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The themes of conflict in a doll's house
A doll house summary
The themes of conflict in a doll's house
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A Doll’s House, written by Henrik Ibsen, is an intriguing story of a marriage that falls apart as the wife, Nora Helmer, realizes she has been living as simply a doll in her husband’s doll house. As the story begins, we learn of Nora’s secret, a loan in which she has committed forgery in order to obtain. The loan was used for a trip that the Helmer’s took when Torvald grew ill. Krogstad, the man in which Nora has borrowed the money from, blackmails Nora in hopes that her husband, Torvald, will let him keep his job. As the story develops, Nora’s anxiety grows as her husband grows closer to learning about what she has done. Throughout the story, the main conflict between Nora and Torvald is obvious, but the use of minor characters to help her develop is less evident. The use of minor characters in A Doll’s House is necessary in telling the story of Nora and how she became aware of the mistreatment she facing daily. …show more content…
When Nora needed a loan to afford to take her family to Italy to help Torvald, she looked everywhere. The trip was important for Torvald’s health and knowing that he would never let her take out a loan, she tells him that her father left her some money when he died. Eventually, she loaned money from Krogstad, a banker that Torvald eventually fires. When she signed for the loan she forged her father’s signature after he passed so that she could get the money and for a while there was no suspicion. A couple months later, when Krogstad’s job was in danger due to her husband’s new promotion, looked further into the document and realized it had been forged. He used the forgery to blackmail her into convincing her husband to let him continue to
The central theme of A Doll's House is secession from society. It is demonstrated by several of its characters breaking away from the social standards of their time and acting on their own terms. No one character demonstrates this better than Nora.
Throughout A Doll’s House, Henrik Ibsen illustrates through an intriguing story how a once infantile-like woman gains independence and a life of her own. Ibsen creates a naturalistic drama that demonstrates how on the outside Nora and Torvald seam to have it all, but in reality their life together is empty. Instead of meaningful discussions, Torvald uses degrading pet names and meaningless talk to relate to Nora. Continuing to treat Nora like a pampered yet unimportant pet, Torvald thoroughly demonstrates how men of his era treat women as insignificant items to be possessed and shown off. While the Helmer household may have the appearance of being sociably acceptable, the marriage of Torvald and Nora was falling apart because of the lack of identity, love, and communication.
Upon reading “A Doll’s House” by Henrik Ibsen, many readers may find the character Nora to be a rather frivolous spending mother of three who is more concerned about putting up a front to make others think her life is perfect, rather than finding herself. At the beginning of the play, this may be true, but as the play unfolds, you see that Nora is not only trying to pay off a secret debt, but also a woman who is merely acting as her husbands “doll” fulfilling whatever he so asks of her. Nora is not only an independent woman who took a risk, but also a woman whose marriage was more along the lines of a father-child relationship.
Nora and Torvald lack one of the key elements needed to make a marriage work. Good communication allows you to better understand your partners needs and to unite as a team to solve problems or comply. When Torvald got sick and the only thing to save his life was to move to the south; Nora found a way to procure the money and forged her father’s signature to obtain the loan. The most heroic action of her life is an unforgivable crime in the eyes of society. Nora has kept this a secret from Torvald. “A man who has such strong opinions about these things! And besides, how painfully and humiliating it would be for Torvald, with his manly independence, to know that he owed me anything! It would upset our mutual relations altogether; our beautiful happy home would no longer be what it is now.”(12) To pay back the loan, Nora has worked without her husband’s consent, staying up late nights copying, to earn money and saving a bit from what Torvald gives her. “Whenever Torvald has given me money for new dresses and such things I have never spent more than half of it; I have always bought the simplest and cheapest things.”(13) Without trust, honesty can never be obtained. There was poor communication throughout their entire marriage and only at the end, after eight years of being married d...
Not only does she lie about eating the macaroons to her husband, but she also once told Dr. Rank. The most serious deception is that of the loan she took out in order to save her husband’s life. While this is an extravagant lie, we can find it in ourselves to forgive Nora because her actions were selfless. Perhaps if Torvald could accept his wife instead of constantly feeling the need to control her, she would not have lied to him.
