Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Character analysis where are you going
123 essays on character analysis
Into the wild character analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Character analysis where are you going
Leo Tolstoy’s “Death of Ivan Ilyich” and Franz Kafka’s “Metamorphosis” both are pieces of literature written in the late 19th century and early 20th century that demonstrates individuals living in middle class yet in an unstable mental and physical life. Both protagonists in each works, have experienced a significant crisis in their lives and resolved the issues with death. Gregor Samsa and Ivan Ilych both displays the action of breaking free from the pressure of being depersonalized by family, friends, and society. The action, which was death, caused both stories to have significant similarities and differences with both the protagonists and secondary characters.
Both stories, The Death of Ilyich and Metamorphosis have significant similarities
…show more content…
as well as numerous factors that causes alienation and not having power to speak up for themselves.
Both characters suffered from adopting a new life where they can’t adjust, only accept. Ivan Ilyich is portrayed as a weak man as he lives his life throughout what society expects an upper living class man to live. In similarity, Gregor Samsa living a religiously conformed life, lives his life up to what the typical middle class man living in a household who handles all family obligations should be. A factor that they both shared were complaints which caused their families to react in ways in which didn’t please each protagonists. For Ivan, he mostly complained about society, his work, and his wife. When his finances became low, Ivan’s whole family treated him indifferent to the point he had to push himself to find immediate solutions to his financial problems. Ivan’s complaint of helplessness came about when it became evident that his salary was becoming insufficient for him and his family to live comfortably, which caused the crucial moment for his colleagues and family to forget his presences. Tolstoy presented to the readers that, “Ivan Ilych felt himself abandoned by everyone, and that they regarded his position with a salary of 3,500 rubles as quite normal …show more content…
and even fortunate. He alone knew that with the consciousness of the injustices done him, with his wife's incessant nagging, and with the debts he had contracted by living beyond his means, his position was far from normal” (Tolstoy 3). Ivan Ilyich wife, Praskovya Fedorovna an unsupported character in the story, was one of the many to make the suffering of the protagonist exist. His wife was overwhelming and jealous. As they continued to have children, she became ill-tempered and complained more. Throughout their marriage, the couple both portrayed selfishness and no sympathy toward each other. His wife was rejoiced after his death because she could obtain his money. However, Ivan’s wife wasn’t the only unsupportive character that reacted to his death. Having a vague attitude towards Ivan, the secondary characters either supporting him, opposed of him, or treated him indifferent. A secondary character, such as Ivan’s friend and colleague, Peter Ivanovich, realized the expression and sadness on Ivan’s dead face and immediately felt the sympathy he didn’t feel at first. However, Ivan’s friend Peter left the funeral first and made a rapid decision to take a position that Ivan had just to make his wife content. The choice his friend decided to make gave the impression to readers that Peter wasn’t really Ivan’s friend but just the role of his colleague. For Gregor, work were his most complaints.
Having financial problems as well, Gregor financial problems are shown when Kafka implied, “He felt very proud that he had been able to provide such a life in so nice an apartment for his parents and his sister. But what now if all the peace, the comfort, the contentment were to come to a horrible end?” (Kafka 2). Being the only one in his household to support his family, Gregor contemplates life as the members of his family loses all financial earnings and financial income that he had since he transformed into a bug. His mother, father, and sister being unsupportive characters, made Gregor feels trapped as if his family is not there to help with his new routine because of his transformation. Similar to Ivan Ilyich, Gregor family vague attitudes towards Gregor, caused them to treat him indifferent, opposed him, or supported him. In Metamorphosis, Grete, Gregor sister, treated him indifferent when she lost her sympathy for him. When she accidentally caused Gregor to have a glass splinter in his face from a bottle of medicine that dropped on the floor, she no longer felt the need to comfort him or show her sympathy. Being that Grete accepted her brother when he first transformed, she later reacted to his transformation in an unsupportive way by suggesting to get rid of Gregor as he was disturbing the boarders in their home. Grete was not fully helping him in his transformation due to her vague attitude and
inconsistency. Having to admit to their new lifestyle, both protagonists accept the truth about confronting the new change that they could not make go away. Ivan confronted his inner voice and understood of the shallow old life he lived and gave welcome to his new life—death. Gregor, however, questioned his humanity while being a bug. Right before he died, he overheard his sister suggesting to get rid of him and that moment he felt an unconditional love for his family. Even though both main characters shared a feeling of alienation, suffering, and unsupportiveness, they died being in different living conditions. Ivan Ilych had a nurse to help him personally with his health and his insightfulness. The nurse helped him to open up his heart to a world where he could accept pain, helplessness, isolation, and death. Unlike Ilyich, Gregor was disliked by his family. Gregor died alone and his heart or remembrance was not cared for.
