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Social ills of the yellow wallpaper
Feminist literary critique of the yellow wallpaper
The impact of society on the yellow wallpaper
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The Yellow Wallpaper is a feminist text that points out unfair societal norms and male-centric thinking. Gilman was both a feminist and socialist who saw economic oppression spread throughout society. She believed marriage was meaningless and that it demanded women to fall submissive to their husbands in exchange for martial support. In the 19th century, women were considered legal property to their husbands once they married, exemplifying society’s suppression of women. John, who is the narrator’s husband, controls much of what his wife can and cannot do. John is able to control his wife because “[He] [is] a physician of high standing” (Gilman 165), allowing him to be highly represented in society. Gilman treasured her independence and the
The wallpaper with “lame uncertain curves,” and “outrageous angles” (167) symbolizes the way women were perceived by society. Through the narrator it is clear that women were not only seen as subservient to men but also weak and domestic. John treats her in a way that characterizes her as a child by calling her “little girl” and “blessed little goose” (173). Not only in this aspect our women seen as “babies” but she is also put in a room that use to be nursery and playroom, “It was nursery at first, then playroom...I should judge, for the windows are barred for little children" (167). Something so basic as to choosing which room to sleep in, she is still powerless much in ways a child is powerless. Again, John is controlling the narrator by forcing her to sleep upstairs so he can monitor her “condition”, rather than relocating to the first floor where the narrator believes it is more “antique”. Like an infant, at one point John carries her upstairs and lays her on the bed to “rest”. This asserts not only his physical strength but also his power over her. Not only does this resemble his authority over her, but it also shows his superiority over her by infantilizes his wife when reading to her as if she is incapable of reading like a child. Susan Lanser in Feminist Criticism, “The Yellow Wallpaper”states that phrases such as "John says", "Heads a litany of benevolent prescriptions that
Throughout the novel, she exemplifies women’s subordination to men and her desire for equality. The Yellow Wallpaper is “Contemporary feminism” (Lanser 415) that explores Gilman’s emotion and is a testament to her own experience of male supremacy. Through the narrator, readers see a personal attachment that showed intensity and emotional truth of her personal life. Writing The Yellow Wallpaper exposed the effects of work deprivation on intelligent women, it served as a major act of empowerment. What the text really depicted was not Weir Mitchell’s treatment, but the combination of many factors that contributed to her illness and her perception of its causes. It brought out the destructive power of nineteenth-century marriage and the ideal of
The narrator is trying to get better from her illness but her husband “He laughs at me so about this wallpaper” (515). He puts her down and her insecurities do not make it any better. She is treated like a child. John says to his wife “What is it little girl” (518)? Since he is taking care of her she must obey him “There comes John, and I must put this away, he hates to have me write a word”. The narrator thinks John is the reason why she cannot get better because he wants her to stay in a room instead of communicating with the world and working outside the house.
In “The Yellow Wallpaper”, Gilman has carefully crafted her sentences and metaphors to instill a picture of lurid and creepy male oppression. The surface of the text contains clues about Gilman’s perceptions of the treatment and roles of women, the narrator stumbling over words like “phosphates”, her being uncertain whether the correct term was “phosphates or phosphites” (Gilman 1684), which clearly shows that in her time women had been overlooked in education and because for a time, only men had that privilege, they were able to learn what they had to in order to earn jobs, which is illustrated in her husband and her brother both being “a physician of high standing” (Gilman 1684). The character Gilman has set up has the qualities and traits of the Victorian woman...
Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” has opened many people’s eyes since it was first published in 1892. In the beginning, readers only acknowledged Gilman’s story as showing how women with mental illnesses were treated by physicians during the 1800’s. They overlooked the deeper meaning the text contained, and it was not until later that readers discovered it. Eventually, “The Yellow Wallpaper” became known as feminist literature. Gilman does a great job showing how women suffered from inadequate medical treatment, but above that she depicts how nineteenth century women were trapped in their roles in society and yearned to escape from being controlled by males.
Gilman conveyed her view of men through the use of characterization of husband, John who symbolizes authorized, controlling figure that ignores women’s feelings or thoughts. In the story, John comes out as the narrator’s husband and doctor. These positions confused him and made him think he is in higher position than his wife. John wanted to help his wife with her depression and cure but at the same time he wanted to authorize her by controlling everything of her. He demanded her not to work and ignored her emotions and thoughts. “…and am absolutely forbidden to “work” until I am well again.” (Gilman 1) “There comes John, and I must put this away, -- he hates to have me write a word.” (Gilman 2) “…tell him how I wish he would let me go and make a visit to Cousin Henry and Julia. But he said I was...
