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The analysis of a doll's house
The analysis of a doll's house
Roles of women in the Victorian era
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A Doll's House: Nora Perceived by Other Characters
In the Victorian age many woman were thought of as mere objects. Most
woman has no real social status and were not allowed to express themselves
freely. A Doll's House, a play by Henrik Ibsen, has brought controversy to the
conclusion in which Nora leaves her family. Nora perceived in many different
ways is the catalyst that forces Nora to leave her family. Many people had
found it difficult to understand how Nora could dessert her husband and children.
In the Victorian Age it was not only unheard of to walk out on your loved ones
but unethical as well. There are many incidents that inch by inch helps Nora
come to the conclusion that she must leave her home and family. As Nora states "
My first duty is to myself" (Ibsen 68 ). Her husband, Torvald, treats Nora more
as a possession then an equal partner. He uses, manipulates and molds her to
fit perfectly into his facade. Krogstad, a morally diseased man who works for
Torvald, also uses Nora to gain a higher position at work. He believes herto be
an easy target for blackmail. Nora's best childhood friend, Christine Linde,
helps her realize that a woman can think, act and live independently for herself.
As Nora realizes that she must find her true self, the ways in which Krogstad,
Christine and Torvald perceive her dramatically change.
Christine Linde, a woman who has had to live independently since her
husband died, suddenly comes back to visit Nora and finds Nora has not changed
from her childish ways in high school. Nora for an instant does not recognize
her old friend because of the time that has passed since the last time she saw
her. Christine tells Nora of her husband's passing and how he did not leave her
any money or "even any sorrow or grief to live upon" (Ibsen 6). She tells Nora
how she had to marry him because of her ailing mother and two younger brothers.
She needed someone who could take care of her and her family financially. Now
she is on her own and looking for a job to support herself. Nora expresses her
sympathies and promptly brags about Torvald's promotion at the bank. She is so
excited at the importance of his job and more importantly the money that will
begin to start pouring in. Nora thinks it will be wonderful not having to worry
about money and being able to shop at any time for a...
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...ther, thus ironically pushing her toward
finding new ways to relate to society. When moments he later
receives Krogstad's second letter and restores her to her
status as delicate possession she recognizes the he is once again
trying to cut off her change to grow and become involved in the
world (Hornby 100).
In effect Torvald alienates Nora into leaving her home and her family.
The ways in which Torvald, Christine and Krogstad perceive her all had a
direct effect on Nora's leaving Torvald. Christine at first thought Nora to be
childish but then realizes it was just an act she played to fit in Torvald's
facade. She learns that even though Nora always had someone to take care of her
she has had to struggle internally with who she really is and how she acts.
Krogstad along with Torvald both use and manipulate Nora for their own
advantages. Both cared nothing about her thoughts or feelings. Throughout the
play Nora begins to realize that she no longer wants to play Torvald's role
anymore. Torvald's failure to take the blame on himself is when Nora finally
realizes she must find herself because she can not continue to live in the
facade world that Torvald put her in.
Ibsen created an environment for women to question the society they lived in. Nora and Hedda, two feminists living in a masculine household bereft of happiness, desired to evade their unhappy life at home under the guidance of a man. Eventually, both women escaped from their husband’s grasp, but Hedda resorted to suicide in order to leave. Nora agreed with Lois Wyse by showing her strengths with pride to everybody, while Hedda hid her strengths like a coward by killing herself. Ibsen used numerous literary elements and techniques to enhance his writing and to help characterize the two protagonists.
Nora lives in a dream world, a child fantasy, where everything is perfect, and everything makes sense. She thinks that the world would never condemn a woman who tries to save her husband's life or protect a dying father. When confronted by Krogstad, who tells her it is against the law to sign someone else's signature, she responds: " This I refuse to believe. A daughter hasn't a right to protect her dying father from anxiety and care? A wife hasn't a right to save her husband's life? I don't know much about laws, but I'm sure that somewhere in the books these things are allowed." Nora simply does not understand the ways of the world, and the final realization that she is in real danger of risking hers and her husband's reputation, and worse, makes her snap out of the childish dream she had been living.
Although Krostad’s blackmail does not change Nora’s whimsical nature, it opens her eyes to her underappreciated potential. “I have been performing tricks for you, Torvald,” (Find a different quote perhaps?) she exclaims in her confrontation with Torvald. She realizes that she has been putting on a facade for him throughout their marriage. Acting like someone she is not in order to fill the role that her father, Torvald, and society expected her to have.
