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Analysis of the fairy tale rapunzel
Analysis of the fairy tale rapunzel
Analysis of the fairy tale rapunzel
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The law of opening and closing is prevalent in both Grimm’s and Zelinsky’s version of Rapunzel. Zelinsky’s begins “Long ago, there lived a man and a woman who had no children.” Grimm’s story begins “There were once a man and a woman who had long in vain wished for a child.” Both of the stories follow the same opening premise introducing Rapunzel’s parents and why Rapunzel is important to them. Both versions end with Rapunzel and the prince being happy and content. They get their happily ever after.
The second law that is prevalent in the versions is the law of two to a scene. In the beginning the mother talks to the father. Then the father talks to the sorceress. Then the sorceress is in many scenes with Rapunzel. Finally there are Rapunzel’s
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They follow the same story line. The characters have about the same level of development in both stories. One difference for these two stories is the name that they give rapunzel the plant. In the Grimm version they call it rampion whereas Zelinsky always calls it rapunzel. The sorceress in the Grimm’s version is known as an enchantress. In both stories Rapunzel is locked into a tower at age twelve where she lives along for some years. In Grimm’s version the text states one or two years while Zelinsky isn’t specific. Then a prince finds her and falls pregnant, which she notices by how tight her dress, is getting. In Grimm’s version Rapunzel accidently tells the enchantress about the prince whereas the sorceress finds out in Zelinsky’s by her pregnancy. Rapunzel’s hair is cut off and she is banished to a desert where she lives in misery. In the Grimm’s version the prince goes blind by thorns, but in Zelinsky’s version it is just by his fall from the window. The prince wanders in blindness for a year in Zelinsky’s version. It does not specify a timeline in Grimm’s version. Rapunzel heals him with her tears, they move to his kingdom, and live happily ever after with their twins. That is the basic premise of the traditional rapunzel …show more content…
Carolyn Turgeon wanted to explore what would happen if Rapunzel grew up to be Snow White’s evil stepmother. This Rapunzel was so different from the lighthearted Rapunzel we saw in Rapunzel Untangled. This Rapunzel is selfish, evil, and jealous. She killed Snow White’s mother, so that she could marry the King and become Queen. Before Rapunzel became queen she was trapped in a tower with her sorceress, Mathena. Mathena taught her to distrust men and she grew up knowing that Mathena was not her real mother. Rapunzel got pregnant before she met the king. She miscarried and had to bury her son. This is what leads her to be increasing jealous of Snow White. In this fairy tale Carolyn Turgeon tried to think what would happen if the princess did not live happily ever after. Rapunzel was not happy with her position as a step-mother and her marriage. She liked the control she was given by being queen. The first half of the story has many elements of the traditional fairy tale as Rapunzel explains how her and Mathena came to live in the tower, how she didn’t have contact with the outside world, and her journey to becoming pregnant. The second half of the novel was a mixture of the fairy tale of Snow White and Rapunzel. The opening and close of this novel was gentle following the normal theme of a fairy tale. There was not much repetition in this story. The law of two still held true for this novel, as Rapunzel would
These two stories are about the story of Rapunzel. They are both from different places and have some of their culture. One article is “ Blond Beauty “ and it is from France. The other story is “ Parsley [Petrosinella] “ and it is from Italy. “ Blond Beauty “ is more like the Rapunzel I know, it has a godmother type of person that calls for Rapunzel to let her hair down. The story “ Parsley [Petrosinella] “ is different from that it has orges and a garden, but there are things that are very alike about both of these stories as well.
Aspects of fairy tales are woven into many novels as a way to bring a sense of familiarity to the reader. Foster writes, “...we want strangeness in our stories, but we want familiarity, too. We want a new novel to be not quite like anything we’ve read before. At the same time, we look for it to be sufficiently like other things we’ve read so that we can use those to make sense of it,” (Foster 36). Fairy tales will be the same year from now and therefore hold the same familiarity to the reader. Evil stepparents, a magical fairy godmother, and the ultimate rescue to the castle are all component to the perfect fairy tale that is seen in many novels. J. K. Rowling’s infamous Harry Potter Series follows the journey made by the powerful, young wizard Harry Potter. While Harry Potter is not a fairy tale, it has many subtle attributes woven in throughout the novels. The first book in the series, Harry Potter and the Sorcerer's Stone, while not a fairytale, has many attributes woven throughout the novel. Harry Potter and the Sorcerer’s Stone introduces the reader to Harry’s home life which compares to that of a fairy tale. Harry is mistreated by his step parents and wishes for his fairy godmother to save him, clearly showing the distinct evil and good characters like many fairy tales have. However, Harry’s fairy