The Death of Ivan Ilyich by Leo Tolstoy tells the story of Ivan Ilyich, a man who deals with a mysterious illness through introspection. Until his illness, he lived the life he thought he was supposed to live. Like Candide, he was living in blind optimism. He assumed that what he was doing was the right thing because he was told as much. He had a respectable job and a family. Happiness, if it did occur to him, was fulfilling his duties as a husband and father. It was his sudden illness that allowed him to reflect on his choices, concluding that those choices did not make him happy. “Maybe I have lived not as I should have… But how so when I did everything in the proper way” (Tolstoy 1474)? Ilyich had been in a bubble for his entire life, the bubble only popping when he realizes his own mortality. This puts his marriage, his career, and his life choices into perspective. Realizing that he does not get to redo these choices, he distances himself from his old life: his wife, his children, and his career. All that is left is to reflect. This reflection is his personal enlightenment. He had been living in the dark, blind to his true feelings for his entire life. Mortality creates a space in which he can question himself as to why he made the choices he made, and how those choices created the unsatisfactory life he finds himself in
The Death of Ivan Ilyich is a story written by Leo Tolstoy in 1886. Leo Tolstoy was born in 1828 into a Russian society. Tolstoy had a rough childhood growing up. By the age of nine, both of his parents died and he was force to become an orphan. As Tolstoy grew older, he became known for being a womanizer and gambler. He engaged in premarital sex with prostitutes and these women became his downfall. Then he went under an acute conversion. Although Tolstoy converted, he did not adapt the traditional beliefs of a Christian conversion. He rejected the idea of afterlife which plays a role in Death of Ivan Ilyich. This story is about the life of an average man named Ivan Ilyich, who faces the fact that he is eventually going to die. Death is very
Grete’s isolation from society stems from her passion and interest for her loved ones. Grete spends all her time at home caring for her family members. Kafka describes her as “perceptive; she had already begun to cry when Gregor was still lying calmly on his back” (Kafka 16). Throughout the text she becomes the sole reason Gregor stays alive. Grete spends her days worrying about the various foods Gregor likes and dislikes, how to make his room more comfortable, and trying to make him feel more comfortable. Gregor is not the only family member whose health is cared for by Grete. “Now his sister, working with her mother, had to do the cooking too; of course that did not cause her much trouble, since they hardly ate anything” (Kafka 25). Kafka incorporates household chores and her mother’s illness, escalating Grete’s isolation. During her mother’s many asthma attacks, Grete arrives first
He overheard his father speaking to his mother and sister about their financial status. As well as, how his father has been using the money he had saved from his business. Like any caring child, Gregor did not ask or question his father, just aided with no remarks. Even after his family started changing towards him, he only worried about cooperating financially in order to avoid any stress or family destruction. He slowly came to the conclusion that he will always be a bug, and because of that he isolates himself.
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
From the beginning of The Metamorphosis Kafka offers a comical depiction of Gregor’s “squirming legs” (Kafka 13) and a body in which “he could not control” (7). Gregor’s initial reaction to this situation was the fact he was late to his dissatisfying job as a salesman, but Gregor knows that he has to continue his job in order to keep the expectation his family holds upon him to pay of the family’s everlasting debt. When Gregor’s family eventually realizes that Gregor is still lying in his bed, they are confused because they have expectations on Gregor that he will hold the family together by working. They know if Gregor was to quit his job there would be a great catastrophe since he is the glue to keeping their family out of debt. The communication between his family is quickly identified as meager and by talking to each other from the adjacent walls shows their disconnection with each other. Kafka introduces the family as lacking social skills in order to offer the reader to criticize and sympathize for Gregor’s family dynamics. Gregor’s manager makes an appearance quickly after experiencing the dysfunction within the fami...
