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The ‘Up on your feet’ passage is a famous excerpt from Dante’s Inferno. It is quite inspirational, for good purpose; the passage is half directed at Dante the pilgrim, and half at Dante the poet (his self). He needed just as much inspiration to finish writing the dang thing as his fictional self needed inspiration to make it through hell. That is where Virgil’s brief monologue comes in. Through his words, he is able to hype Dante up enough to want to finish writing Inferno, and make it through hell. But what does he say that is so inspirational? How does this passage fit in with the rest of the poem? The ‘Up on your feet’ passage can be broken into three parts, each with its own individual meaning. The three parts of the ‘Up on your feet’ passage in Dante’s Inferno relate to the rest of the poem because they address how far Dante has already come, his immediate future, and the rest of his journey.
Initially, the first part of the ‘Up on your feet’ passage relates to the rest of the poem because it discusses how far Dante has already come. In lines 46-51, it is clear that Dante means for Virgil to be reminding Dante the pilgrim of what he has accomplished already, as well as warning him of the consequences resulting from inaction. “Up on your feet! This is no time to tire! The man who lies asleep will never waken fame, and his desire and all his life drift past him like a dream and the traces of his memory fade from time like smoke in air, or ripples on a stream. (Lines 46-51)” Virgil means to say that if Dante passes up on this opportunity, he will not get another chance, and he will be forgotten. So why stop? Essentially, Virgil tells Dante that since he has already made it through the Forest of Error, the first seven circles of ...
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...s so dang close to getting out of there! So here, Virgil is telling Dante that he needs to chipper up, because there is more work to do. He might as well make this journey worthwhile.
Clearly, this is a pretty profound passage in Dante’s Inferno. It has meaning beyond the literal sense, and encourages Dante to finish his tour through the Inferno. In one sense, Virgil is chiding Dante for wanting to call it quits when he has come so far. In another sense, Virgil convinces Dante to get up and continue because he is so close to finishing. In a last sense, Virgil is hinting that Dante has a long way to go, and stopping here won’t benefit him at all. Underneath all that, Dante the poet wrote that as a little bit of self-motivation to get the drive to finish the Inferno. So, any way you look at it, the ‘Up on your feet’ passage is crucial to the rest of Dante’s Inferno.
Braund, Susanna Morton. “Virgil and the Cosmos: Religious and Philosophical Ideas.” The Cambridge Companion to Virgil. Charles Martindale, ed. Cambridge: Cambridge UP, 1997. 204-221.
In conclusion, we can see that Dante presents the reader with a potentially life-altering chance to participate in his journey through Hell. Not only are we allowed to follow Dante's own soul-searching journey, we ourselves are pressed to examine the state of our own souls in relation to the souls in Inferno. It is not just a story to entertain us; it is a display of human decision and the perpetual impact of those decisions.
“Now, at last, Virgil is allowed not to see, allowed to escape from the glaring, confusing world of sight and space, and to return to his own true being, the touch world that has been his home for almost 50 years.” (Sacks, “To See and Not See” (41)
From the beginning the title of the poem the author says “Read this Poem from the Bottom up”, the author Porritt wants its narrators to take an unorthodox way of reading this poem. As the narrator starts from the bottom of the line the authors writes “and feel what it’s like to climb stairs.” The author acknowledges that it’s something that the narrator has never done or attempted. The second line the author writes “ while trying not to notice the effort/ of moving against gravity of habit,/A force that usually pulls you down,” Porritt desires the narrators to challenge the orthodox way of reading, and not doublethink or challenge the unorthodox way of exploring a poems. The author then states how easy it to read this poem in an unorthodox war Porritt writes “Line by line, to the bottom of the page/But now you’re going the other way/ past the second story”. The author recognizes the narrator just read this with ease, “/to the top of penultimate line” as if the poem is pyramid that once you read all the words at the top their only one point. Porritt then ...
Thesis- Dante and Virgil have an interesting relationship that changes throughout Dante’s Inferno. They started off very different and Virgil didn’t care much for Dante. Dante looked at Virgil differently after he had heard Beatrice sent him to guide him. Throughout their travels, their relationship changed as they went through every layer of hell. Something happened in each one that changed their relationship either drastically, or barely at all. Their travels are very intriguing and their relationship is very complex. They become very close, so much that Dante acquires a deep trust in Virgil. They are no longer “just friends.” They are both poets and can communicate very well through words and Literature.
In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet. At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see man’s spiritual journey towards understanding God. While God loves man regardless of his faults, His greatest desire is to see man attain greater spirituality, in that man, already created in God’s image, may truly become divine, and in doing so, attain eternality.
As Dante and Virgil, Dante’s guide through Hell, approach the Gate of Hell, Dante reads the inscription above the gates:
When “Dante” speaks to “Virgil” near the beginning of Inferno, he understands that he is not yet like Aeneas and Paul (Dante 1.2.32). He says that, unlike these two voyagers, his travels cannot profit others because of his soul's state of habitual sin. “Dante” briefly explains his reluctance to begin his odyssey, saying, “if I consent to start this journey, / I fear my venture will be wild and empty” (Dante 1.2.34-35). In this section, Dante uses Virgil's characterization of Aeneas to provide a strong contrast to the character “Dante” of Inferno. According to Dante, Aeneas completes a heaven-sent mission in founding his city, because Rome eventually becomes the home of the Papacy and the Church. In direct opposition to the mindset, at the start of the Commedia, “Dante” perceives himself as a man astray from the True Path; he does not believe that his voyage can ever ultimately lead to salvation in the way that Aeneas's did.
Dante’s work Inferno is a vivid walkthrough the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
After Dante demands the narrator to leave, and then calls him a scrub, the narrator is confused and wonders if Dante is right. “You’re confused almost to the point of paralysis. Because what did you do wrong? Why does he hate you? Your heart thump-thump-thumping inside of your chest. Doubt setting in. Maybe he's right. Maybe you really are a scrub. Maybe you shouldn't be allowed to show up like this everyday, uninvited” (de la Peña). The narrator’s thoughts contribute to the character’s motivation because at this moment it seems like the narrator is thinking of giving up. However, the narrator doesn’t give up which shows he is persevering and has confidence in himself. With these thoughts we can infer that the character builds up motivation to prove Dante wrong about all the things he
From the beginning of the journey, Dante knew from the moment he saw “Abandon every hope, all you who enter” (Canto 3) his life was about to change. At this point of the journey he has met his guide Virgil. Virgil showed him the rightful way in life and he also introduced Dante to everyone who influenced him throughout his
The primary characters in Dante’s poem include himself, who is also the narrator, Virgil, a poet he has admired, who serves as his guide through most of the first two sections, and finally, Beatrice, his inspiration, who greets him at Paradisio and escorts him through the remainder of his journey.
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sins, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic