Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Literary analysis of "a good man is hard to find
What is the tone in the story a good man is hard to find
Flannery o'connor literary criticism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Literary analysis of "a good man is hard to find
“A Good Man is Hard to Find”: Comparing Flannery O’Connor’s Literary Technique to Grotesque Medieval Literature
Upon initially reading Flannery O’Connor’s work, one would have no problem recognizing her use of shocking, violent, or despairing themes. It may not be as easy, however, to completely accept or understand her style. According to Patrick Galloway, one must be “initiated to her trademarks when reading any of her two novels or thirty-two short stories (1).In many of her works, she paradoxically uses styles that are grotesque and brutal to illustrate themes of grace and self-actualization. As O’Connor herself says, “I have found that violence is strangely capable of returning my characters to reality and preparing them to accept their moment of grace” (qtd. in Hawkins 30).Although at times disturbing, O’Connor’s paradox is an effective literary technique, deepening the meaning of her stories.Flannery O’Connor’s short story, “A Good Man is Hard to Find,” can be used as a tool to become ‘initiated’ to this unique style.
Few critics would deny that “A Good Man” is a grotesque story: A grandmother and her son’s family on vacation are ruthlessly killed by an escaped convict.Some O’Connor critics are taken aback by this grotesque aspect because the family and elderly woman seem so innocent.People do not want to imagine their quiet and delicate, “gray-haired” grandmother standing in the face of a murderer, so they sympathize with O’Connor’s Grandmother as well (Bandy 2).This gruesome scene does not, however, serve as senseless violence.Beyond the disturbing imagery is a story that makes poignant religious and philosophical claims (Galloway 6).Pat Galloway analyzes this technique as the way O’Connor’s characters receive t...
... middle of paper ...
...arterly 34 (Sum 1993): 383-397.
Wood, Christopher. Albrecht Altdorfer and the Origins of Landscape. Chicago: University of Chicago Press, 1993.
Works Consulted
Bloom, Harold, ed. Flannery O’Connor. New York: Chelsea House Publishers, 1986.
Hagen, Susan. “Team Teaching Middle English Literature With Flannery O’Connor.” http://panther.bsc.edu/~shagen/oconnor.htm (10 Nov. 1999).
McMillen, Jenny. “Short Story Reviews.”http://www.geocities.com?Athens/Troy/2188/reviews.html (10 Nov. 1999)
Owens, Mitchell. “The Function of Signature in ‘A Good Man is Hard to Find.’” Studies in Short Fiction 33 (Wntr 1996): 101-106.
Schilling, Timothy. “Trying To See Straight: Flannery O’Connor & the Business of Writing.” Commonweal 122 (Nov 3, 1995): 14-15.
Sloan, Gary. “O’Connor’s ‘A Good Man is Hard to Find.’” The Explicator 57 (Wntr 1999): 118-120.
As I read Flannery O’Connor’s short story “A Good Man is Hard to Find”, I find myself being completely consumed by the rich tale that the author weaves; a tragic and ironic tale that concisely and precisely utilizes irony and foreshadowing with expert skill. As the story progresses, it is readily apparent that the story will end in a tragic and predictable state due to the devices which O’Connor expertly employs and thusly, I find that I cannot stop reading it; the plot grows thicker with every sentence and by doing so, the characters within the story are infinitely real in my mind’s eye. As I consider these factors, the story focuses on two main characters; that of the grandmother, who comes across as self-centered and self-serving and The Misfit, a man, who quite ingeniously, also appears to be self-centered and self-serving. It is the story behind the grandmother, however, that evidence appears to demonstrate the extreme differences between her superficial self and the true character of her persona; as the story unfolds, and proof of my thought process becomes apparently clear.
1) O’Connor, Flannery, A Good Man Is Hard to Find (Women Writers: Text & Contexts Series). Rutgers University Press, 1993.
“A Good man is hard to find,” is about a family who decide to go on a trip to Florida. The story revolves around a self absorbed grandmother who loves to talk about how everything used to be back in her day and takes the time to dress herself so that “In case of an accident, anyone seeing her dead on the highway would know at once that she was a lady (358).” She sneaks the family cat with her despite her son’s disapproval of bringing the creature along violating her boundaries to how a lady would act. The family encounters an accident along the way and happens to come across ‘The Misfit,’ a runaway criminal. Using ‘The Misfit’ as a tool, O’ Connor sends a message to her readers of how hypocritical a person can be when it comes to belief.