The first clear difference is seen in the format the versions are written in. While the Grimm’s is written in prose, Sexton’s is a poem, with many stanzas and a few rhyme schemes as well. Despite the stories being similar, this format helps Sexton, who was a poet, separate her version from that of the Grimm’s, and helps her story create its own original identity. The Grimm’s prose form allows a more straightforward approach to its audiences, while Sexton’s poem helps it give the story a deeper meaning. Another major difference was Sexton’s addition of a new introduction and conclusion to her story. The poem starts off by mentioning other stories and fictional tales, but ends with truthful statements that show just how fictional the relationship between Cinderella and the prince is, like “Regular Bobbsey twins” (Sexton 79). Sexton also breaks the fourth wall in some instances, mostly to show her cynical and sarcastic attitude towards her story’s own character, Cinderella. In comparison, the Grimm’s Cinderella is shown to be the typical goody-two shoes damsel in distress, which every girl should try to be like. Sexton’s commentary in her poem changes this attitude towards Cinderella, and instead makes Cinderella look like the fragile, naïve, and helpless woman that she is. These divergences are what grab new and old readers of either the fairy tale genre, or Cinderella’s story alike. Old readers get to experience new elements and a fresh take on an old story, while newer readers can find it easier to understand and follow through Sexton’s story and the ideas it’s trying to convey. All these contrasting elements help change Sexton’s versions tone and connotations, despite the stories being very
However, Rapunzel was terribly frightened when a man, such as her eyes had never yet beheld came to her; but the man began to speak to her quite like a friend, and told her that his heart had been so stirred that it had let him have no rest, and that he had been forced to see her. As the conversation between the two progressed, they became the fastest, and best of friends; Rapunzel had lost all her fear. It wasn’t long before the man whom she had learned to be a prince asked for her hand in marriage. Rapunzel was shocked, she had lived in a tower for years and had not thought of marriage; the prince was the first man she’d seen since her twelfth birthday. Within her inner ear, Rapunzel heard her own thoughts: ‘He will love me more than old Dame Gothel does,’ and so she spoke, ‘I will willingly go away with you, but I do not know how to get down. Bring with you a skein of silk every time that you come, and I will weave a ladder with it, and when that is ready I will descend, and you will take me on your horse.
A fairy tale is seemingly a moral fiction, intended mainly for children. A lesson in critical analysis, however, strips this guise and reveals the naked truth beneath; fairy tales are actually vicious, logical and sexual stories wearing a mask of deceptively easy language and an apparent moral. Two 19th Century writers, the Grimm brothers, were masters at writing these exaggerated stories, bewitching young readers with their prose while padding their stories with allusion and reference: an example of which is "Rapunzel." Grimm's "Rapunzel" is packed with religious symbolism, which lends a new insight to the meaning of this classic story.
During the 1800’s two brothers, known as Jacob and Wilhelm Grimm, began writing short stories that reflected their lives in central Europe. At this time the French under Napoleon’s rule had overrun Germany, which caused a lot of political issues. Germany’s new governmental ruler cut off the country of its local culture (National Geographic). The Grimm brothers tried to preserve the traditional oral stories of the time. They didn’t plan for their writings to become popular, or for them to be for the younger population. The Grimm brothers were motivated to change the stories up a bit as their tales captivated more people. They incorporated a softer side with a primary moral of the story for the readers (GrimmFairytales.com). It is from these original Grimm versions that modern fairytales, such as Cinderella originated from.
Even though the time periods are very different (by 200 years) the formulas for their fairy tales seems to remain constant. Character development, which is very important in fairy tales is both well done and accurately portrays the living situation for a character in the time period of when it was written. Perrault's version seems to put Cinderella's family in a higher, well-off situation of the Grimm's because she is still abided to obey the rules that her dying mother had set for her. Something that you would see a women do in the late 1600's. Her higher class and the rules of her generation has set her to not have revenge on her step-sisters and helps them marry in the end, making a happy ending to the story for everyone. This also gives off the rules of the time to the young girls who would be listening or reading this story back then. They knew their place in society and tales like Perrault's reinforced it. The Grimm's version, titled Ashenputtle, has key elements in the story line that make it very different from Perrault's Cinderella. The theme becomes very different as the end of the tale results in revenge on the step-sisters from Ashenputtle. This variation in the story line represents the setting in which the Grimm's either lived in themselves, or the living situation of the people who related this tale to the Grimm's.