Henrik Ibsen’s screenplay A Doll’s House is a tantalizing story between a married couple and their lives during the 19th century; an era which for woman was highly oppressed, period in time where men ruled the household as business, whereas their wife played the docile obedient lady of the home. Therefor they followed their husbands and fathers implicitly until Nora. Nora sets the stage of her life, starting in her father’s home; she is a stage onto herself. According to Ibsen; little secrets told not only to ourselves but to those around us, find a way to resurface. The ability to understand changes as life’s little secret unfold their true meaning is found in A Doll’s House being played out with Nora learning the art of manipulation of lies.
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
A Doll 's house is one of the modern works that Henrik Ibsen wrote. He was called the father of modern drama .He was famous for writing plays that related to real life. A Doll 's House is a three-act play that discusses the marriage in the 19th century. It is a well-made play that used the first act as an exposition. The extract that will be analyzed in the following paragraphs is a dialogue between Nora and the nurse that takes care of her children. This extract shows how she was afraid not only of Krogstad blackmail, but also of Torvald 's point of view about those who committed any mistake. Torvald says that the mothers who tell lies should not bring up children as they are not honest . Nora is also lying to her family and to Torvald. So she is afraid because she thinks she maybe 'poisoning ' her own children. The analysis of this extract will be about of Nora 's character, the theme, and the language in A Doll 's House.
Torvald is the only one in the family who works and provides for his family who needs to survive in their lifestyle. Because of this, Nora must always go and ask for money from Torvald, hoping for his acceptance of her using his income. Nora also had no possessions to her name because when a woman got married, all her possessions were considered under the control of her new husband.... ... middle of paper ...
In Henrik Ibsen’s play, A Doll House Ibsen describes the perfect family and the conflicts within. Ibsen examines the normal lives of the Helmer family through the eyes of the wife, Nora Helmer. She goes through a series of trials as she progresses through the play and with each trial she realizes something is missing in her life. Ibsen examines the struggles within the house.
In order to successfully borrow the money, Nora had to illegally sign for her father to receive the loan. Behind Torvald 's back, Nora forged the signature to ensure that the money would arrive before her husband became too ill. Mrs. Linde cautioned Nora that "a wife cannot borrow [money] without her husband 's consent" (Ibsen Act 1). Despite Nora being aware of this law, she pursued the illegal act anyway. This revealed that Nora was willing to anything out of the best interest for her husband. Nora reminds Mrs. Linde that it would be "painful and humiliating...if Torvald [knew] that he owed [her] anything. It would upset [their] mutual relations together" (Ibsen Act 1). Nora 's main focus is to make sure her husband maintains his male dominance within their marriage. This is the turning point in which the audience realizes that Nora is not solely abusing her marriage with Torvald for his money, but rather she is a driven wife is willing to risks to protect her
At the beginning of "A Doll's House", Nora seems completely happy. She responds to Torvald's teasing, relishes in the excitement of his new job, and takes pleasure in the company of her children and friends. Nora never appears to disagree with her doll-like existence, in which she is cuddled, pampered and patronized. As the play progresses, Nora's true character appears and proves that she is more than just a "silly girl" as Torvald calls her. Her understanding of the business details related to the dept she incurred in taking out a loan to help Torvald's health shows her intelligence and her abilities beyond being merely a wife. The secret labor she undertakes to pay off her dept demonstrates her determination and ambition. In addition, her willingness to break the law in order to aid her...
In the play, Torvald also doesn’t trust Nora with money, when Nora wants money instead ...
The literary work, A Doll’s House, was written by Henrik Ibsen and has been a historical work of literature since the late 1800’s. There are many themes through out the story that impose the different ideals of the 1870’s. Many of the characters reflect the time period through the positions they hold, the activities they do, as well as how they behave and act. Torvald Helmer and his wife Nora traditionally represent the upper-middle class in the way they present themselves, what types of activities they engage in, as well as what they do as an everyday task.
When Krogstad, who works for her husband, finds out, he blackmails her to try and keep his job. Torvald fires him unbeknownst to the situation. At the end of the play, the connection between relationships and the tension is shown. When Nora’s husband finds out about the loan, he harasses her, calling her a lunatic. Then, he tries to reconcile with her upon learning that Krogstad has forgiven the loan, but