Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis of a soldier's story hemingway
Analysis of a soldier's story hemingway
Analysis of a soldier's story hemingway
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analysis of a soldier's story hemingway
Abandoning a Responsibility Has Consequences
Moral obligation arises from what society deems right and wrong; it gives an individual a sense of structure and purpose. But that is until obligation meets its rival, passion. In A Farewell to Arms, by Ernest Hemingway, Frederic is faced with the choice between his duty to the war, or his passion with his avid lover, Catherine. This conflict causes him to abandon the war effort. Henry jumps in the river to escape from the Italian army, and reunites with Catherine at a hotel in Stresa. Through Frederic Henry’s battle between his duty as a soldier and his passion as a man, Hemingway demonstrates that choosing passion over responsibility will never end desirably.
While on leave in Gorizia, Frederic
…show more content…
Henry’s affiliation with the war made him realize that there is nothing glamorous about the war. Henry shows that the war is not glorious when he says, “I did not say anything. I was always embarrassed by the words sacred, glorious, and sacrifice and the expression in vain…and the sacrifices were like the stockyards at Chicago if nothing was done with the meat except to bury it” (Hemingway 184 - 185). Words like sacred, glorious, and the expression “in vain” are abstractions. Henry believed that these words could not describe the horrors of the war. Instead, he thinks that one should describe war using dates, times, things that are tangible; it is hopeless to honor war with abstract words that patriots fought for and believed in. As Henry leaves the war for Catherine, he still acknowledges the fact that the war is a dark, depressing …show more content…
Henry serves as a volunteer ambulance driver during World War I. Henry lived in Italy at the start of the war, and since he spoke Italian, he decided to join the army. He enjoyed his life in the army, and really had no one to live for. Henry was proud of being sent to the front. Catherine Barkley altered his perception of war. He wanted to win the war so he could return to Catherine. Unfortunately, Henry soon realizes that war has no end. He no longer viewed war as a moral obligation and decides to run away from it: "They were beaten to start with. They were beaten when they took them from their farms and put them in the army. That is why the peasant has wisdom, because he is defeated from the start. Put him in power and see how wise he is" (Hemingway 179). Henry and the priest are discussing whether or not the war will end. Henry believes that something may happen, but only to the Italians because they are humble from defeat. Victors are not humble and continue to fight because they are too proud and cannot stop themselves from achieving more. Therefore, victory does not signify a war’s end. Fighting is hopeless because if one side wins the battles continue. Henry claims he has isolated himself from the war when he states, “The war was a long way away. Maybe there wasn't any war. There was no war here. Then I realized it was over for me. But I did not have the feeling that it was really over" (Hemingway 245).
War changes a person in ways that can never be imagined. Living in a war as well as fighting in one is not an experience witnessed in everyday life. Seeing people die every time and everywhere you go can be seen as an unpleasant experience for any individual such as Henry. The experiences that Henry had embraced during the Vietnam War have caused him to become an enraged and paranoid being after the war. It has shaped him to become this individual of anxiety and with no emotions. The narrator says:
Henry excites fear by stating he is passionately ready to sacrifice for his country. This play towards pathos, or appealing to the audience’s emotions, is an effective way of trying to convince the House to go to war against Britain. This pathos, combined with the logic of Henry’s speech, makes for a convincing argument. Logically taking the House step by step from stating that because he has an outlook on their situation, he should express it to them, to stating his argument before the House, to saying that lacking freedom is worse than death, then taking it full circle pronouncing he would prefer to be “give[n] death” then to have his freedom taken away by the British.
We learn that when Henry comes home from the war, he is suffering from PTSD. "It was at least three years before Henry came home. By then I guess the whole war was solved in the governments mind, but for him it would keep on going" (444). PTSD changes a person, and it doesn 't always stem from war. Henry came back a completely different person. He was quiet, and he was mean. He could never sit still, unless he was posted in front of the color TV. But even then, he was uneasy, "But it was the kind of stillness that you see in a rabbit when it freezes and before it will bolt"
The United States Army, in its current state, is a profession of arms. In order to be considered a profession, the organization must have an ethical code rooted in values, strong trust with its clients, and be comprised of experts within the trade. These experts are constantly developing the trade for the present and the future and hold the same shared view of their trade culture.
Henry is somewhat naïve, he dreams of glory, but doesn't think much of the duty that follows. Rather than a sense of patriotism, it is clear to the reader that Henry goals seem a little different, he wants praise and adulation. "On the way to Washington, the regiment was fed and caressed for station after station until the youth beloved
Later in the book, he again reflects on the war. He catalogs the proofs that he has been given — injured and half-starved countrymen — but persists in his existential doubt. He notes, “So we knew a war existed; we had to believe that, just as we had to believe that the name for the sort of life we had led for the last three years was hardship and suffering. Yet we had no proof of it. In fact, we had even less than no proof; we had had thrust into our faces the very shabby and unavoidable obverse of proof…” (94). Because he has not seen the battles, he has difficulty acknowledging the reality of war.
Suddenly, it enters your thoughts and streams throughout your mind; you begin to think, you are in a stream of consciousness. You are in your own world of random words and sentences, amounting to nothing, and at times making all the sense in your world, a world that only exists within your mind. That is exactly how a stream of consciousness works, according to Charles Bohner and Dean Dougherty (1216). Ernest Hemingway himself traverses into three streams of consciousness of his own in order to develop Henry's character and the over all theme of A Farewell to Arms, war and love and all feelings in between. For instance, while Henry is not really required to go to war, he volunteers, without thinking of the consequences and horrors of war. However, along the way, he manages to encounter love, incur physical pain, and realize the horrors of war. And so, having to face a possible death while at the front, Henry finds himself in an extraordinary position. He is somewhere between life and death and while between these two extremes his experiences shapes him into a more mature character.