These two films are not only similar on these surface levels, but also in their narrative structure and intent as well. Dorothy and Alice, both find themselves trapped in a world of their own fantasy, but with no context on how to navigate their way home. They are then lead by an array of strange characters who guide them on their journey. Dorothy meets the scarecrow, the tin man, the cowardly lion, and so on. While Alice crosses paths with the white rabbit, the cheshire cat, the mad hatter, and so on. With the assistance of their companions, both heroines maneuver their way through the challenges each fantasy presents. Perhaps the biggest similarity these films share narratively, is the underlying emphasis on empathy and perspective. Both
The enchantress, Rapunzel’s archetypally evil caregiver, uses her magically endowed capabilities to integrate herself into the domestic sphere. The enchantress’ first action is asking the aforementioned husband to donate his first-born child in return for access to her garden’s rampion. With a child, the enchantress finally domesticates herself, accepts the role society has placed upon her as a woman. The enchantress’ second action is her constructing a home for Rapunzel, a domestic place in which the beautiful young girl is constrained. Not only is the enchantress’ life a life of domestication, but she also insures that her inherited daughter’s life will be a domestic one by constructing her a dwelling. The magical enchantress’ power is used only for domestic purposes. Furthermore, when the enchantress learns that her daughter is deceiving her, the enchantress’ action is not to kill, beat, or curse Rapunzel; she banishes her from her domestic abode: “She was so pitiless that she took poor Rapunzel into a desert where she had to live in great grief and misery” (The Brothers Grimm). Again, the enchantress uses her power to manipulate the domestic setting, and the “all-powerful” enchantress seems to only have power over the domestic. Her power is used to achieve domesticity, insure domesticity, and to deprive domesticity, but it is used in no way
It is more obvious in this tale than others, but some of these aspects are the nickname of Cinderella, the evil stepfamily, the three balls, and the beautiful slipper. However, Perrault and the brothers Grimm made some parts of the story very different. In the Grimm’s version, Cinderella’s mother was very important to her and she was very important to her father, while in Perrault’s her mother is not even mentioned and her father is more attached to his new wife than he is to his daughter. Perrault described the stepsister’s as less beautiful than Cinderella, while the brothers Grimm described them as just as beautiful but with bad personalities. Another major difference was Cinderella’s magic helper. In Perrault’s story Cinderella had a fairy godmother that gave her horses, a carriage, footmen to escort her, and new beautiful clothes, and in Grimm’s story her magic helper was birds that only provided clothes. A main difference that a lot of people would notice is the fact that in the Grimm’s tale Cinderella’s slipper was made of gold, and in Perrault’s it was glass which is what most people are familiar with. The endings of the stories also differed. The Grimm’s version ended in a much darker way. Both stepsisters got their eyes pecked out and were doomed to live a life of blindness, which was clearly not a very child friendly way to end a story. In
For those who know this, they may see this story in a literal way. Creating stories with fictional characters like Rumpelstiltskin, Rapunzel and many other imaginary creatures. This approach to the short story would cause one to see the little boy as a ghost after he dies. This would mean that the mother’s body is not responding to a traumatic event and having a mental confrontation with her own self. Instead, she is physically seeing the ghost of her deceased child and not only in her head. The Brothers show their side of fantasy almost immediately in this story by stating “THERE was once a mother..” This is a classical statement used in a broad range of fairy tales. Even when people create their own fairy tales, spoken or written, they often begin with the words “Once Upon A Time” which is similar to how this story is started. It brings creativity to the mind and makes one wonder how the story might continue on to be. This style of writing is a signature for the Grimm Brothers considering it is what they are most widely known for. This particular piece brings a part of reality that readers can relate to and turns it into a fairy tale and nightmare all in one. It describes one of a parent’s worst fears and ways they may actually react and
Rapunzel is an old fairytale that shares some differences with the Italian version. In the German version the father of Rapunzel is present and is the one in the garden caught taking the rampion plant. This is different from the Italian version which only mentions the mother. This difference shows the differences between both countries at the time these fairy tales were written. Germany during the 1800s, was well off and broken up into different kingdoms. It was more common that a couple stayed together during such economic stability. Italy however, suffered during the time that Petrosinella was written which was 1643. Italy faced foreign domination and economic crises during this time which explains why Rapunzel mother was alone during this time. She was symbolizing the dire times that the country itself was facing. The vegetable that was stolen in the fairy tale also varies between both versions. In the German version, the husband goes after rampion radishes. Radishes and dreams of radishes are thought to be ...
A lot of the fairy tale stories that we have seen as young adults and even as adults are original folk tale stories that have been modified and rewritten to accommodate our new cultures. Cinderella happens to be one of these stories that have been changed over the years. There are many different versions of Cinderella, an African Cinderella, a Hungarian Cinderella and even a Chinese version. All of the Cinderella’s are similar in plot, but the author dictates the story’s theme based on the people whom he is writing for which completely changes the story’s tone, mood and other elements. While Perrault's version stresses the values and materialistic worries of his middle-class audience, Grimm’s' focus is on the harsh realities of life associated with the peasant culture. Perrault’s and Grimm’s Cinderella’s have the same plot, but their writing style is different which completely modifies the tale.
Even though the two versions are extremely similar, they contain slightly different morals. When the Grimm Brothers wrote their story, the world was a different place and children did not need to be babied. That is why they chose to write such a cruel ending to their version. In the modern-day Cinderella, there is a profusion of magic and there is no violence, which is a change from the original story. By changing this and the ending, children receive a different message from the story. However, both stories give kids hope that they will live happily ever after.
In many fairy tales, there is always a damsel in distress that is beautiful and the male character always falls in love with her. In Rapunzel the short story, Rapunzel is put into a tower and lives there most of her young life by her ‘mother’ before her prince comes to recuse her. The difference between Tangled and Rapunzel the short story is that, Rapunzel is the princess and her prince is actually a thief, which ends up falling in love with her. Tangled illustrates how a naïve and beautiful heroine, evil mother figure, and a shallow egotistical hero can make a fairy tale story end with love and marriage.