With a wish to forsake industrial living Edward Abby of Desert Solitaire, and Chris McCandless of Into the Wild, immerse themselves in wilderness. While rejecting notions of industrial life, their defection is not absolute. Despite McCandless’ stated wish to live off the land (Krakauer163), he delights in finding an industrial bus in the Alaskan wilderness for his base camp (Krakauer163). Likewise Abbey, from his comfortable trailer in the Utah desert, states he is there to “confront…the bare bones of existence” (6). Utilization of industry in their escape from it seems like a contradiction at first glance, but this conflict indicates that they are not rejecting industry, only separating themselves by the degrees necessary to accommodate what they want to experience. Abbey’s Industrial dependency accommodates his need to have a philosophical dialogue with nature without separating himself from it, while McCandless’ primitive approach accommodates his need for self-reliance. This separation by degrees allows rejection and usage to co-exist within their individual paradigms. The removal of absolutes allows both men to explore outside of defined parameters. Subscribing to neither total rejection of a notion, nor adherence to rigidly defined ideas, both men can incorporate evolving discoveries relative to their need without contradiction. Abbey and McCandless experience different degrees of separation from industrial living, but neither wholly rejects it. Abbey, a National Park Service employee in Utah, states “I am here not only to evade for a while the clamor and filth and confusion of the cultural apparatus but also to confront immediately and directly if it’s possible, the bare bones of existence” (6). While Abbey surround... ... middle of paper ... ...f the natural” (Abbey 6) then proceeds to personify everything around him from ravens that “croak harsh clanking sounds of smug satisfaction” (Abbey 16), to a Juniper tree that might be mad, or simply suffering “an internal effort at liberation” (Abbey 27). While Abbey explores the contradiction of man and nature merged, yet separate, McCandless frequently re-shapes his paradigm to incorporate discovery. Non-adherence to predetermined configurations allows both men to have the relationships they seek with wilderness and industrial society. We see on close inspection that what at first appears to be a contradiction is actually a purposeful non-conformity that allows each man to tailor his experience. Works Cited 1. Abbey, Edward. Desert Solitaire. New York: Simon & Schuster, 1968. Print. 2. Krakauer, Jon. Into the Wild. New York: DOUBLEDAY, 1997. Print.
Into the Wild by John Krakauer is a rare book in which its author freely admits his bias within the first few pages. “I won't claim to be an impartial biographer,” states Krakauer in the author’s note, and indeed he is not. Although it is not revealed in the author's note whether Krakauer's bias will be positive or negative, it can be easily inferred. Krakauer's explanation of his obsession with McCandless's story makes it evident that Into the Wild was written to persuade the reader to view him as the author does; as remarkably intelligent, driven, and spirited. This differs greatly from the opinion many people hold that McCandless was a simply a foolhardy kid in way over his head. Some even go as far as saying that his recklessness was due to an apparent death-wish. Krakauer uses a combination of ethos, logos and pathos throughout his rendition of McCandless’s story to dispute these negative outlooks while also giving readers new to this enigmatic adventure a proper introduction.
Nature for McCandless was something he knew very well, for he had been since he was small, always wanting to climb higher. When at home, he felt trapped and the wild served as a cleansing power for him. When arriving to alaska, McCandless wrote a declaration of independence, as Krakauer puts it, writing “Ultimate freedom. . . . Escaped from Atlanta. Thou shalt not return , ‘cause ‘the west is the best’”(163). McCandless felt like he had no home,so he made nature his own. Similarly, Thoreau explains, “i found myself suddenly neighbors to the birds; not by having imprisoned one, but having caged myself near them . . . to those smaller and more thrilling songsters of the forest”(9). Thoreau cherished nature and the endless possibilities it contained. Likewise, Thoreau 's house was a place in which he “did not need to go outdoors to take the air for the atmosphere within had lost none of its freshness”(9) This allowed Thoreau stay in touch with the wilderness without feeling captive in his own home. Both Thoreau and McCandless were attracted by nature and the clarity, freedom can bring to one’s
Jon Krakauer’s Into the Wild, describes the adventure of Christopher McCandless, a young man that ventured into the wilderness of Alaska hoping to find himself and the meaning of life. He undergoes his dangerous journey because he was persuade by of writers like Henry D. Thoreau, who believe it is was best to get farther away from the mainstreams of life. McCandless’ wild adventure was supposed to lead him towards personal growth but instead resulted in his death caused by his unpreparedness towards the atrocity nature.
Cronon, William “The Trouble with Wilderness; or, Getting Back to the Wrong Nature” ed., Uncommon Ground: Rethinking the Human Place in Nature, New York: W. W. Norton & Co., 1995, 69-90
Throughout Into the Wild, Krakauer portrays Christopher McCandless as an infallibly eager young man hoping to distance himself from the society he so obviously loathes, to "live off the land," entirely independent of a world which has "conditioned [itself] to a life of security." Chris, contrarily to this depiction, is disparagingly viewed by some as a "reckless idiot" who lacked the sense he needed to survive in the Alaskan wilderness. This derogatory assessment of Chris's mindset is representative of the society he hopes to escape and contains all the ignorance that causes him to feel this way. Nevertheless, he is misjudged by these critics, allowing Krakauer to hold the more accurate interpretation of Chris's character, his goals, and his accomplishments.
