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The theme of death used in literature
Death theme in literature 123help
Use of Symbolism
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Author, Ernest Hemingway, in his novel, A Farewell To Arms, pinpricks certain rhetorical devices in his first chapter. Hemingway’s purpose is to establish the initial tone and mood of the novel. Hemingway adopts a desolate and detached tone in order to illustrate the inner workings of the main character’s mind and the general mood of the novel. The rhetorical devices of diction, symbolism, and imagery utilized in the first chapter sets the desolate tone for the entire novel to follow.
Hemingway creates a desolate tone in the first chapter of his novel with his simple yet elaborate diction. In the first few pages Hemingway’s distinct writing style is quickly displayed to the reader. This writing style being that of short sentences embedded
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with specific and substantial details and his series of sentences strung together with conjunctions. For example, "The trunks of the trees too were dusty and the leaves fell early that year and we saw the troops marching along the road and the dust rising and leaves, stirred by the breeze, falling and the soldiers marching and afterward the road bare and white except for the leaves." Hemingway’s style of writing also does not allow the reader to see what the characters are thinking, however the impressions and descriptions of the characters allow for the reader to envision the thoughts of the characters without expressly saying them. “if one of the officers in the back was very small and sitting between two generals, he himself so small that you could not see his face but only the top of his cap and his narrow back, and if the car went especially fast it was probably the King. He lived in Udine and came out in this way nearly every day to see how things were going, and things went very badly.” Hemingway gives the reader gets a sense of the narrator's attitude of the war by his description of the king and his stoic and grim statement of “how things were going.” Hemingway relies on rather his lack of details to create the tone and mood of the characters and setting of the story. Hemingway also uses the rhetorical device of Imagery with the juxtaposition of life and death in his first chapter.
The once lively trees become entrapped in dust, causing the leaves to fall sooner than they should. “The trunks of the trees too were dusty and the leaves fell early that year and we saw the troops marching along the road and the dust rising and leaves, stirred by the breeze, falling and the soldiers marching and afterward the road bare and white except for the leaves.” These leaves that are supposed to be symbols of life are now taken to hide symbols of death by the soldiers. “There were big guns too that passed in the day drawn by tractors, the long barrels of the guns covered with green branches and green leafy branches and vines laid over the tractors.” By using this imagery and symbolism Hemingway places the of themes of dying and death at the main focal point of the opening chapter of A Farewell to Arms. However the most notable symbol in the chapter is that of the rain. The rain is not symbolized as being life-giving and preserving but rather as life-taking and devastating, similar to the war itself. The first few pages tell of a plain that is illustrated as "rich with crops” but as the pages progress the rain is first seen as a symbol of death with the line, "In the fall when the rains came the leaves all fell from the chestnut trees and the branches were bare and the trunks black with rain. The vineyards were thin and bare-branched too and all the country wet and brown and dead with autumn." The symbolism of the rain is presented further with the line “At the start of the winter came the permanent rain and with the rain came cholera. But it was checked and; in the end only seven thousand died of it in the army.” The explicit connection between rain and death in this line is emphasized by the rain being followed by cholera and ultimately resulting in the death of soldiers. The beginning chapter is extremely important to the novel, as it is an
introduction through the rhetorical device of imagery to the various symbols and motifs that are established further in the novel. Although the first chapter of A Farewell to arms is fairly short it is extremely significant for setting the desolate and dreary tone of the entirety of the chapters to ensue. The first chapter sets the stage for a Farewell to Arms to be a bleak story about the harsh truths of war and takes on the overlying topic that war is not to be glorified for it is in equal measure dangerous and bleak as it is life-taking. Hemingway successfully uses the rhetorical devices of imagery and short, cise diction in the first chapter of A Farewell to Arms to establish the stoic and desolate tone of the novel.
In Kirby Dick’s influential documentary “The Invisible War,” filmmaker Kirby Dick uses pathos, ethos and logos to gain information and supplementary details to make his point that there is an epidemic of rape in throughout the DOD (Department of Defense) and the fact that military sexual trauma (MST) in the United States military goes unheard, mostly unpunished and needs to be addressed at a higher level.
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
The lament experienced by Hemingway's characters in his later works corresponds to an older perspective by both author and characters. In most cases of desperation, the later characters re...
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
Ernest Hemingway used an abundant amount of imagery in his War World I novel, A Farewell to Arms. In the five books that the novel is composed of, the mind is a witness to the senses of sight, touch, smell, hearing, and taste. All of the these senses in a way connects to the themes that run through the novel. We get to view Hemingway’s writing style in a greater depth and almost feel, or mentally view World War I and the affects it generates through Lieutenant Henry’s eyes.
