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Moby Dick_various Interpretations
The background of moby dick
What does moby dick symbolize
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At the conclusion of Herman Melville’s Moby Dick, and after three days of chasing the whale, the flag atop the Pequod’s main mast had become weathered and torn. Ahab instructs Tashtego to mount a new flag on the main mast and the Indian from Gay Head Massachusetts promptly complies. Tashtego’s compliance to his captain’s order is so diligent that even after the whale has struck the mortal blow against the ship, Tashetego continues to hammer in the flag as he and the mast sink into the sea (Melville 531, 535). The compliance to his captain and willingness to do what Ahab has instructed, instead of trying to scamper for his life, is testament to the Gay Header’s obedience. However, his obedience says as much about the control of the captain over …show more content…
S. Elliot’s “The Wasteland.” A combination of this cataclysmic ending and biblical references has led most research on the novel to be focused the allegorical themes in the novel. This would lead the reader to believe that the destruction of the Pequod is a reference to—and consequence of—Ahab’s relationship with God. However, a close examination of Moby Dick under a new historicism approach exposes Melville’s recalcitrant nature and disdain for civil control, and reveals that the Pequod is destroyed because of man’s wrath against the mechanisms that control …show more content…
Examples of self-control, or lack thereof, are displayed in the life of the carpenter and Ahab and Pip’s slide from sanity. The blacksmith, as told through his back-story, has become a blacksmith on whale boat after losing everything he owned, including a wife and three children, due to alcoholism. Alcohol, in the most cunning disguise, came in like a “desperate burglar” (Melville 458) and took everything from him. Ahab and Pip succumb to insanity after near death experiences that leave them bewildered at the unknown world. In each of these cases, they have the ability to control themselves to a certain point. After which, after they have “pushed off from that insular Tahiti” (Melville 271), then they are no longer able to control their own
Analysis: Melville's Great American Novel draws on both Biblical and Shakespearean myths. Captain Ahab is "a grand, ungodly, god-like man … above the common" whose pursuit of the great white whale is a fable about obsession and over-reaching. Just as Macbeth and Lear subvert the natural order of things, Ahab takes on Nature in his
In my own words, I believe that self-control is a deliberate attempt to change the way one thinks and acts about something. For instance, during the month of March, I am on a restricted diet to try to find food triggers to my daily migraines. When I first started, I had to remind myself constantly that at breakfast I wasn’t going to grab a glass of milk, or at lunch, that I wasn’t going to make myself a sandwich. I didn’t realize how hard this was going to be when I first started. There are still times, 15 days after starting, that I am reminded by my mom or dad that I can’t eat certain foods or that I have to pack my own dinner because where we go for dinner won’t have food that I can eat. Every day, I am retraining my mind at how I look at food. I am having to constantly shift my mind away from the long list of food I can’t eat and focus on food that I can. The way that I shift my thoughts of food, is similar to how Erica in Brooks’ book had to shift her thoughts to focus on her tennis match going on. It is a constant rewiring of how the brain looks at the world around us. This process is not easy, and takes a lot of work and time. However, as time progresses, it does get easier. Growing up, I missed a several years of my childhood due to tragedies that occurred. Going through the aftermath of some of the hardships I was facing, I developed an isolated mindset. I thought that if I didn’t get close to people, than I couldn’t get hurt by them as well.
"He tasks me; he heaps me; I see in him outrageous strength, with an inscrutable malice sinewing it. (280)" At first glance, a modern reader might mistake this quote for that of a social justice warrior complaining about the patriarchy and not a line proclaimed by Captain Ahab in Moby Dick. However, as one deconstructs Herman Melville's classic, he will observe that this gaffe is actually justified. Despite originating over a hundred years before the equality movements, Captain Ahab symbolizes one of their ambassadors because of his hatred for the system that wronged him; his driving will to enact revenge; and being disdained upon for his actions. To commence elaboration, the first characteristic exemplified by Ahab that establishes his symbolism is his loathing for the body that ruined him.
