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Bridget jones character analysis
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Helen Fielding’s 1996 novel “Bridget Jones’s Diary” is widely recognized as a perfect example of ‘Chick Lit,’ and like most novels of the genre, it features a single working female protagonist Bridget Jones who is thirty years old, and it also presents her point of view. This novel is about a single working woman struggles with love, family relationship, and chases the self-improvement in order to meet the standard that the society has given to the unmarried women. Therefore, this novel fits all the characteristics that a Chick Lit genre novel should have. Literature is a way to let the reader explore the society. Chick lit is literature since it does reflect the society and human society. It exposes how women being pressured and prejudiced …show more content…
This theme symbolizes that women are pressured to be in a certain way by society. By analyzing this theme, it can be obviously seen that Chick-lit does reflect the society. Firstly, this theme is explored through Bridget’s obsession with her appearance. From her new year’s resolution, she lists certain specific resolutions on losing weight like “reduce the circumference of thighs”, “eat more pulses” which are beneficial to keep fit and also “go to gym” (Fielding, 3). In addition, in her diary, the things that have been recording are neither the weather nor her mood but her weight and calorie. From here, the body image can be seen as the protagonist’s major mission and something she thinks highly of in her life. What urges the protagonist to value her body image? The answer for this can be discovered from the fact that Bridget realizes she “[has] been traumatized by supermodels” because of a magazine calls “Cosmopolitan Culture” (Fielding, 3). “Cosmopolitan”, a social media. It can be generally said that those social media pressured and regulated women to be in a certain way. This can be presented as social pressure to women. Secondly, this theme can also be seen through the fact that Bridget is pressured to get married In this novel, a double standard that society is holding between women and men has been exposed. This dual standard indicates society pressures women to get married at an appropriate age. When …show more content…
This theme represents humanity’s endless craving. By probing this theme, it shows that those Chick lit genre novels do reflect human experience. The well-known example from Bridget Jones’ Diary corresponds to this theme is the contradiction about getting married. Three typical marital statuses: single, divorced and married have been showed in Bridget Jones Diary. The protagonist Bridget represents single people who are not satisfied with their single life, looking forward to “form functional relationship” (Fielding, 3) and getting married, while one of Bridget’s “smug married” friends Jeremy has an affair during the marriage. In addition, Bridget’s mother, who has been married for “thirty-five years” complains about working for the family “ without a break” and “bringing up children” for such a long time(Fielding, 53). Those people have been categorized into three types by their marital status and human’s unrealistic expectations have been directly showed depends on their views on their status. The people who are married, trying to escape from the marriage, while those single people are craving for ending their lonely single lives. It exposes that human always unsatisfied with what they have: the freedom of being single, the smooth and steady life comes from the marriage. This kind of expectation corresponds to the thought that “The grass is always greener on the other side of the fence”. In general, the unrealistic
...ng. She examines the issue of divorce and remarrying, using relationships as a tool for social climbing, she also examines the insecurities that arise when a man discovers that the definition he placed on the woman in his life isn’t as realistic as he would like to think. She subtly addresses the issue of man’s desire to own and define women they are in a relationship with, while trying to control any of her social interactions that could potentially threaten his sense of ownership.
In “Girl,” Jamaica Kincaid’s use of repetitive syntax and intense diction help to underscore the harsh confines within which women are expected to exist. The entire essay is told from the point of view of a mother lecturing her daughter about how to be a proper lady. The speaker shifts seamlessly between domestic chores—”This is how you sweep a house”—and larger lessons: “This is how you smile to someone you don’t like too much; this is how you smile to someone you don’t like at all…” (Kincaid 1). The way in which the speaker bombards the girl overwhelms the reader, too. Every aspect of her life is managed, to the point where all of the lessons she receives throughout her girlhood blur together as one run-on sentence.
Human beings are not isolated individuals. We do not wander through a landscape of trees and dunes alone, reveling in our own thoughts. Rather, we need relationships with other human beings to give us a sense of support and guidance. We are social beings, who need talk and company almost as much as we need food and sleep. We need others so much, that we have developed a custom that will insure company: marriage. Marriage assures each of us of company and association, even if it is not always positive and helpful. Unfortunately, the great majority of marriages are not paragons of support. Instead, they hold danger and barbs for both members. Only the best marriages improve both partners. So when we look at all three of Janie’s marriages, only her marriage to Teacake shows the support, guidance, and love.
In the end, readers are unsure whether to laugh or cry at the union of Carol and Howard, two people most undoubtedly not in love. Detailed character developments of the confused young adults combined with the brisk, businesslike tone used to describe this disastrous marriage effectively highlight the gap between marrying for love and marrying for ?reason.? As a piece written in the 1950s, when women still belonged to their husbands? households and marriages remained arranged for class and money?s sake, Gallant?s short story excerpt successfully utilizes fictional characters to point out a bigger picture: no human being ought to repress his or her own desires for love in exchange for just an adequate home and a tolerable spouse. May everyone find their own wild passions instead of merely settling for the security and banality of that ?Other Paris.?
