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Music as a culture and identity
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Sociology, as a practice, can be applied to almost every human exchange. The realm of lyrical song is no different, offering numerous venues for sociological perspectives to be expressed by the artist(s) about the shared environment around them. For the purposes of exemplifying the possible connections which can be made in this context we chose two unique songs: “Prayer of the Refugee” by Rise Against and “The Dreaming Tree” by the Dave Matthews Band. In the following examination, both songs demonstrate the diverse principles of the sociological perspective on a macro and micro level, respectively.
In the song “Prayer of the Refugee” by Rise Against, the listener is given a conflict theory on a macro level basis with overarching themes of globalization and the struggle of two very different socioeconomic groups. The chorus reflects their repeated reference to industrialized western influence in third world countries: “Don't hold me up now/ I can stand my own ground/ I don't need your help now/ You will let me down, down, down (“Rise Against,” n.d.)!” This line is a depiction of what the workers in these circumstances feel towards the power elite who oppress them by having disproportionate control over the political and wealth system (Benokraitis, 2010). In response, the workers openly demand to retain their sense of esteem by refusing the assistance the system provides. This suggests that power hungry corporations do more harm than help in undeveloped nations, causing struggle and immense tension.
Furthermore, the voices of the underclass, or the foreign people incorporated into the lowest rung of the U.S. social ladder, define their acknowledged self in the following stanza, “We are the angry and the desperate/ The hungry, an...
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...ies our aging population (Benokraitis, 2010). The woman yearns to be young and beautiful again, back in the comfort of her father’s protection. Her father is clearly a significant other, which is someone important to her, and in this case a primary care giver (Benokraitis, 2010). He would also be a member of her reference group, which is a group of people who shape our values, behavior and attitudes (Benokraitis, 2010).
Works Cited
Benokraitis, N. V. (2010). Soc. Belmont, CA: Wadworth Cengage Learning.
Lyrics007: Dave Matthews band and Dave Matthews- the dreaming tree lyrics. (2010, June 3). Retrieved from http://www.lyrics007.com/Dave%20Matthews%20Band%20and%20Dave%20Matthews%20Lyrics/The%20Dreaming%20Tree%20Lyrics.
Rise Against lyrics: “prayer of the refugee.” (n.d.) Retrieved from http://www.plyrics.com/lyrics/riseagainst/prayeroftherefugee.html
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
In today’s society, people are taught to conform to the masses in order to fit in; however, it is imperative that one’s individuality is maintained, as it preserves their identity and encourages uniqueness. For example, in the song, “Outside of a Small Circle of Friends”, Phil Ochs discusses the social norm where people are too afraid to stand out, often times, leading them to pay little to no attention to the wellbeing of others. Instead of adhering to their own judgment and moral values, the person in the song continues to abide by the notions of the rest of the group. In addition, in “The Dying Girl that No One Helped”, Loudon Wainright describes the brutal murder of a young 28 year old women, while over 38 of
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The instruments utilized by the songwriters in “Bullet the Blue Sky” created a chaotic vibe for me as I was reading the poem. The big intro before the first verse of U2’s song helped me feel the tension in the song before the lyrics even commenced. I noticed that “Bullet the Blue Sky” kept referring to the tune of “The Ants Go Marching In.” I thought it was an excellent fit to the lyrics of the song, the tune symbolizing the United States military marching into the country of El Salvador. In “Minority Poem,” I enjoyed how Lum integrated tone, active voice, and explosive consonants into his poem to catch the audience’s attention. The symbols he utilized in his poem, such as apple pie, caught my attention. I was impressed with how Lum was able to convey a sarcastic tone in the poem merely by using certain words. The fact that Lum writes his poem in an aggressive tone gave me a sense that he was describing the hostility in which Caucasian Americans treat minorities in the U.S. in the active form. The words themselves in “Minority Poem” imply assertiveness and demonstrate the fact that Caucasian-Americans really dislike minorities. Overall, the poetic techniques and figurative language utilized in both poems set up a tone that helped me emotionally relate with the
Ryan, John. “The Seventh Stream: The emergency of rock n roll in American popular music,” (Book reviews) Social Forces (1994): March, p. 927. Star, Alexander. “Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music” (book reviews)
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