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A Good Man is Hard to Find character analysis
A Good Man is Hard to Find character analysis
A Good Man is Hard to Find character analysis
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Brilliant and popular author Flannery O’Connor explained, “I write the way I do because and only because I am a Catholic. I feel that if I were not a Catholic I would have no reason to write, no reason to see, no reason to feel horrified or even to enjoy anything” (Lifto). In O’Connor’s short story, A Good Man is Hard to Find, fundamental questions about good and evil, morality and immorality, and faith and doubt are all raised. With this story O’Connor openly displays what she sees as a universal truth of God’s grace and love towards every man. Painting this grace with characters: “the grandmother” and “the Misfit”, the story serves as an intricate masterpiece of the grace that God is willing to pour out to and through all of humankind.
The grandmother serves as a symbol of etiquette and structure: dressing as a lady with her neckline “pinned [with] a purple spray of cloth violets containing a sachet” (O’Connor) and constantly reminding her grandkids of the wonderful gift of nature and the necessary appreciation for their belongings, keeping the children from throwing their sandwich wrappers out the car window and bickering, and attempting to improve their manners. She believes herself to be a good, Christian woman. On the contrary, the grandmother is, as T. W. Hendricks observes in his literary criticism Flannery O’Connor’s “spoiled prophet”, “compromised by her delusions about her background and social status” and a partaker in sinful pride. She is pretentious and domineering towards her son, as well as, his wife and children. She seems to believe her opinions, on more than just religion, are factual. Directing her family down a road she remembers to have led to an interesting, but partially made-up, house, results in a car ...
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...at God’s love and desire for his children to join him in the kingdom of heaven are so great, that their immensity is incomprehensible, and that He is eager to go to boundless magnitudes to gain His children’s souls. Her infallibility to spread the views of her religion throughout A Good Man is Hard to Find indeed shows that these beliefs are ones O’Connor willed itching to be scratched by the fingers and begging to be explored by the minds of all her booklovers.
Works Cited
Hendricks, T. W. "Flannery O'Connors' "spoiled Prophet"." Literary Resource Center. Gale Group,
Summer 2009. Web. Oct. 2011.
Lifto, Tait. "Symbolism in "A Good Man Is Hard to Find" Essay." Poetry, Princess Bride, Brian Regan,
Jokes, Pictures and Other Stuff. Nov. 2005. Web. 16 Oct. 2011.
O'Connor, Flannery. "A Good Man Is Hard to Find." Pegasus Web Server Home Page. Web. 16 Oct. 2011.
Boudreaux, Armond. "There Are No Good Men To Find: Two Stories By Flannery O’Connor." Explicator 69.3 (2011): 150. Biography Reference Bank (H.W. Wilson). Web. 1 Nov. 2013.
An ardent Catholic as she was, Flannery O’Connor astonishes and puzzles the readers of her most frequently compiled work, A Good Man Is Hard to Find. It is the violence, carnage, injustice and dark nooks of Christian beliefs of the characters that they consider so interesting yet shocking at the same time. The story abounds in Christian motifs, both easy and complicated to decipher. We do not find it conclusive that the world is governed by inevitable predestination or evil incorporated, though. A deeper meaning needs to be discovered in the text. The most astonishing passages in the story are those when the Grandmother is left face to face with the Misfit and they both discuss serious religious matters. But at the same time it is the most significant passage, for, despite its complexity, is a fine and concise message that O’Connor wishes to put forward. However odd it may seem, the story about the fatal trip (which possibly only the cat survives) offers interesting comments on the nature of the world, the shallowness of Christian beliefs and an endeavour to answer the question of how to deserve salvation.
Flannery O’Connor’s A Good Man Is Hard to Find is one of the most well-known short stories in American history. A Good Man Is Hard to Find is a disturbing short story that exemplifies grace in extremity as well as the threat of an intruder. The story tells of an elderly grandmother and her family who embark on a road trip to Florida. The grandmother is a stubborn old woman with a low sense of morality. While on the trip, the grandmother convinces her son to take a detour which results in a broken down car and an encounter with a convicted fugitive, The Misfit. Although the grandmother pleads for mercy, The Misfit kills off the rest of her family. Through the grace she finds in her extreme circumstance, the grandmother calls The Misfit her own and implores him to spare her life. The Misfit does not oblige her and states after her death, “She would have been a good woman if it had been someone to shoot her every day of her life.” Through Flannery O’Connor’s disturbing and shocking display of the grandmother’s demise, she gives the reader a sense of the threatening power of an intruder and the idea of extreme situations bringing about a state of grace. The reason for such a powerful work may have resulted from Flannery O’Connor’s religious upbringing as well as the state of the nation at the time.
“A Good Man is hard to find,” a short story written by Flannery O’ Connor, is one of the most interesting stories I’ve ever come across to in my life. Born as an only child into a Catholic family, O’ Conner is one of the most “greatest fiction writers and one of the strongest apologists for Roman Catholicism in the twentieth century (New Georgia Encyclopedia).” She was a very strong believer in her faith and she used her stories as a tool to send the reader a message that were most likely ignored and almost never uttered out loud. The story revolves around a grandmother who believes to be high and mighty around others. This results in her downfall later on.
A Good man is Hard to Find" focuses on Christianity being filled with sin and punishment, good and evil, belief and unbelief.