Desert Solitaire: A Season in the Wilderness is an autobiographical narrative written by naturalist Edward Abbey. Abbey composed the account based on his personal experiences as an employee for the United States Park Service at Arches National Monument in Utah. Abbey’s anecdotal account is nonlinearly comprised of occupational experiences and renditions of the region’s folklore. These illustrations analogous because they exhibit related themes and trends associated with the author’s experiences and beliefs.
Born in Home, Pennsylvania in 1927, Abbey worked as a forest ranger and fire look-out for the National Forest Service after graduating from the University of New Mexico. An author of numerous essays and novels, he died in 1989 leaving behind a legacy of popular environmental literature. His credibility as a forest ranger, fire look- out, and graduate of the University of New Mexico lend credibility to his knowledge of America’s wilderness and deserts. Readers develop the sense that Abbey has invested both time and emotion in the vast deserts of America.
In the letter McCandless writes to Franz, he talks about how beautiful life is. I connected this to the question “What would a barrier of natural respect look like?” I love how McCandless says “God has placed it around us”. It is everything and anything we experience.” The way he tries to tell Franz to go discover the world is so persuading because the way he describes the outdoors and life is so passionate and beautiful.
Chris McCandless does not wish to follow defined life structure that society enforces to simply be alive, instead, he chooses to take a seek a path to live a life with purpose. Such an eagerness to seek detachment from what is expected by society, is enforced by not only McCandless but also Thoreau. A primary factor resembling this, is McCandless’ view that many people “live within unhappy circumstances...yet will not change…they are conditioned to a life of security, conformity, and conservatism...damaging to the adventurous spirit(40).” The detesting tone risen through the confliction of “unhappy circumstances” and “damage,” to “safety, conformity and conservation,” emphasis his will to separate from a lifestyle lacking change. This is done
He is unable to understand why they can’t leave nature alone. His frustration stems from the fact that so much valuable land is being destroyed, to accommodate the ways of the lazy. It seems as though he believes that people who are unwilling to enjoy nature as is don’t deserve to experience it at all. He’s indirectly conveying the idea that humans who destroy nature are destroying themselves, as nature is only a mechanism that aids the society. In Desert Solitaire Abbey reminds the audience, of any age and year of the significance of the wild, enlightening and cautioning the human population into consciousness and liability through the use of isolation as material to ponder upon and presenting judgments to aid sheltering of the nature he
The book Into The Wild, written by Jon Krakauer, tells the story of Chris McCandless a young man who abandoned his life in search of something more meaningful than a materialistic society. In 1992 Chris gave his $ 25,000 savings to charity, abandoned his car and most of his possessions, and burned all of his money to chase his dream. Chris’s legacy was to live in simplicity, to find his purpose, and to chase his dreams. Chris McCandless’s decision to uproot his life and hitchhike to Alaska has encouraged other young adults to chase their dreams. Neal Karlinksy illustrates the love Chris had for nature in the passage, “He was intoxicated by the nature and the idea of a great Alasican adventure-to survive in the bush totally alone.”
During, McCandless scavenger for sense of peace within himself, a chance to calm the violent emotions from the complicated relationship with his parents with his father disloyalty. However through, the mental isolation and solitary experience during the deep forest for several weeks, McCandless began to contemplate not human relationship is not a necessity. His exper...
The novel “Into the Wild” by Jon Krakauer goes into great detail to describe the main character, Chris McCandless, who died traveling alone into the Alaskan wilderness. McCandless, whom in the novel renamed himself Alex, left his home and family to travel to Alaska in 1992. In Alaska McCandless planned to live an isolated life in the desolate wilderness, but unfortunately he did not survive. This non-fiction novel portrays his life leading up to his departure and it captures the true essence of what it means to be “in the wild”.
First, in today’s society, an individual faces many expectations from the society, which results in an individual following these expectations or shaping their identity to go against it. Krakauer talks about McCandless, who escaped from the society in order to find his own-self. He writes, “ Wilderness appealed to those bored or disgusted with man and his works. It not only offered an escape from society but also was an ideal stage for the Romantic individual to exercise the cult that he frequently made of his own soul. The solitude and total freedom of the wilderness created a perfect setting for either ...
...can be a life-changing experience. McCandless entered the wild as an overly confident hitchhiker and left as a self-accepting and humble man. He thought that human relationships were futile, he was impervious to materialism, and that he could understand nature on a scientific level. However, McCandless left the wild with a newfound appreciation for humanity, some clarity on his purpose in life, and the ability to create his own legacy. Many people finish reading Into the Wild and form negative opinions about McCandless’ reckless behavior. However, it is important to focus on how being in the wild brought McCandless closer to understanding himself. Into the Wild should motivate humans to participate in explore the wilderness to discover the true meaning of life.