...ment about how Torvald doesn’t like for her to eat them. Nora lies and says Kristine brought them too her. As Nora’s secret side is revealed, her life seems anything but perfect. As we look at the character change in Nora, we see two different sides to her. The beginning of the play reveals a woman totally dependent on her husband for everything,. It isn’t until the end of the play that she realizes she can be herself and she doesn’t have to depend on her husband. Nora realizes “that if she wants an identity as an adult that she must leave her husband’s home” (Drama for Students 112). By examining Nora, we see from Ibsen’s theme that if we ignore all the expectations the social world has for a person, our true selves can be revealed.
The inferior role of Nora is extremely important to her character. Nora is oppressed by a variety of "tyrannical social conventions." Ibsen in his "A Doll's House" depicts the role of women as subordinate in order to emphasize their role in society. Nora is oppressed by the manipulation of Torvald. Torvald has a very typical relationship with society.
Torvald explained to Nora that keeping Krogstad on at the bank would appear to others that he is easily swayed by his wife. Torvald has also complained about Krogstad’s use of his first name at the bank. Of course, Torvald’s true feelings about his appearance come out explicitly during his fit of rage in the end. Torvald is excessively consumed with how others view him and has no moral objections to having his wife perform sultry dances in front of other men.
... she is shedding her doll-like world and seeking self-realization and fulfillment. Nora’s purpose is pure in striving to dig to deep into her identity and values as a woman, a part from the dollhouse.
Nora’s very first impression to her readers would of a responsible, obedient, money loving and a very childish wife. In the first act of the play audience would realize that all Nora wants is money from her husband Torvald. A act was describe when the two characters finally meets in the play and there was time when Nora was showing what she got for her kids for Christmas and when she was asked what she wants for Christmas all she answered was money. It was hard to eliminate the way Torvald especially addressed Nora it seemed as if though she was a little girl or even his pet. “My little lark mustn’t droop her wings like that. What? Is my squirrel in the sulks?” (Ibsen 842).
A contrasting difference in the characters, are shown not in the characters themselves, but the role that they play in their marriages. These women have different relationships with their husbands. Torvald and Nora have a relationship where there is no equality. To Torvald Nora is an object. Hence, she plays the submissive role in a society where the lady plays the passive role. Her most important obligation is to please Torvald, making her role similar to a slave. He too considers himself superior to her.
Torvald is the only one in the family who works and provides for his family who needs to survive in their lifestyle. Because of this, Nora must always go and ask for money from Torvald, hoping for his acceptance of her using his income. Nora also had no possessions to her name because when a woman got married, all her possessions were considered under the control of her new husband.... ... middle of paper ...
Role play is a big part of “A Doll House” by Henrik Ibsen because all the characters pretend to be someone there not instead of being their selves. The one who stands out the most though is Nora. It’s almost like she lives two different lives because of how differently she acts. Nora is claimed to be Torvald’s childish, loving wife and is unknowingly a strong, independent woman. She was known as the playful, trophy wife by everyone at the beginning of the play, but as the play goes on she is shown as a self-empowering, eager woman.
nicknames shows that Torvald feels superior to Nora. He wants to keep her small and
At the beginning of "A Doll's House", Nora seems completely happy. She responds to Torvald's teasing, relishes in the excitement of his new job, and takes pleasure in the company of her children and friends. Nora never appears to disagree with her doll-like existence, in which she is cuddled, pampered and patronized. As the play progresses, Nora's true character appears and proves that she is more than just a "silly girl" as Torvald calls her. Her understanding of the business details related to the dept she incurred in taking out a loan to help Torvald's health shows her intelligence and her abilities beyond being merely a wife. The secret labor she undertakes to pay off her dept demonstrates her determination and ambition. In addition, her willingness to break the law in order to aid her...
Nora loves her husband very much, even to the point of idolizing him. As she first enters the home with the Christmas packag...
As the play goes on, Nora seems to transform from her delicate little character into something much more. At the end of act one, Krogstad goes to Nora for the recollection of the money she had borrowed from him. "You don?t mean that you will tell my husband that I owe you money?" (21). Since Nora was wrong in doing so socially, she could not tell Torvald or anyone else about her problem. Not only would that affect their social standard but also Torvald's ego, which inevitably would happen anyway. After Krogstad threatens to expose Nora for forging her father's signature, she realizes that no matter what she does Torvald was going to know the truth. The flaw with...