In the short story, A Good Man is Hard to Find, by Flannery O'Connor, every object including the characters are symbols. The Grandmother, who is the one and only dynamic character, represents all of us who have repented. The story is, as Flannery O'Connor has suggested a spiritual journey because of the Grandmother's Plight. In the beginning of the story the Grandmother is obsessed with everything worldly and superficial. She cares far too much about how others perceive her,
Flannery O’Connor is a master of the ironic, the twisted, and the real. Life is filled with tragic irony, and she perfectly orchestrates situations which demonstrate this to the fullest extent. A Good Man is Hard to Find is an excellent example of the mangled viewpoint which makes her work as compelling and striking as it is.
Religion is a pervasive theme in most of the literary works of the late Georgia writer Flannery O'Connor. Four of her short stories in particular deal with the relationship between Christianity and society in the Southern Bible Belt: "A Good Man Is Hard to Find," "The River," "Good Country People," and "Revelation." Louis D. Rubin, Jr. believes that the mixture of "the primitive fundamentalism of her region, [and] the Roman Catholicism of her faith . . ." makes her religious fiction both well-refined and entertaining (70-71). O'Connor's stories give a grotesque and often stark vision of the clash between traditional Southern Christian values and the ever-changing social scene of the twentieth century. Three of the main religious ingredients that lend to this effect are the presence of divine meanings, revelations of God, and the struggle between the powers of Satan and God.
“A Good Man Is Hard To Find” and “Good Country People” are two short stories written by Flannery O’Connor during her short lived writing career. Despite the literary achievements of O’Connor’s works, she is often criticized for the grotesqueness of her characters and endings of her short stories and novels. Her writings have been described as “understated, orderly, unexperimental fiction, with a Southern backdrop and a Roman Catholic vision, in defiance, it would seem, of those restless innovators who preceded her and who came into prominence after her death”(Friedman 4). “A Good Man Is Hard To Find” and “Good Country People” are both set in the South, and O’Connor explores the tension between the old and new South. The stories are tow ironically twisted tales of different families whos lives are altered after trusting a stranger, only to be mislead. Each story explores the themes of Christian theology, new verses the old South, and fallen human nature.
Flannery O’Connor believed in the power of religion to give new purpose to life. She saw the fall of the old world, felt the force and presence of God, and her allegorical fictions often portray characters who discover themselves transforming to the Catholic mind. Though her literature does not preach, she uses subtle, thematic undertones and it is apparent that as her characters struggle through violence and pain, divine grace is thrown at them. In her story “Revelation,” the protagonist, Mrs. Turpin, acts sanctimoniously, but ironically the virtue that gives her eminence is what brings about her downfall. Mrs. Turpin’s veneer of so called good behavior fails to fill the void that would bring her to heaven. Grace hits her with force and their illusions, causing a traumatic collapse exposing the emptiness of her philosophy. As Flannery O’Connor said, “In Good Fiction, certain of the details will tend to accumulate meaning from the action of the story itself, and when this happens they become symbolic in the way they work.” (487). The significance is not in the plot or the actual events, but rather the meaning is between the lines.
In her well-known short story, “A Good Man Is Hard to Find,” Flannery O’Connor skillfully describes the difficulty of finding a morally upright human being, whether it is a man or a woman. No one is perfect, everyone has inadequacies and shortcomings, and she presents this cleverly in her story. She is able to support this view of mankind through her characters. They are self-centered, egotistical human beings who can be judged by their words and actions. This is especially true of the protagonist (the grandmother) and the antagonist (the Misfit). The grandmother tries to portray herself as a virtuous woman, but in the end O’Connor shows that her actions are always self-serving and that morally, she is not that different from the Misfit.
O’Connor, Flannery. "A Good Man Is Hard to Find.” The Story and Its Writer. Charters, Ann. Compact 8th ed. Boston: Bedford/ST. Martin's, 2011. 676-687. Print.
In the short story A Good Man Is Hard to Find, written by Flannery O’Connor, the theme that the definition of a ‘good man’ is mysterious and flawed is apparent. The reader must realize that it is difficult to universalize the definition of a good man because every person goes through different experiences. Thus, these experiences affect his or her viewpoint and in turn flaw ones view on a good man. O’Connor conveys this theme through her excellent use of diction, imagery, foreshadowing, and symbolism as well as through a creative use of repetition and an omniscient point of view.
Flannery O’ Connor’s story: “A Good Man is Hard to Find” is the tale of a vacation gone wrong. The tone of this story is set to be one irony. The story is filled with grotesque but meaningful irony. I this analysis I will guide you through the clues provided by the author, which in the end climax to the following lesson: “A Good Man” is not shown good by outward appearance, language, thinking, but by a life full of “good” actions.
...sque, and in Flannery O’Connor’s artistic makeup there is not the slightest trace of sentimentally” (qtd. in Bloom 19). Flannery O’Connor’s style of writing challenges the reader to examine her work and grasp the meaning of her usage of symbols and imagery. Edward Kessler wrote about Flannery O’Connor’s writing style stating that “O’Connor’s writing does not represent the physical world but serves as her means of apprehending and understanding a power activating that world” (55). In order to fully understand her work one must research O’Connor and her background to be able to recognize her allegories throughout her stories. Her usage of religious symbols can best be studied by looking into her religious Catholic upbringing. Formalist criticism exists in “A Good Man is Hard to Find” through Flannery O’Connor’s use of plot, characterization, setting, and symbolism.