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Analysis of a doll house by henrik ibsen
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Who's Needs Should Be Met? "Putting yourself first doesn’t mean you don’t care about others, It means you're smart enough to know you can't help others if you don’t help yourself first" During a certain era, it was selfish to put yourself and your needs before other's needs. Many thought that putting everyone in front was humble and that is what they should strive to do. For example, if a mother was unhappy in a marriage and wanted to leave, the people in her community would frown upon her because, saying she was being selfish. Many saying she should stay in the marriage for her children's sake, completely disregarding how it affects the mother. That is exactly what happened in A Doll House by Henrik Ibsen. A Doll House is primarily about …show more content…
She says she is very content and loves her life. However, it is later revealed that it was all a façade and she was very unhappy living a lie, saying that she felt like her and her family were living in a dollhouse and her husband was the one playing with their lives . Michael C. Wiseman, author of Nora as a Doll in Henrik Ibsen's A Doll's House, goes into more detail about the doll house metaphor. "In her dream world, Nora takes a back-seat approach to life and becomes like an object, reacting to other’s expectations rather than advancing herself. As a result of her passivity, Torvald is very possessive of, frequently adding the “my” modifier to all the pet names he calls her. In the original Riksmål2 (Boel), there are many monetary idioms, lost in translation, that advance the concept of Nora’s objectness (Wiseman)." For years, Nora stuck to the idea of "the perfect marriage". She was the perfect housewife, Torvald, her husband, was the worker, the one earning the income to support his family. She was so used to being manipulated into a mold that she accepted it and believed that she was content. He acceptance of the manipulations leads her husband to also believe that she was happy, and in turn pleasing …show more content…
However, those who argue that are incorrect. Nora leaving was not selfish since she was not being herself while living there. Her family knew her as her persona of Nora Helmer, wife of Torvald Helmer. That Nora was not her, but in fact a lie. The Nora they knew, and the actual Nora were two different people. Had Nora stayed, she would have lived an unhappy and unsatisfying life. She decided to leave for her own benefit and possibly helping her family in the long run by being her true self and
Throughout the play we never get to know who the real Nora is and what her true personality consists of. Nora also realizes that she does not know who she is, and decides to leave her life. She comments that she needs to discover who she is separate from her husband, children and more importantly society. Nora feels she is not respected, and she is a “doll” to her husband.
Torvald is the typical husband of the time of the play. He tries to control his wife and expect her to submit to him. He manipulates her through many different ways. First, he calls her pet names such as "little lark" (3) and "squirrel" (4) and speaks to her in a condescending tone, as if she is a child. He then tries to control her habits so he will not let her eat sweets or spend too much money. In fact, all the money she gets comes from him. He demands that she is subservient and treats her as almost a dog later on in the play. At the end, when Nora's secret is out, he lashes out at her and kicks her out of the house. When he wants her back after he realizes that he will no longer get into trouble for what she did, she does not want to come back, he finally realizes that she does not love him anymore and that his manipulation of her is over. This leaves him in a pickle because he now has to take care of his children without Nora, hardly a good position for him.
When confronted by Krogstad, who tells her it is against the law to sign someone else's signature, she responds, "This I refuse to believe. " A daughter hasn't a right to protect her dying father from anxiety and care? A wife hasn't a right to save her husband's life. I don't know much about laws, but I'm sure that somewhere in the books these things are allowed. " Nora simply does not understand the ways of the world, and the final realization that she is in real danger of risking hers and her husband's reputation, and worse, makes her snap out of the childish dream she had been living. & nbsp; Kristine, Nora's childhood friend, is the wisdom and support Nora needs to grow up.
Initially he views his wife as a mere possession, a toy doll. which he is able to show off at party’s to the admiration of fellow. members of powerful society, ‘curtsy here, curtsy there – and the vision of loveliness was gone as they say in fairy tales.’ However.
