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Nora's identity in a doll's house
Nora's identity in a doll's house
Themes raised in the play A doll's house by Henrik Ibsen
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Trovold Helmer is a key character in Henrik Ibsen’s “A Doll’s House” who. He is obviously the head figure of the Helmer family, but he does not always treat his wife as if she were his right hand in the family. He is clearly knowledgeable in the realm of money. He is not stingy, but is cautious with money and warns Nora, his wife, to do the same. In fact, he practically complains about the way she spend money without concern for the next day. Trovold explains to her “Suppose… I borrowed fifty pounds today… then on New Year’s Eve a slate fell on my head and killed me” (Ibsen 1.770). Of course, she did not like the scenario, but he still makes his argument. Furthermore, as a husband, Trovold treats Nora as a child. He questions her loyalty …show more content…
She proves to have very little respect for the limitations set for the women of her society and time. She regards money as something that allows them to “be a bit more reckless” (1.770). Nora practically does not recognize money’s negative influence on life, as she seemingly borrows it without her husband’s consent, which was also illegal at the time. She seems to have good interest and motivation, but she is reckless and childish in her finances. Lastly, the reader finds very quickly that Nora surrounds herself with secrets, and not good secrets. Even though this is made clear to the reader, she denies it to her husband Trovold. When he confronts her about eating macaroons she responds with a repetition of denial; “No, I assure you… No, certainly not… No Trovold, I assure you really” (1.772). Knowing that she is lying allows the reader to conclude to her deceptive attitude towards satisfying her husband. These secrets that she surrounds herself with become the main plot of the drama, but they also reveal the true deceptive nature of Nora, rather than the humble submissive preset that her society has in
In Act I, it seems evident that Nora does not understand the actual value of money but she has an infatuation with luxuries such as expensive Christmas gifts and she justifies this by buying less expensive clothes, which she has confided in Mrs. Linde, her friend. Helmer, immediately labels his wife as a “little spendthrift” (Ibsen, 660). She seems to think that money can be easily borrowed and paid back.
So Nora throughout the story her personality and how she handles certain things through the story changes a lot. From being a happy person and having a very loving family with her husband Torvald, but as the story escalates the small lies during the story starts the beginning of a very tough road. From the lies from Torvald and doing things behind his back like breaking the law, and the blackmail threats. All the drama escalates to her ending up wanting to kill herself, but in the end she needed to be on her
Throughout A Doll’s House, Henrik Ibsen illustrates through an intriguing story how a once infantile-like woman gains independence and a life of her own. Ibsen creates a naturalistic drama that demonstrates how on the outside Nora and Torvald seam to have it all, but in reality their life together is empty. Instead of meaningful discussions, Torvald uses degrading pet names and meaningless talk to relate to Nora. Continuing to treat Nora like a pampered yet unimportant pet, Torvald thoroughly demonstrates how men of his era treat women as insignificant items to be possessed and shown off. While the Helmer household may have the appearance of being sociably acceptable, the marriage of Torvald and Nora was falling apart because of the lack of identity, love, and communication.
Unwilling to accept her supposed role in society, Nora wanted to figure out whether women should live under the guidance of men or if they should make decisions based on their own knowledge. Nora could not tolerate abiding by the rules of her male-dominated society. It took much fortitude for Nora to rebel against the views of the majority of people, and to reflect on the information she got herself instead of letting it be determined by another.
This becomes one of the main driving forces of Ibsen’s play. (Quote from Torvald and the money). It immediately distinguishes the differences in gender roles and morals in Norway during the late 1800’s. While Nora is willing to give the porter twice what is owed, we assume she is full of holiday spirit; Torvald has a much more sensible outlook on financial concerns. While he jokingly calls her his little spendthrift, he asserts that her lack of understanding is a result of her gender “Nora, my Nora, that is just like a woman” (Ibsen). Torvald believes that her place in the home is simply ornamental, a trophy that serves as decoration for his home. Torvald is constantly referring to her through the use of pet names such as (quote pet names from book) and only ever refers to her by name when he is scolding her. Not only does Torvald see her as his doll, but also as her child (quote near end of story). By keeping Nora dependent and obedient to him, he plays the role of Nora’s second father. Nora eventually sees that her daughter is being treated in the same manner that she was her entire life, as a
During the time in which the play took place society frowned upon women asserting themselves. Women were supposed to play a role in which they supported their husbands, took care of their children, and made sure everything was perfect around the house. Work, politics, and decisions were left to the males. Nora's first break from social norms was when she broke the law and decided to borrow money to pay for her husband's treatment. By doing this, she not only broke the law but she stepped away from the role society had placed on her of being ...
Nora was raised and socialized by her father. He kept her as a doll and never required or expected much from her. The same treatment continued from her husband Torvald. In a world where nothing is expected from Nora, it is easy to think she is spoiled. But, as many women of that time, she wanted to be seen for the smart and intellectual woman that she was. She basically saved her husband’s life but had to continue to act as Torvald’s fool. Sympathy for Nora is not only possible, it’s practically required.