In the 18th century, reading novels served as a pass time and a diversion from household chores for the women. Though formal female education is not developed, the female characters are seen having a keen interest in books, something that was earlier frowned upon for the sentimental content of books might be destructive to societal values. At the time, books were meant to teach and reflect upon the socially acceptable ideas of romance, courtship, and marriage. We find Miss Wharton asking for books to read from her friend Mrs. Lucy Sumner, “Send me some new books; not such, however, as will require much attention. Let them be plays or novels, or anything else that will amuse and extort a smile.” (Foster, 192) Mrs. Sumner sends her novels which she considers “chaste and of a lighter reading” (Foster, 196). We can thus construe that books and novels in The Coquette though meant for reading pleasure, also play form part of the female
In today’s society, the notion and belief of growing old, getting married, having kids, and a maintaining of a happy family, seems to be a common value among most people. In Kevin Brockmeier’s short story, “The Ceiling,” Brockmeier implies that marriage is not necessary in our society. In fact, Brockmeier criticizes the belief of marriage in his literary work. Brockmeier reveals that marriage usually leads to or ends in disaster, specifically, all marriages are doomed to fail from the start. Throughout the story, the male protagonist, the husband, becomes more and more separated from his wife. As the tension increases between the protagonist and his wife, Brockmeier symbolizes a failing marriage between the husband and wife as he depicts the ceiling in the sky closing upon the town in which they live, and eventually crushing the town entirely as a whole.
William Faulkner and Charlotte Gilman are two well known writers for intriguing novels of the 1800’s. Their two eccentric pieces, "A Rose for Emily" and "The Yellow Wallpaper" are equally alluring. These authors and their works have been well recognized, but also critized. The criticism focuses on the society that is portrayed in these novels. The modern readers of today’s society are resentful to this dramatic society. These two novels are full of tradition, rebellion and the oppression over women’s rights. Both of these novels share the misery of the culture, but there is some distinction between the two. "A Rose for Emily" is a social commentary while "The Yellow Wallpaper" is an informative novel about the writer herself. The authors outlook focus on the gloomy structure in society during that time frame and therefore, create down hearted, reckless characters that offer stimulation for women of all generations.
The “Girl” written by Jamaica Kincaid is essentially a set of instructions given by an adult, who is assumed to be the mother of the girl, who is laying out the rules of womanhood, in Caribbean society, as expected by the daughter’s gender. These instructions set out by the mother are related to topics including household chores, manners, cooking, social conduct, and relationships. The reader may see these instructions as demanding, but these are a mother’s attempt, out of care for the daughter, to help the daughter to grow up properly. The daughter does not appear to have yet reached adolescence, however, her mother believes that her current behavior will lead her to a life of promiscuity. The mother postulates that her daughter can be saved from a life of promiscuity and ruin by having domestic knowledge that would, in turn also, empower her as a productive member in their community and the head of her future household.
A. Women in Modern America: A Brief History. New York: Harcourt Brace, 1974. Glaspell, Susan. A. Trifles. Making Literature Matter: An Anthology for Readers and Writers. Ed.
In Margaret Atwood’s short story, “Happy Endings,” the central theme of fiction provides several different kinds of marriages and relationships that ultimately result in the same ending. The “Happy Endings” shows that it’s difficult to have complete control over day-to-day events. No matter how hard society tries to achieve the perfect life, it does not always go as planned. It doesn’t matter if the characters are bored and depressed, confused and guilty, or virtuous and lucky; the gradual path of version A is not always in reach.
Margaret Cavendish’s Blazing World qualifies as both a precursor to science fiction and an exploration of utopian literature. Cavendish redefines customary representations of women through challenging the boundaries of gender whilst eradicating conventions of the genre. In her essay Gender, Genre, and the Utopian Body, author Marina Leslie suggests that Cavendish realigns three of the dominant modes of discourse which are employed in the representation of women in literature; misogynistic narratives of women-on-top, literary conventions of romance and finally the evolving textual practices of philosophy.
married. However, “for pragmatic reasons, the author’s conclusions favor marriage as the ultimate solution, but her pairings predict happiness” (“Austen, Jane”). Als...
In all honesty, I chose to read The Country Girls Trilogy by Edna O’Brien because it was the only text that I could get my hands on. After reading it though, I’m glad I had the luck of choosing it. I realized, while reading the trilogy, that throughout my course of study, I have not read very many female authors. I may have read a few short stories along the way, but most books that I have read for classes and for pleasure have been written by men. I saw the difference in writing styles as I read the first paragraph of the book and immediately liked the change of pace and detail-oriented style. I also found that I really connected with the main characters, Caithleen and Baba, whose real name is Bridget. I found it interesting that I invested such interest in two characters whose personalities are so different from my own. Caithleen was the narrator in the first two books, and I found that I connected with her most because of her details and innocence. The trilogy represents three phases of these women’s lives from their girlhood, to losing loves and the trials of marriage. Through it all, their interesting friendship changes according to the events in their lives until a sad and untimely end. I’m not sure that that I would want a friendship like Caithleen and Baba’s, but at least that had each other in the end, when the rest of the world seemed to have forgotten them. The excerpt in Colm Toibin’s anthology, The Penguin book of Irish Fiction, is from the first book in O’Brien’s trilogy called The Country Girls. For purposes of this paper, I will discuss the excerpt itself, and then the rest of the first book of O’Brien’s trilogy.
The reason for this book appealing to such a broad audience lies in all the characters’ personalities. Mrs. March is a strong, independent woman who never falters, therefore she relates to all independent women; but she is also a mother who plants strong values in her girls and is the rock foundation of the family, with that she relates to all mothers. Margaret’s desire for luxury is a desire that we all can relate to and her properness is a trait most girls can relate to. Jo’s mischievous demeanor and talent for writing is something that if one cannot relate, admire to have. Beth is the insecure, sweet, homebody in all of us. Amy represents the beauty and talent, and sometimes moral code, which all women have. Laurie represents all the men that wish to be loved any uncommon-but-beautiful woman.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.