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
The advertisement above is an advertisement for the United States Army. This advertisement is promoting support and interests in the United States Army. In the advertisement the main focus is to catch the viewer's eye by having a man in uniform being hugged tightly by a young, sweet innocent girl. The Army is trying to get the viewers attention through using the emotions of the viewer and the members of the Army. This advertisement is also appealing to the character, reason, and timeliness of the views.
"After a while I went out and left the hospital and walked back to the hotel in the rain" (332). This last line of the novel gives an understanding of Ernest Hemingway's style and tone. The overall tone of the book is much different than that of The Sun Also Rises. The characters in the book are propelled by outside forces, in this case WWI, where the characters in The Sun Also Rises seemed to have no direction. Frederick's actions are determined by his position until he deserts the army. Floating down the river with barely a hold on a piece of wood his life, he abandons everything except Catherine and lets the river take him to a new life that becomes increasing difficult to understand. Nevertheless, Hemingway's style and tone make A Farewell to Arms one of the great American novels. Critics usually describe Hemingway's style as simple, spare, and journalistic. These are all good words they all apply. Perhaps because of his training as a newspaperman, Hemingway is a master of the declarative, subject-verb-object sentence. His writing has been likened to a boxer's punches--combinations of lefts and rights coming at us without pause. As illustrated on page 145 "She went down the hall. The porter carried the sack. He knew what was in it," one can see that Hemingway's style is to-the-point and easy to understand. The simplicity and the sensory richness flow directly from Hemingway's and his characters' beliefs. The punchy, vivid language has the immediacy of a news bulletin: these are facts, Hemingway is telling us, and they can't be ignored. And just as Frederic Henry comes to distrust abstractions like "patriotism," so does Hemingway distrust them. Instead he seeks the concrete and the tangible. A simple "good" becomes higher praise than another writer's string of decorative adjectives. Hemingway's style changes, too, when it reflects his characters' changing states of mind. Writing from Frederic Henry's point of view, he sometimes uses a modified stream-of-consciousness technique, a method for spilling out on paper the inner thoughts of a character. Usually Henry's thoughts are choppy, staccato, but when he becomes drunk the language does too, as in the passage on page 13, "I had gone to no such place but to the smoke of cafes and nights when the room whirled and you
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Schneider, Daniel. "Hemingway's A Farewell to Arms: The Novel as Pure Poetry." Modern Fiction Studies, 14 (Autumn 1968): 283-96.
A Farewell to Arms, by Ernest Hemingway, is a story about love and war. Frederic Henry, a young American, works as an ambulance driver for the Italian army in World War I. He falls tragically in love with a beautiful English nurse, Miss Catherine Barkley. This tragedy is reflected by water. Throughout the novel Ernest Hemingway uses water as metaphors. Rivers are used as symbols of rebirth and escape and rain as tragedy and disaster, which show how water plays an important role in the story.
Hemingway’s writing style is not the most complicated one in contrast to other authors of his time. He uses plain grammar and easily accessible vocabulary in his short stories; capturing more audience, especially an audience with less reading experience. “‘If you’d gone on that way we wouldn’t be here now,’ Bill said” (174). His characters speak very plain day to day language which many readers wouldn’t have a problem reading. “They spent the night of the day they were married in a Bostan Hotel” (8). Even in his third person omniscient point of view he uses a basic vocabulary which is common to the reader.
In A Farewell to Arms, Hemingway uses the element of weather to represent overarching themes of the novel, as well to portray emotions within the characters. The novel begins in a warm and dry climate, changing to wet and muddy as Frederic's realization of war become more real. Rain and gloomy weather are present in numerous events throughout the novel, serving as a constant reminder of death and misfortune. For each scene rain is present, the characters find them self in a situation surrounded by the reality of war and death. The change in season throughout the novel serves to foreshadow future events as well to reflect Frederic's changing as a character as his realization for war evolves.
A Farewell to Arms by Ernst Hemingway contains much symbolism and foreshadowing that develop throughout the whole novel. Hemingway introduces rain as the central symbol of the novel. Rain in the novel takes the form of destruction and death. This quote on page two, “… in the fall when the rains came the leaves all fell from the chestnut trees and the branches were bare and all the country wet and brown and dead with the autumn.”, introduces rain as a primary symbol in the novel, and must be present in order to establish this symbol from the very beginning.
“A Farewell to Arms Essay – A Farewell to Arms, Ernest Hemingway.” Twentieth Century Literary Criticism 115 (1929): 121-126. JSTOR. Web. 19 Feb. 2014.