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Environmental writing essay
Environment essay writing
Environmental writing essay
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A Day in the Forest
It was a calm, overcast day, and I found myself resting at the side of a large oak tree, admiring the beauty of the woods that surrounded me.
The sunless sky covered the woods over the treetops which created a canopy over my head. The crimson and auburn foliage was a magnificent sight, as this was the season known as Fall. There was a gentle breeze, creating the single sound of rustling leaves. The leaves appeared as though they were dying to fall out of the tree and join their companions on the forest floor. Together with pine needles and other flora the leaves formed a thick springy carpet for me to walk upon.
In the distance, the trail along which I had been walking wound through a thick velvet fog. Lining the path were tall trees that stoo...
"Into The Woods," is a mixture of Cinderella, Little Red Ridinghood, Jack In The Bean Stalk, Rapunzel, and The Baker and The Baker's Wife. It was held at the Springfield Theatre on Lawrence Street, on the eighth day of the tenth month of the year 2000. The plays were not separated in their own section the whole time. They mixed them all together most of the time. It was very interesting and entertaining. This musical was set in the woods (the whole time). Every skit was just like the original ones, but they put a little twist to them to make them funnier.
Inspired by Beckett’s literary style, particularly in ‘Waiting for Godot’, Stoppard wrote ‘Rosencrantz and Guildenstern are Dead’. As a result of this, many comparisons can be drawn between these two plays. Stoppard’s writing was also influenced by Shakespeare’s ‘Hamlet’. Rosencrantz and Guildenstern as minor characters exist within Shakespeare’s world providing Stoppard with his protagonists. However, the play is not an attempt to rewrite ‘Waiting for Godot’ in a framework of Shakespeare’s drama.
It was simply amazing hiking out there, the mountains covered in tall trees that dug into the rocky soil, the beautiful sky, when visible. Even in the midst of strenuous exercise I still en...
Rosencrantz and Guildenstern are Dead (R and G…) by Tom Stoppard is a transformation of Shakespeare’s Hamlet that has been greatly influenced due to an external contextual shift. The sixteenth century Elizabethan historical and social context, accentuating a time of questioning had specific values which are transformed and altered in Stoppard’s Existential, post two-world wars twentieth century historical and social context. The processes of transformation that are evident allow the shifts in ideas, values and external contexts to be clearly depicted. This demonstrates the significance of the transformation allowing new interpretations and ideas about reality as opposed to appearance, death and the afterlife and life’s purpose to be displayed, enabling further insight and understanding of both texts.
Rosencrantz and Guildenstern are Dead, written in the 1960s by playwright Tom Stoppard, is a transforation of Shakespeare’s Hamlet. Stoppard effectively relocates Shakespeare’s play to the 1960s by reassessing and revaluating the themes and characters of Hamlet and considering core values and attitudes of the 1960s- a time significantly different to that of Shakespeare. He relies on the audience’s already established knowledge of Hamlet and transforms a revenge tragedy into an Absurd drama, which shifts the focus from royalty to common man. Within Rosencrantz and Guildenstern are Dead, Stoppard uses a play within a play to blur the line that defines reality, and in doing so creates confusion both onstage- with his characters, and offstage- with the audience. Using these techniques, Stoppard is able make a statement about his society, creating a play that reflected the attitudes and circumstances of the 1960s, therefore making it more relevant and relatable to the audiences of that time.
Tom Stoppard based the play Rosencrantz and Guildenstern Are Dead on the play Hamlet; he shows Hamlet from the perspectives of two minor characters – Rosencrantz and Guildenstern. The perspective of these characters exaggerates what Hamlet goes through, makes the understanding of the play as a whole more complicated, and confuses the readers. Despite these negative effects, readers are able to see the play Hamlet in a new light.
Sometimes the grasshoppers would appear from around a blade of grass as if they were asking for approval to jump on my blanket. Every so often a leaf would jump off its branch to greet me as I sat. It would float through the air as light as feather and land softly on the grass. As the autumn drew near, it was like a rainstorm of brown, yellow and red leaves, all falling to make way for the beautiful spring leaves.
I pulled into the driveway of my house and parked my car. I grabbed my coat and bag and opened the door. When I got out I instantly began to smell the sweet aroma of the long rose bushes making their way out of our fence and into the world of our driveway. I was so captivated by the fall breeze, and the beautiful smell of fall in the air that I didn't even know that I was to the door. As I snapped back into reality, I looked up and I was standing at my doorway.
In the play Rosencrantz and Guildenstern are Dead the author, Tom Stoppard uses the two main characters to allude to the real world’s lack of individuality and numerous amount of identities people present. Throughout the play, Rosencrantz and Guildenstern are repeatedly asked, and ask themselves who is Rosencrantz and who is Guildenstern. By the end of the play, no determination has been made between the two characters. The only way the reader could tell who it who is by looking at the dialogue printed in the script, but watching the play or the movie the two characters are almost indistinguishable.
Stoppard's absurd comedy, Rosencrantz and Guildenstern Are Dead is a transformation of the Shakespeare's revenge tragedy Hamlet. They both contain common characters and events but are separated by their historical, social and literary contexts. The plays are also different in language, theatrical style, values, character and themes.
We slowly crept around the corner, finally sneaking a peek at our cabin. As I hopped out of the front seat of the truck, a sharp sense of loneliness came over me. I looked around and saw nothing but the leaves on the trees glittering from the constant blowing wind. Catching myself standing staring around me at all the beautiful trees, I noticed that the trees have not changed at all, but still stand tall and as close as usual. I realized that the trees surrounding the cabin are similar to the being of my family: the feelings of never being parted when were all together staying at our cabin.
One day, there was a man, walking through the woods to get back home. The man had quite a way to go to get back home but, it was getting late, and all he had was a flashlight, a small knife, and a video recorder. The man was hearing weirder and weirder noises as he was walking, he was also starting to see weird shapes in the distance, almost as if it was a tall thin man looking at him with tentacle like things coming out of his back, and spreading in the air.
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.
I wandered around the path near the lake because it was always peaceful and quiet there in the morning and the trees that hung over the wide walkway only drew me in more. The cool wind blew continuously, and some of the leaves that barely hung on to the branches were pulled along with it. They floated while dropping slowly, and one of the leaves chose my head as a landing spot. I brushed my hair with my hand, not caring if doing so messes up my hair, since the wind already accomplished that job the second I took a step outside my house.
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