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
The ideas expressed by Gilman are femininity, socialization, individuality and freedom in the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. Gilman uses these ideas to help readers understand what women lost during the 1900’s. She also let her readers understand how her character Jane escaped the wrath of her husband. She uses her own mind over the matter. She expresses these ideas in the form of the character Jane. Gilman uses an assortment of ways to convey how women and men of the 1900’s have rules pertaining to their marriages. Women are the homemakers while the husbands are the breadwinners. Men treated women as objects, as a result not giving them their own sound mind.
“The faint figure behind seemed to shake the pattern, just as if she wanted to get out.” The woman had started seeing another female in the wallpaper, imprisoned behind bars and shaking the paper to be freed. The wallpaper began depreciating, and so did the conquering influence that male hierarchy forced on women. Women arose to reason out of line, be conscious of their overthrow, and conflict patriarchal statute. The development of the yellow wallpaper and the narrator, within the story, indicates to a triumph over John.
The Yellow Wallpaper, Written by Charlotte Perkins Gilman, is comprised as an assortment of journal entries written in first person, by a woman who has been confined to a room by her physician husband who he believes suffers a temporary nervous depression, when she is actually suffering from postpartum depression. He prescribes her a “rest cure”. The woman remains anonymous throughout the story. She becomes obsessed with the yellow wallpaper that surrounds her in the room, and engages in some outrageous imaginations towards the wallpaper. Gilman’s story depicts women’s struggle of independence and individuality at the rise of feminism, as well as a reflection of her own life and experiences.
Charlotte Perkins Gilman writes “The Yellow Wallpaper,” to show how women’s mental illness is addressed in the time. Women were treated as the lesser or weaker sex. Women’s mental illness was highly misunderstood and misdiagnosed. “The Yellow Wallpaper,” illustrates a feminist approach to mental disease. Gilman uses this work to reach out to others to help them understand a woman’s treacherous descent into depression and psychosis. There are many contributing factors to the narrator’s illness and it is easy to see the effect the men have on her. Women were treated very differently and often outcast if they did not meet a certain norm. Mental illness is one of the main factors men believe
At the time Charlotte Perkins Gilman wrote “The Yellow Wallpaper” she was considered a prominent feminist writer. This piece of background information allows the readers to see Gilman’s views on women’s rights and roles in the 18th century; “The Yellow Wallpaper” suggests that women in the 18th century were suppressed into society’s marital gender roles. Gilman uses the setting and figurative language, such as symbolism, imagery, and metaphors to convey the theme across.
He tells the narrator time and time again that she is sick. He can be viewed as a very controlling man in which everything must happen his way or not at all. John was a metaphor for the type of society in the 19th century. He is the image of a male-dominated culture where every woman and child had to follow the rules without complaint. The narrator is like a child taking orders from the male doctors in her life, even going on to say, “personally, I disagree with their ideas.”
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
John comes home to discover his wife circling the room removing the wallpaper. John faints at the sight of his, clearly, insane wife. It is notably; interesting that Gilman has John faint. Other literally works of that time often describe females fainting. It was a stereotypical “female” behavior. As John’s unconscious body lay on the floor, the narrator is forced “to creep over him every time” (Gilman. 803) She is quite, literally stepping over John and all his patriarchal ideals; as a woman she has finally freed herself. She explains at the end that she came out of the paper (Gilman. 803).
The nineteenth century was a time of male domination and female suppression. Women faced economic social and freedom of rights barricades. Men's interests and efforts were towards the important people; themselves. We see this when the narrator is genuinely concerned about something strange in the house. John shows no empathy or support towards his own wife. Alternatively john responds by telling her it "was a draught, and shut the window" (Gilman 904). Perhaps this carelessness for women contributed to the mistreatment of the female illness by just giving them drugs to cope with sickness. The narrator continuously reminds us of the social expectations of the male in relation to females. The narrator uses phrases like "one expects that" and "John says..." to reinforce male's normal actions and treatment ...
Firstly, the majority of the characters in this piece are males, while the minority, female characters playing weak and submissive roles. For example, Ford wrote, “John is identified in relation to the patriarchy first and in relation to his wife only afterwards: he is ‘a physician of high standing and one’s own husband’. In “The Yellow Wallpaper” the physician is the quintessential man, and his talk, therefore, is the epitome of male discourse” ( ). Gilman obviously shows us how society viewed the man, but also how she viewed the man. Not only was John the patriarchal figure, but he also was the ‘voice of reason’ that stunted the imagination and expressivity of his wife. This ‘voice of reason’ would make him the foil for Gilman’s narrator because she is the voice of insanity. Therefore holding true that the men hold the power, just like the gender roles have always allowed for it to