Everest is an unbelievable mountain that has taken the lives of a number of the greatest climbers in history. It was my job to ensure that clients make it up that treacherous mountain safely. My name is Rob Hall. I was the main guide and cofounder of a climbing company called Adventure Consultants. My friend, Gary Ball, and I used to be professional climbers. Together we succeeded in climbing to the highest summit on each of the seven continents in seven months. This was our greatest achievement. After this, we decided to start our own company guiding clients up large mountains. In May 1992, we successfully led six clients to the summit of Everest. Unfortunately, Gary died of cerebral edema in October 1993 during an attempt on the world’s sixth-tallest mountain. He died in my arms and the next day I buried him in a crevasse. Despite the pain that his death had caused me, I continued guiding for our company and eventually led thirty-nine climbers to the summit of Everest.
"I suspect that most of you have been telling stories all your lives..."(O'Connor #2 PG) is the statement Flannery O'Connor makes in her lecture entitled Writing Short Stories. Living to be only thirty-nine years old when lupus took her life in 1964, it did not take long for her to became a literary icon. It is difficult for O'Connor, who raised peacocks in her hometown of Milledgeville, Georgia, to fathom that people perceive writing fiction as a chore, as one of the "most difficult literary forms" (O'Connor #2 PG), when it is something she achieves as though it were of no effort whatsoever. One of her primary points to writing good fiction involves the use of symbolism, which is more than apparent within the literary boundaries of A Good Man is Hard to Find, where "a psychopathic killer and a grandmother meet head-on in epic, parabolic violence as large as life, death, faith, and doubt" (Gingher 258).
Douglas, Ellen. "O'Connor's 'A Good Man is Hard to Find.'" Contemporary Literature Criticism. Eds. Carolyn Riley and Phyllis Carmel Mendelson. Detroit, MI: Gale, 1976. Vol. 6. 381.
Raiger, Michael. “’’Large and Startling Figures’: The Grotesque and the Sublime in the Short Stories of Flannery O’Connor.’” Seeing into the Life of Things: Essays on Literature and Religious Experience (1998): 242-70. Rpt. in Short Story Criticism. Ed. Janet Witalec.
A story without style is like a man without personality: useless and boring. However, Flannery O’Connor incorporates various different styles in her narratives. Dark humor, irony, and symbolism are perhaps the utmost powerful and common styles in her writing. From “Revelation” and “Good Country People” to “A Good Man is Hard to Find,” all of O’Connor’s stories consist of different styles in writing.
In her well-known short story, “A Good Man Is Hard to Find,” Flannery O’Connor skillfully describes the difficulty of finding a morally upright human being, whether it is a man or a woman. No one is perfect, everyone has inadequacies and shortcomings, and she presents this cleverly in her story. She is able to support this view of mankind through her characters. They are self-centered, egotistical human beings who can be judged by their words and actions. This is especially true of the protagonist (the grandmother) and the antagonist (the Misfit). The grandmother tries to portray herself as a virtuous woman, but in the end O’Connor shows that her actions are always self-serving and that morally, she is not that different from the Misfit.
In the short story A Good Man Is Hard to Find, written by Flannery O’Connor, the theme that the definition of a ‘good man’ is mysterious and flawed is apparent. The reader must realize that it is difficult to universalize the definition of a good man because every person goes through different experiences. Thus, these experiences affect his or her viewpoint and in turn flaw ones view on a good man. O’Connor conveys this theme through her excellent use of diction, imagery, foreshadowing, and symbolism as well as through a creative use of repetition and an omniscient point of view.
Flannery O’ Connor’s story: “A Good Man is Hard to Find” is the tale of a vacation gone wrong. The tone of this story is set to be one irony. The story is filled with grotesque but meaningful irony. I this analysis I will guide you through the clues provided by the author, which in the end climax to the following lesson: “A Good Man” is not shown good by outward appearance, language, thinking, but by a life full of “good” actions.
Flannery O’Connors’s “A Good Man Is Hard To Find” is filled with irony. Verbal, dramatic, and cosmic, without irony of these kinds, this short story would not be as powerful as it is. O’Connor’s use of several different kinds of irony helps in communicating a strong message about humans and human condition and to successfully engage her readers.
In Flannery O 'Connor 's short story, A Good Man is Hard to Find, the theme of good vs. evil unravels throughout the series of tragic events. The Grandmother’s epiphany introduces the idea of morality and the validity is left to the interpretation of the reader. By questioning the characteristics of right and wrong, morality and religion become subjective to personal reality and the idea of what makes individuals character good or bad becomes less defined.
...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.
The main recurring theme in Flannery O’Connor’s stories is the use of violence towards characters in order to give them an eye-opening moment in which they finally realize their true self in relation to the rest of society and openly accept insight into how they should act or think. This theme of violence can clearly be seen in three works by Flannery O’Connor: A Good Man is Hard to Find, Good Country People, and Everything That Rises Must Converge.