Sena Jeter Naslund's novel, Ahab's Wife, charts the sorrows of people who have lost loves. Ahab's Wife is about the healing process after trauma and loss. Naslund's novel speaks to the imperfect, wounded, restless part of humans, the part that is ever questioning the meaning of existence. It teaches healing that is a reaction to this essential imperfection, this essential doubt. Naslund's novel is written as a response to Herman Melville's Moby Dick: about a wounded sea captain who seeks revenge against nature, against "the ungraspable phantom,"1 the "heartless immensities"2 for wounding him. Ahab seeks to overthrow the power in nature that inflicts such pain by leaving the land, leaving the domain of humans, leaving "that young girl-wife."3 In contrast, Naslund's character, Una, responds to the inflicted sorrows of life by turning toward people, by returning to land, by binding herself closely to those she loves. While Melville's novel charts the lives of those who have been cast out by suffering, those who leave society in response to pain, in a search for meaning, Naslund's novel offers an alternative reaction to hardship; Naslund suggests that the essential healing after pain, the meaning of life is provided by other humans.
In Chapter 69, the narrator vividly describes the image of a recently captured, decapitated sperm whale bleakly floating about near the Pequod while sharks and birds feast upon its dead remains. Despite the degrading imagery of, “the air above vexed with rapacious flights of screaming fowls, whose beaks are like so many insulting poniards in the whale,” the whale has still, “not perceptibly lost anything in bulk...it is still colossal,” (257). In the spite of its crude carcass, there is still human wonderment in regards to the indisputable massivity of the whale. However, the whale is not considered to be enormous just because of its literal size, but also because of the long-lasting effect its dead body will have on future ship encounters. It is the duty of a ship captain to avoid steering a ship into dangerous territory--the most common of which would be large rocks near the shore. In the lines, “...the whale’s unharming corpse, with trembling fingers is set down in the log-- shoals, rocks, and breakers hereabouts: beware!”, (257), the sperm whale’s carcass is often mistaken for rocks and, so, it necessarily follows that, “for years afterwards, perhaps, ships shun the place; leaping over it as silly sheep leap over a vacuum…” (257). The paragraph continues with the lines, “there’s your law of precedents; there’s your utility of traditions; there’s the story of your obstinate survival of old beliefs never bottomed on the earth…” (257), which reinforce the idea that since the sperm whale is already seen as being frightening and mysterious, its dead body ensues the same kinds of paranoid, uneasy thoughts. So, although
...o warn against pursuing the whale, such as when the captain of the Samuel Enderby proclaimed, “There would be great glory in killing him… but, hark ye, he is best left alone; don’t you think so captain?” Nonetheless, Ahab never listened. While it may seem that the many ships that warned Ahab not to pursue the whale seems too obvious of a foreshadowing to happen in real life, the same hints were being given to Americans at the same time. Other countries, such as England, had abandoned slavery years before Americans did. Similarly, once the civil war began and the southerners looked for some support from the British, they were rejected on the account that Britain would not support slavery. Whether it was the pride or determination that drove Ahab to find Moby Dick, both were too strong and blinded him from seeing that change needed to occur for the Pequod to survive.
Before exploring Ishmael, Ahab, and Moby Dick and their Biblical counterparts, it is important to understand Melville's background. He grew up as a baptized Calvinist in the Dutch Reformed Church. His parents trained him to obey God at all times, even if God’s commands seem unjust and cruel. However, he quickly turned against his faith after his father died. During his travels, he witnessed diseases, catastrophes, and hatred throughou...
Moby Dick is one of the greatest books written in American literature but when it was first made, Herman Melville was shamed for writing it and hated. After a while Moby Dick was noticed from being a book everyone hated to one of the most popular pieces of literature now. The title Moby Dick is known by almost everyone in America. Originally Moby Dick was called The Whale that was originally published in 1851 but was changed to Moby Dick in a later date. The book starts out with a very famous line called “call me ishmael” which was the name of the main character/narrator who goes out to sea as a merchant and wants to go on a whale adventure. Captain Ahab gathers his crew to hunt down Moby Dick even though they were supposed to go to get oil
Herman Melville's Moby Dick is a book which can be read as a general metaphor for the battle between the evil powers of the Devil versus the divine powers of God and Jesus, both try to obtain the souls of mankind in order to assist in each other's destruction. In this metaphor, the Devil is shown through the person of Captain Ahab, God becomes nature, Jesus is seen as the White Whale, and the representation of mankind is the crew. The voyage of the Pequod, therefore, is a representation of a similar voyage of mankind on earth, until the death of Jesus, during the whole thing the influences of these three “supernatural forces” are connected. Thus, the basis of this idea is that in the plot of Melville's book, there are also peeks of the "plot" of the Bible.
Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s use of flagrant masculinity serves as a vehicle in which femininity is brought on board The Pequod; femininity is inseparable from masculinity in Melville’s works, as staunchly masculine as they seem superficially.