Torvald Holmer's refusal to borrow money displays the character of a proud and controlling man. Helmer provided the financial support for his family through hard work, not depending on others for money. When Torvald's law practice did not provide financially, he sought a job at the bank. After Helmer received a promotion at the bank, Nora felt they could now afford to be extravagant for Christmas. Nora says, "This is the first Christmas that we have not needed to economize." Torvald announces that his promotion is not until ". . . after the New Year," so Nora blurts out ". . . we can borrow till then." Helmer interprets Nora's spending of money as wasteful and foolish, telling her "That is like a woman! ...There can be no freedom or beauty about a home life that depends on borrowing and debt." Obviously Torvald earns and manages the money in the house, and he attributes Nora's lack of understanding of these matters to her gender. Torvald views a woman's place to beautify the home through proper management of domestic life, behavior, and appearance. Helmer demeans Nora about spending in calling her "sweet little spendthrift, but she sure uses up a deal of money . . . " After accusing Nora of being irresponsible with money, Torvald rejoices at her dependence on him stating, ". . . Is my little squirrel out of temper? ...what do you think I have here?" Nora exclaims, "Money!" Torvald finds merriment in watching her happy reaction to him giving her money, and Nora saying, ". . . Thank you, thank you, . . . " This illustrates the helplessness of Nora and her dependence on Helmer, causing him to feel in control.
Nora 's character is a little bit complicated. she is a representative of women in her time and shows how women were thought to be a content with the luxuries of modern society without worrying about men 's outside world. However, Nora proves that this idea is entirely wrong. Nora is not a spendthrift as all people think specially her husband. on the contrary, she has a business awareness and she is mature
Torvald is the only one in the family who works and provides for his family who needs to survive in their lifestyle. Because of this, Nora must always go and ask for money from Torvald, hoping for his acceptance of her using his income. Nora also had no possessions to her name because when a woman got married, all her possessions were considered under the control of her new husband.... ... middle of paper ...
From the start of the play, we see that Nora’s entire focus is on money. “Won’t it be lovely to have stacks of money and not a care in the world” (703), Nora asks Mrs. Linde. Almost every conversation she has in the play is related to money in some way or another. When Torvald, her husband, asks her what she wants for Christmas, she tells him, “You could give me money, Torvald. . . . Then I could hang the bills in pretty glit paper on the Christmas tree. Wouldn’t that be fun” (699)? Her carefree way of handling money exasperates her husband. He wants to make her happy, but he isn’t able to give her what he doesn’t have. He doesn’t know about the loan, at first, and, to him and the audience, it appears that she is just throwing her money away hopelessly.
In Henrik Ibsen’s play, A Doll House Ibsen describes the perfect family and the conflicts within. Ibsen examines the normal lives of the Helmer family through the eyes of the wife, Nora Helmer. She goes through a series of trials as she progresses through the play and with each trial she realizes something is missing in her life. Ibsen examines the struggles within the house.
At the beginning of "A Doll's House", Nora seems completely happy. She responds to Torvald's teasing, relishes in the excitement of his new job, and takes pleasure in the company of her children and friends. Nora never appears to disagree with her doll-like existence, in which she is cuddled, pampered and patronized. As the play progresses, Nora's true character appears and proves that she is more than just a "silly girl" as Torvald calls her. Her understanding of the business details related to the dept she incurred in taking out a loan to help Torvald's health shows her intelligence and her abilities beyond being merely a wife. The secret labor she undertakes to pay off her dept demonstrates her determination and ambition. In addition, her willingness to break the law in order to aid her...
The women had very little influence on what their husbands thought, how they acted, or what they did. Nora followed many of Torvalds’s commands, allowing him to hear little of what she did behind his back. In a scene where Krogstad asked her for a favor to convince Torvald to let him keep his position at the bank, Nora responds with, “What should make you think I have any influence of that kind with my husband?” (24). This proves that Nora would have little effect on her husband. Many of the times she tried to talk to him, he would easily demean her. He would call her his “little skylark” or other names what would make her feel like a child with little power over him. During the 1870’s women had a hard time finding positions in their home and in life without the influence of their husband. It wasn’t until after the 1870’s that women officially started to gain more rights, such as voting, divorce rights, and property claims.
Nora Helmer was a delicate character that had been pampered all of her life, by her father, and by Torvald. She really didn't have a care in the world. She didn't even have to care for the children; the maid would usually take care of that. In every sense of the word, she was your typical housewife. Nora never left the house, mostly because her husband was afraid of the way people would talk. It really wasn't her fault she was the way she was; it was mostly Torvald's for spoiling her. Nora relies on Torvald for everything, from movements to thoughts, much like a puppet that is dependent on its puppet master for all of its actions. Her carefree spirit and somewhat childish manners are shown throughout the play with statements such as, "Is that my little lark twittering out there?" (1). "Is it my little squirrel bustling about?" (2). A lark is a happy, carefree bird, and a squirrel is quite the opposite. If you are to squirrel away something, you were hiding or storing it, kind of like what Nora was doing with her bag of macaroons. It seems childish that Nora must hide things such as macaroons from her husband, but if she didn't and he found out, she would be deceiving him and going against his wishes which would be socially wrong.