Torvald is constantly referring to her through the use of pet names such as (quote pet names from book) and only ever refers to her by name when he is scolding her. Not only does Torvald see her as his doll, but also as her child (quote near end of story). By keeping Nora dependent and obedient to him, he plays the role of Nora’s second father. Nora eventually sees that her daughter is being treated in the same manner that she was her entire life, as a doll. In comes Mrs. Linde, Nora’s childhood best friend, whom she greats rather hesitantly.
The Struggle for Identity in A Doll's House A Doll's House by Henrik Ibsen, is a play that was written ahead of its time. In this play, Ibsen tackles women's rights as a matter of importance. Throughout this time period, it was neglected. A Doll's House was written during the movement of Naturalism, which commonly reflected society. Ibsen acknowledges the fact that in 19th century life the role of the woman was to stay at home, raise the children and attend to her husband.
A contrasting difference in the characters, are shown not in the characters themselves, but the role that they play in their marriages. These women have different relationships with their husbands. Torvald and Nora have a relationship where there is no equality. To Torvald Nora is an object. Hence, she plays the submissive role in a society where the lady plays the passive role. Her most important obligation is to please Torvald, making her role similar to a slave. He too considers himself superior to her.
Nora 's character is a little bit complicated. she is a representative of women in her time and shows how women were thought to be a content with the luxuries of modern society without worrying about men 's outside world. However, Nora proves that this idea is entirely wrong. Nora is not a spendthrift as all people think specially her husband. on the contrary, she has a business awareness and she is mature
Lastly, the amount of deception and dishonesty between Nora and Torvald would have broken the marriage even without Krogstad’s extortion plot. Both Nora and Torvald are living in a world of lies, and both of them are not honest with each other and themselves. In the beginning of the play, Torvald and Nora are portrayed to be a perfect couple with a perfect life. Nora is seen returning home after a day of shopping and is greeted lovingly by her husband. Even though they seemed to have had some financial troubles in the past, Torvald just received a new job as a bank manager and everything seemed to be alright, but behind the scenes nothing was alright.
It is true that in Henrik Ibsen’s A Doll House, Nora learns of her autonomy after she leaves both her children and husband, Ibsen classifies Nora as said doll because she was never fully able to live for herself. Because Nora begins comparing her friends and her own very different lifestyles she rebels from her family further proving Nora’s status as a doll. In Henrik Ibsen’s
...dlike mentality and needs to grow before she can raise her own children. Her defiance of Torvald, when he refuses to let her leave, reflects her epiphany that she isn't obligated to let Torvald dictate her actions. The height of Nora's realization comes when she tells Torvald that her duty to herself is as strong as her duty as a wife and mother. She now sees that she is a human being before she is a wife and mother and she owes herself to explore her personality, ambitions, and beliefs.
Nora had to leave or she would never flourish and be liberated as an independent woman. This is found toward the end of the play. When Torvald forgives his upset wife for forging her ...
In act one we see the way Nora behaves and the way Torvald treat Nora. In front of her husband Nora seams submissive and she also acts childish. When Nora goes to show him the things she had purchased for the children he hears her coming and he tells Nora “Is that my little lark twittering out there. Is that my squirrel rummaging around?” (Ibsen 794). Nora does not mind that Torvald has these pets name for her and she even calls herself these pets’ names. Nora tells her husband “Hm, if you only knew what expenses we lark and squirrels have, Torvald” (Ibsen 796). I believe that by Nora doing this she is giving Torvald the consent to continue calling her by pet names. In my opinion this is not a normal behavior for a marriage couple. But it seems like Nora did not care that Torvald treated her like a child or called her pet names, what was important to her was the money that Torvald was giving her.
The story, “A Doll’s House”, holds very true to the time it was written in. Most of the themes reflect what was actually happening during the era and even what the era began to lead into. Reading these types of stories in today’s day and age, it is hard to imagine what it was truly like during those ages, but for them, it was an everyday
In A Doll 's House by Henrik Ibsen, Nora lives her life accordingly to society and her husband’s wishes. She displays a decorated version of herself to people around her. Nora appears confident and blissful on the outside, when she is really perplexed and anxious on the inside. Nora places Torvald’s happiness above her own, lives in a state of deception, and makes the decision to break away from her old life of illusion to create her own wonderful thing.