experiencing, staring at the lifeless, repulsive yellow hue of ripping
Susan Glaspell’s Trifles (1916), is a play that accounts for imprisonment and loneliness of women in a patriarchal society. The plot has several instances where women issues are perceived to be mere trifles by their male counterparts. The title is of significant importance in supporting the main theme of the story and developing the plot that leads to the evidence of the mysterious murder. Trifles can be defined as things of less importance; in this story dramatic, verbal and situational irony is used to show how the insignificant trifles lead to a great deal of truth in a crime scene investigation. The title of the story “Trifles” is used ironically to shape the unexpected evidence discovered by women in