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Portrayal of women in greek mythology
Women in ancient greek homer
Portrayal of women in greek mythology
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GRISELDA: Good afternoon Clytemnestra, Shahrazad; do you mind if I sit with you?
SHAHRAZAD: Please join us Griselda; I am glad you could come to the party. I heard about the current events between you and your husband; I am glad that everything worked out in the end.
CLYTEMNESTRA: Yes, please sit Griselda. How are you doing after everything that has happened?
GRISELDA: I am doing well. I am sure you know that Gualtieri felt he had to test me to see if I was worthy of being his wife. I am just glad I was able to keep my word because I had sworn to him that I would “always try to please him and never be upset by anything he said or did” (1636). I am glad Gualtieri does not feel as frightened of a long term commitment as he did before.
SHAHRAZAD: I cannot imagine what you went through. I know Shahrayar would not trust women for some time and his mistrust caused much pain in my country. I heard he even stated, “There is not a single chaste woman anywhere on the entire face of the earth.” (1778). He then began his famous act of only marrying a woman for one night and then killing her. The women in our kingdom started becoming scarce which is one of the reasons why I volunteered to be his wife. I have come to love and respect him more as our relationship has blossomed.
CLYTEMNESTRA: I do not understand how you could both love and respect men who have done such horrible things not only to you personally, but to others as well. Griselda how could you love your husband when you thought he had killed your children and divorced you? Shahrazad your husband has murdered countless women just because he was cheated on once and yet you can still love him? My husband killed my daughter as a sacrifice so he could win a war. I did not agree with his actions and did not stand for them. Needless to say he paid for his actions.
GRISELDA: I understand your pain Clytemnestra there was once a time where I though both my children were dead, but I still respected my husband and knew that he knew best; therefore, I did not argue. I remember telling the attendant, “There: do exactly as your lord, who is my lord too, has instructed you.
How much control do women have over their emotions in the Aeneid? In his poem, Virgil frequently shows women in situations where irrational thoughts lead to harmful choices. Specifically, Virgil presents women as being easily influenced by their emotions. Consequently, these characters make decisions that harm both themselves and those around them. Throughout Aeneas’s journey, divinities such as Juno and Venus are seen taking advantage of the emotions of different women, influencing these characters to act in ways that ignore important priorities. Not only does Virgil present women as completely vulnerable to their emotions, but he also shows the problems that arise when these women engage in decisions where they put their own feelings ahead of their people. Virgil explicitly shows women neglecting important responsibilities when he describes passages concerned with Dido’s affair and her death, the Trojan women burning their own ships, Queen Amata’s opposition to Latinus’s proposal and her tragic death.
A young girl named Paikea once said, “In the old days, the land felt a great emptiness. It was waiting. Waiting to be filled. Waiting for someone to love it. Waiting for a leader” (Whale Rider). As seen in the eyes of Paikea, from the movie Whale Rider, a leader is a guide, someone who guides his or her people in the right directions, someone who does all he or she can do to improve his or her land. In the eyes of Antigone, from the play Antigone, princess of Thebes, the rules of the leader only seem right when she feels they don’t contradict with the rules of the gods. As she states in this quote: “It is the dead, Not the living, who make the longest demands: We die forever. . . .You may do as you like, since apparently the laws of the gods mean nothing to you” (Sophocles 58-60). Conversely, Paikea believes that she’s different, and that the rule of the gods is different for her. Although these characters display similarities by being defiant figures, the Greek tradition in which Antigone believes in, and the New Zealander’s tradition in which Paikea follows, differs significantly by beliefs. However, their culture’s discrimination towards women seems to be comparable. While the views on tradition, gender, and defiance are similar for Paikea and Antigone, the differences amongst them are striking.
Homer's great epic, "The Odyssey" was written several thousands of years ago, a time in human history when men played the dominant role in society. The entire structure of civilization was organized and controlled by men; It was an accepted fact that women held an inferior position in society. Society was constructed as if women were around only to serve the men. The involvement of women in any circumstance was almost completely dominated by what the men allowed. The women were valued in society, only they were not given important roles or any decision making power. It is as if they held no power in the ancient Greek society. This is why Homer's Odyssey is very unique, Homer put women into roles that were previously unheard of for women to possess. Unlike in The Iliad, where women served merely as an object to men; female characters of Odyssey are distinctive because they possess personality, and have intricate relationships with the male characters of the Odyssey. By characterizing the women in "The Odyssey", a reader may come to some conclusions about the role of women in this epic. Along with the belief that women played a secondary role to men in society, the female characters displayed certain traits that could not be exhibited by the men. Athena demonstrated the most intelligence and valor out of all the characters in "The Odyssey." The male characters play the most significant roles in this epic, but without the support of the females in "The Odyssey", Odysseus would not have made it through his journey.
