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Gender roles 1984 essay
Gender roles 1984 essay
Gender roles 1984 essay
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A Cosmopolitan Girl
Determined, realistic, and self-confident are not words that I hold to a specific gender. That might be the difference between someone who was born in generation x and the baby boomers and earlier. According to society these few words are associated with the male gender, since most of society that is able to determine what is and what is not acceptable are older we are labeled as a whole to have come to these conclusions. Perhaps June Jordan, the writer of Memo: 1980 knew something that the rest of society did not. And it might be that her revolutionized way of thinking was foreshadowing on what was to come. Hopefully through out my analyzing and explication I can come to what Jordan was trying to get across to us the readers. And if not I will have my own opinion on what Memo: 1980 means and that is what poetry is all about for the reader come to their own conclusions of what they have read, and hopefully have developed more analytical skills.
The opening three lines of June Jordans Memo: 1980 When I hear some women say she has finally decided you can spend time with other women. I wonder what she means: her mother? My mother? (Jordan pg. 158 lines 1-4) Leads me to believe the writer is referring to the jealousy women seem to have towards one another. Women say it is not jealousy, but then why is it women make awful assumptions about other women before knowing their first names or hearing a hello out of their mouths. Women tend to assume that other women are fake, annoying, and even to the extent that these other women are trying to take ones place. Women who deny these actions are lying, because we all do it. June Jordan also backs this up with the line Ive always despised my women friends.(line 5) ...
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...not loser her place in society. Meaning that she knew women had higher roles than playing follow the leader. She did not want the influence of other people to changer her own ideas. Yes, it might have been lonely being a cosmopolitan girl at the time because many people were not open to her ideas of being an individual, but at least she had her own stand in the world. I highly believe that Jordan wrote this for herself as a reminder, but maybe she also was writing it for other women who had the same ideas as her but were to intimidated by the opposite gender to say anything, or maybe even men, to let them know that they are not the all mighty high and powerful ones and that things were soon going to change.
Works Cited
Jordan, June. Memo: 1980 Literature Reading and Writing The Human Experience. Donna Erickson. New York: St. Martins Press, 1998. Page 158.
In the article, “I won, I’m Sorry”, Mariah Burton Nelson uses an anecdote in order to begin her article. Sylvia Plath’s attitude is one that is concentrated on conforming to men in order to make them feel comfortable and as the stronger sex. Burton Nelson then shifts to talk about women in sports and how these female athletes behave in order to fit into the gender roles people have become accustomed to. The anecdote is used in order to describe the way women will underscore themselves in order to fit into society’s definition of how a woman should behave.In order to frame her article, Mariah Burton Nelson uses the anecdote about the poet, Sylvia Plath, in order to demonstrate how women conform as a means to fit into gender expectations. This
Sorrells, Helen. "From a Correct Address in a Suburb of a Major City." Literature: TheHuman Experience. Ed. Richard Abcarian and Marvin Klotz. New York: St. Martin’s Press, 1996. 301-302.
Meyer, Michael, ed. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Boston: Bedford/St. Martin's, 1999.
Meyer, Michael, ed. Thinking and Writing About Literature. Second Edition. New York: Bedford/St. Martin's, 2001.
DeCataldo, K., & Carroll, K. (2007). Adoption Now: A joint initiative of New York's Courts and Child Welfare System. Child Welfare, 86(2), 31-48. Retrieved from professional Development Collection database.
Roberts, Edgar V., Literature: An Introduction to Reading and Writing, 4th Compact Edition, Upper Saddle River: Prentice Hall, 2008, print
Abcarian, Richard, Marvin Klotz, and Samuel Cohen. Literature: the Human Experience. Boston, MA: Bedford/St. Martins, 2010. Print.
Also obvious is her increasing frustration with the unnecessary limitations of femaleness. “For man and woman,” she maintained, “truth, if I understand the meaning of the word, must be the same...Women, I allow, may have different duties
Literature: Reading and Writing about the Human Experience. 7th ed. of the book. New York: St. Martin's, 1998.
Women have a different way of viewing the world, because of the culture not the nature. They tend to write diaries, autobiographies, poetry…because the cultural context in which they write asks for that kind of literature .
Walker, Alice. “Everyday Use.” Robert DiYanni, ed. Literature: Reading Fiction, Poetry, and Drama. 6th ed. Boston: McGraw-Hill, 2007.
In page 116, the author talks about Jordan: “Jordan’s fingers, powdered white over their tan, rested for a moment in mine.” This symbolizes fakeness, it tells us that Jordan is a superficial woman just like Daisy. They try to pretend to be something that they are not, just because they want to fit into the high society.
Roberts, Edgar V., and Robert Zweig, Editors. Literature: An Introduction to Read and Writing. 5th Compact ed. New York: Pearson Longman, 2012. 226. Print.
Kraft, M. (2007). Toward a school-wide model of teaching for social justice: An examination of the best practices of two small public schools. Equity & Excellence in Education, 40, 77–86.
The title of Edith Wharton's novel The House of Mirth waxes poetic irony in the case of the old money society of turn-of-the-century New York. The individual as part of the collective of society which seeks to oppress individuality is representative of the "house" in the novel's title. To remain ignorant and play by the "rules," therein lies the "mirth." Clearly, the victimization of the story's heroine, Lily Bart, by the elite social "set" she associates herself with illustrates Wharton's disdain for the rigidity of this society against the individual. Lily is, at first, an example of the collective society she is a product of; however, as she finds herself being victimized for embracing individuality, a metamorphosis of her character takes place through an internal struggle over the faults of her external world, leading to her discovery of the truth and the loss of her innocence.