Ivan has a strong disconnect with his family and begins feel like he is always suffering, while beginning to question if his life has been a lie. An example of this for prompt number three is when we are giving the quote "Ivan Ilych's life had been most simple and most ordinary and therefore most terrible." Leo Tolstoy implies through the quote that even though he lives an ordinary
Ivan Ilych was a member of the Court of Justice who was "neither as cold and formal as his elder brother nor as wild as the younger, but was a happy mean between them—an intelligent, polished, lively, and agreeable man” (Tolstoy 102). He lived an unexceptionally ordinary life and strived for averageness. As the story progresses, he begins to contemplate his life choices and the reason for his agonizing illness and inevitable death. “Maybe I did not live as I ought to have done, but how could that be, when I did everything properly?” (Tolstoy
Ivan Ilych is living during the industrial revolution, a time of technological advancement, that mainly advances the upper class, which he is apart of. Ivan’s number one priority in life is to be comfortable and to do the correct thing at all times. Every decision he makes, including who he chooses to marry, is with the intent that it does not damage his “easy, agreeable, and always decorous character of his life,” (Tolstoy 213). Ivan is convinced that the best way to have an easy and agreeable life is to be wealthy, marry a woman from his own class, and live in a house full of modern conveniences and luxury. Ironically, it...
I think many people have experienced the feelings that Ivan has felt. You just try to manage to get through the day. Everyone wants to believe that they are special and have great fulfilling lives but never do. It is no ones fault but their own, in order to have greatness you must work for it. You have to take risks and if you don't you’ll end up like Ivan Ilych and regret your entire
The life of Ivan Ilyich, we are told, "had been most simple and most ordinary and therefore most terrible" (Tolstoy, Ch. 2). In analyzing this description of Ivan's life, we see that Ivan has always done what is expected of him in the eyes of others (wife, co-workers, employers, etc.). While Ivan believes his life has run easily, pleasantly, and decorously like it should, we see that in reality it is an unfulfilled life. Ivan's closest associates are more worried about who will be next in line for promotion now that he is gone, and at his funeral they are more concerned over a bridge game than grieving for the loss of a friend, "The more intimate of Ivan Ilyich's acquaintances, his so-called friends, could not help thinking also that they would now have to fulfill the very tiresome demands of propriety by attending the funeral service and paying a visit of condolence to the widow" (Tolstoy Ch. 1).
In his novella, The Death of Ivan Ilyich, Leo Tolstoy satirizes the isolation and materialism of Russian society and suggests that its desensitized existence overlooks the true meaning of life—compassion. Ivan had attained everything that society deemed important in life: a high social position, a powerful job, and money. Marriage developed out of necessity rather than love: “He only required of it those conveniences—dinner at home, housewife, and bed—which it could give him” (17). Later, he purchased a magnificent house, as society dictated, and attempted to fill it with ostentatious antiquities solely available to the wealthy. However, “In reality it was just what is usually seen in the houses of people of moderate means who want to appear rich, and therefore succeed only in resembling others like themselves” (22). Through intense characterizations by the detached and omniscient narrator, Tolstoy reveals the flaws of this deeply superficial society. Although Ivan has flourished under the standards of society, he fails to establish any sort of connection with another human being on this earth. Tragically, only his fatal illness can allow him to confront his own death and reevaluate his life. He finally understands, in his final breath, that “All you have lived for and still live for is falsehood and deception, hiding life and death from you” (69).
His family used to care about him but after the transformation, they were no longer concerned for him. Every time the family talks about money, Gregor feels guilty and embarrassed because he can no longer provide for them. When he was able to work before, he had brought money home and “They had simply got used to it, both the family and Gregor; the money was gratefully accepted and gladly given, but there was no special uprush of warm feeling” (Kafka Ch 2 pg 6). Now that he can no longer provide, the family had to come up with ways to keep up with finances. Gregor is dehumanized each time his sister Grete walks into the room to look after him because she cannot bear the sight of him so he hides each time. Each day following Gregor’s transformation, the family’s behavior towards him became more cynical and resentful towards him. They do not allow him to leave his room and worry about how they can go on living with him. They think of him as being a creature, losing their view of him as a human being and no longer important. When Grete decided to take his furniture out of his room, Gregor feels he is dehumanized because they are taking away the link to his humanity. When it came to Gregor’s father, Gregor would “run before his father, stopping when he stopped and scuttling forward again when his father made any kind of move.” His father then threw at apple at him which ‘landed right on his back and sank in; Gregor wanted to drag himself forward, as if this startling, incredible pain could be left behind him” (Kafka Ch 2 pg
In the novels The Metamorphosis and The Stranger by Franz Kafka and Albert Camus, Kubler-Ross’s five stages of death are incorporated to emphasize the themes of individualism and isolation. While denial, anger, bargaining, depression, and acceptance are common emotions when dealing with death, denial, anger, and acceptance are essential in connecting to Kafka and Camus’s ideas regarding individualism. Through their experiences relating to those three stages of death, the protagonists, Gregor Samsa and Meursault, are isolated from greater society and forced to acknowledge their individuality.
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.