Another biblical allusion is of the prophet Elijah and Captain Ahab. Elijah WARNS Queequeg and Ishmael of Ahab. Ishmael says he and Queequeg ARE boarding the Pequod because they have just “signed the articles” (Melville 68) and Elijah responds “Anything down there about your souls” (Melville 68). This conflict between Elijah and Ahab goes all the way back to the bible. I Kings describes the conflict between King Ahab and his wife Jezebel. Elijah tells Ahab that “in the place where dogs licked the blood of Naboth shall dogs lick they blood, even thine,” (I Kings 21:19), and that “the dogs shall eat Jezebel by the wall of Jezrell” (I Kings 21:23). This allusion is significant for foreshadowing the destruction of the Pequod. In Moby Dick the characters names are not so different than names in the Bible and neither is the outcome of those characters so different.
Before affiliating the crew aboard the ship with Moby Dick, there are some comparisons to be made between them and ocean inhabitants in general. While living in the ocean environment the men begin to acquire the same survival techniques as some of the organisms in the ocean. The manner in which the whalers go about slaughtering the whales is much like the way that the sharks react to the whale carcass being held stagnate in the water. "....because such incalculable hosts of sharks gather round the moored carcass, that were he left so for six hours, say, on a stretch, little more that the skeleton would be visible by mornong"(Melville 328). These sharks are savages in the face of sustenance. In most cases the sheer size of the whale prohibits it from being captured and consumed by the sharks. The only chance that they have at these huge beasts is when they are slung along side the whaling ships. Once they have their opening to this plethora of meat it becomes a barbaric feeding frenzy. These actions of the sharks reflect the actions of the whalers when taking part in the slaying of a whale. "Soon ranging up by his flank, Stubb, firmly planting his knee in the clumsy cleat, darted dart after dart into the flying gish.
At first glance, Herman Melville’s novel Moby Dick, appears to be the story of a man, his captain, and the whale that they quest to destroy. But a closer look reveals the author’s intense look at several metaphysical ideologies. He explores some of the most ponderous quandaries of his time, among these being the existence of evil, knowledge of the self and the existential, and the possibility of a determined fate. All of these were questions which philosophers had dealt with and written about, but Melville took it to a new level: not only writing about these things, but also doing so in a lovely poetic language backed by a tale packed with intrigue. He explores the general existence of evil in his antagonist, the white whale, and through the general malice that nature presents to humans throughout the novel. The narrator, Ishmael, gains a lot of knowledge about himself through his experiences on the whaling voyage, where he also is able to learn much about the phenomenon of existence itself. Also, through Captain Ahab, he sees more about the existence of man and the things that exist within man’s heart. Especially through Ahab and his ongoing quest for the white whale, and also in general conversation amongst the whalers, the issue of fate and whether one’s destiny is predetermined are addressed in great detail, with much thought and insight interpolated from the author’s own viewpoints on the subject.
Performing a pagan ritual before the groggy crew, Captain Ahab swears the men to join him in hunting down the white whale Moby Dick and killing him to satisfy Ahab's desire for revenge. Starbuck is horrified, while the crazy ranting of their captain wildly inspires members of the ship. "This is an evil voyage. I fear the wrath of God. Service to mankind that pleases God is not revenge."1 Greatly fearing what Ahab has in store in the world gone mad, Starbuck foresees tragedy. Nailing a doubloon to the main mast follows the crazy ranting and Ahab says, "Whosoever of ye raises me a white-headed whale with a wrinkled brow and a crooked jaw, he shall have this gold ounce, my boys!"2 Starbuck tells Ahab that he came to hunt whales, not his commander's vengeance. As the savage harpooners drink, "Death to Moby Dick!" Starbuck mutters, "God help me!—keep us all!"3 Starbuck is well aware that Ahab will soon place all the men in immediate danger.
The understanding of the point of view of the author in any novel is crucial to understanding the significance of the message that the author is trying to demonstrate. In Moby Dick, Herman Melville uses the literary devices of allusion and tone to illustrate his point of view. Melville uses this technique to convey many of his messages. In chapter 110 of the novel, Melville demonstrates his belief of and lack of knowing about the afterlife in Queequeg’s death scene. Melville uses a tone of mystery and incompleteness to illustrate his belief that we are still present in the physical world in the afterlife. He then uses obscure and abstract allusions to support the mystery of the afterlife. Melville was trying to convey his confident belief in the existence of the afterlife.