The reaction of one soldier to another is the basis of war, as camaraderie is the methodology by which wars are won. Henry gave witness to the horrors of war, the atrocities of battle, the deaths of his friends, and later a life of victory. The ultimate transformation in Henry's character leading to a mature temperament was found by finding himself in the confusion of war and companionship.
It is hardly reasonable to expect a man who will forgo employment that allows such benefits like the necessity of food to attend to the needs of a war. Yet some people criticized Henry Miller because he did not take action; he hardly discussed the war in Tropic of Cancer; and, in their opinion, it is his moral obligation as a citizen-writer to address it. However, Miller is defensible only because his “mind is on the peace treaty all the time” (Miller, 143). The silence about the war in the novel suggests a stance of “extreme pacifism,” which is defensible because of his autobiographical honesty about his radical individualism and the artistic intent to describe the beauty of keeping in touch with humanity in spite of eventual annihilation (Orwell, 1 ).
Hemingway characterizes his heroes as people with strength, courage, and bravery, but even heroes have their flaws. For example, Frederic Henry, the protagonist of A Farewell to Arms, survives an artillery bombardment that kills one of his own men and badly injures him. Hemingway shows the strength of this character through his survival of the bombardment and full recovery of his wounds. Hemingway portrays Frederic as a hero through this strength. In addition, Fredric, being fully aware of the dangers from both the enemy and the Italian's, who mistake him and his drivers for German's, kill one of them, and then threaten to execute Frederic, who escapes. In this daring escape, Frederic presents his courage and bravery in a dangerous situation. Hemingway demonstrates that although one of Frederic's men dies, he is still courageous in that his escape was successful. Frederic Henry's potential as a hero is shown by Hemingway's illustration of events that depict Frederic's use of his strength, his courage, and his bravery (Lewis 46).
A Farewell to Arms has many similarities between Henry and Hemingway; the first noticeable one is that Henry, like Hemingway, was an American in the Italian army. Henry was an ambulance driver for the Red Cross, just like Hemingway was. Thomas Putnam stated in his article on Hemingway that "during the First World War, Ernest Hemingway volunteered to serve in Italy as an ambulance driver with the American Red Cross. In June 1918, while running a mobile canteen dispensing chocolate and cigarettes for soldiers, he was wounded by Austrian mortar fire." This is comparable to Henry’s experiences in A Farewell to Arms. Anders Hallengren drew the connection that both men, real and fictional, were one of the first Americans wounded in World War I. "There is a parallel in Hemingway's life, connected with the occasion when he was seriously wounded at midnight on July 8, 1918, at Fossalta di Piave in Italy and nearly died. He was the first American to be wounded in Italy during World War I." A...
Henry Fleming’s growth is demonstrated after the first battle when he becomes mentally stronger and surmounts his fear of being a coward. Henry Fleming is a romantic dreamer, inspired by visions of a chivalric type of warfare in which he becomes a mighty hero (Solomon). He reads of “marches, sieges, conflicts, and longed to see it all. (Crane, 4)” He never knows where he is going or what is expected of him until the order comes. As a “fresh fish” (Crane, 9), Henry must prove to the veterans and himself that he is not a coward although he is not sure how he will react in real combat. Henry does not have much self-confidence in himself and contains many of his fears in terror of being ridiculed. His insecurity causes him to be in the state of mental agony until he can prove that he is not a coward in the heat of the battlefield. In the first battle, Henry believes he has passed his test and is in an ecstasy of self-satisfaction. “So it was all over at last! The supreme trial had been passed. The red, formidable difficulties of war had been vanquished. (Crane, 45).” His delight with his actions can be seen when he begins to chat with his companions. There was a little flower of confidence growing within ...
Hemingway relied mostly on his morals throughout his time in the war, suggesting his dependency on his Superego and the strength of his consciousness. Hemingway acted primarily based on his Superego and moral reasoning, even going as far as volunteering for the war on the Italian front and staying in battle despite an injury that gave him medical leave (Piep). Hemingway created the novel’s main character, Frederic Henry, to embody a large part of his moral standards regarding the war: both Americans volunteering on the Italian front, willingly working as ambulance drivers, and even returning to the war despite threats to their health (Prescott). Despite their similarities in moral standards, Hemingway and Henry are most similar in terms of their large dependencies on their Superego for decision making. Hemingway was a firm believer in men volunteering and supporting the war, claiming that it was “simply my [his] duty” to serve the country not only because he was fit to serve, but as an act of moral conduct (Piep). Hemingway’s acts of selflessness can be seen repeatedly through Henry’s actions,
The novel also highlights the passionate relationship between Henry and Catherine Barkley, a British nurse in Italy. Henry’s insight into the war and his intense love for Catherine emphasize that love and war are the predominant themes in the novel and these themes contribute to bringing out the implicit and explicit meaning of the novel. Being a part of the Italian army, Henry is closely involved with the war and has developed an aversion to the war. Henry’s association with the war has also made him realise that war is inglorious and the sacrifices made in war are meaningless. Specifically, Henry wants the war to end because he is disillusioned by the war and knows that war is not as glorious as it is made up to be.
A Farewell to Arms by Ernest Hemingway displays the distraction from pain that love can provide. The characters Frederic Henry and Catherine Barkley use their romance to escape from the agony that war has brought to them. Throughout the novel, the two become isolated from the outside world as their love grows. The theme of love providing a temporary escape from loss is prominent in A Farewell to Arms. However, the distraction of love may bring Catherine and Henry pleasure, but their happiness cannot last.