The women in The Odyssey are a fair representation of women in ancient Greek culture. In his work, Homer brings forth women of different prestige. First there are the goddesses, then Penelope, and lastly the servant girls. Each of the three factions forms an important part of The Odyssey and helps us look into what women were like in ancient Greece.
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The nymph Calypso enslaves Odysseus for many years. Odysseus desires to reach home and his wife Penelope. It is the goddess Athena who sets the action of The Odyssey rolling; she also guides and orchestrates everything to Odysseus’ good. Women in The Odyssey are divided into two classes: seductresses and helpmeets. By doing so, Homer demonstrates that women have the power to either hinder of help men. Only one woman is able to successfully combine elements of both classes: Penelope. She serves as a role model of virtue and craftiness. All the other women are compared to and contrasted with Penelope.
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The women in “The Odyssey” dictate the direction of the epic. Homer the blind creator may have contrived the story with the aim to depict a story of a male heroism; but the story if looked at from a different angles shows the power women have over men. The Sirens and women that posses the power of seduction when ever they are encountered take the men off their course, and lead many to their death. The power women in the Epic pose can be seen from the goddess all to the wives. From The nymph Calypso who enslaves Odysseus for many years posses all the way back to Penelope who many argue is of equal importance to
In the Iliad we saw women as items of exchange and as markers of status for the men who possessed them (Chryseis and
Throughout history, women were not always well regarded by men. Because of this, most societies treated their women as second class citizens. The stories from, Tales from the Thousand and One Nights, illustrate how the portrayal of women affected Muslim society in the Ninth century. Sometimes women were seen as mischievous, unfaithful temptresses. Other times they were depicted as obedient, simple minded slaves looking to please their master. With the use of charm, sex and trickery, they used the labels that they were put in, to their advantage; demonstrating that women during this century were clever, smart, and sly.
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.
Today some Middle Eastern countries have passed laws “criminalizing adultery which [has] resulted in punishments ranging from the imposition of fines to flogging, hanging and death by stoning” (Deen 2014). From the beginning of The Arabian Nights, women are portrayed as disloyal adulterers that practice heavily in premarital sex. In “The Story of Kings Shahrayer and Shahrazad, His Vizier’s Daughter,” is about two kings who were brothers. The older brother was named Shahrayer and Shahzaman was the name of the younger brother. Before King Shahzaman journeyed out to go visit his brother King Shahrayer, he wanted to bid his wife farewell. Upon entering the kitchen he found his wife copulating with a servant boy. Out of rage, he drove a sword into both his wife and the servant and threw them off of the palace roof stating, “I am still here and this is what she has done when I was barely outside the city. How will it be and what will happen behind my back when I go visit my brother in India? No women can be trusted” (Haddawy 5). Because Shahzaman’s image and self-confidence as a king was sh...
”Women have been taught that, for us, the earth is flat, and that if we venture out, we will fall of the edge”(Kramarae, Treichler). This notion is exemplified through both novels, Antigone by Sophocles, and A Doll’s House by Leo Tolstoy. Both novels provide a different look at women, with the two main characters showing qualities that weren’t common in this era such as determination, intelligence, rebellion, hubris, and stubbornness.
The women in Othello are synonymous with Venetian societal standards. Only three women are characters in Othello: Desdemona, Emilia and Bianca but the roles these women play give the reader an idea of how women were portrayed, not only in Shakespeare's Othello but in society in general.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.
Imagine being born into a world where your social status is dependent on your gender, where women are considered inferior to men. This idea is exposed in two Ancient Greece plays “Antigone” by Sophocles and “Lysistrata” by Aristophanes. In both plays most women are considered inferior and do not go against rules established by men. However, there are some women who do not let men restrain them from expressing their feelings. Therefore, the women in Ancient Greece were considered inferior to men, however, they were gallant.
"So please go home and tend to your own tasks, / the distaff and the loom, and keep the women / working hard as well" (6.585-587). From this we see Hector's view of women, which is a theme that is echoed throughout the rest of the Iliad. Women are mentioned relatively few times in the Iliad in comparison with the books devoted solely to the men. Nevertheless, there is clear evidence that the role of women in this society was that of a servile follower.