Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
My life as an undocumented immigrant summary reseearch agrument essat
My life as an undocumented immigrant summary reseearch agrument essat
My life as an undocumented immigrant summary reseearch agrument essat
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In Josefina Lopez’s amazing play “A Cat Named Mercy” performed at CASA 0101 in Los Angeles, Lopez does a great job along with the actors and theatrical staff to produce a play that reflects the real life struggles of undocumented immigrants, the health care system in America, race relations, and poverty. The performance includes actors Alex Ximenez, Beatriz E. Vasquez, Blanca Araceli, Michael Cota and is directed by Hector Rodriquez. The theme of the show is to show how millions of people in the U.S. suffer without the help and benefits of health insurance. Hector Rodriguez does a great job at directing the story of Catalina Rodriguez (Alex X) a single nurse who is struggling to care for and support her mother (Blanca A), who is blind, undocumented and uninsured. Catalina soon learns that she is sick and is in need of an expensive operation that she can’t pay for. While working at a retirement home she sees what people go through before they die. Throughout …show more content…
the performance Catalina meets a cat during her most difficult times and the cat helps with all the stress and pain in her life. I found the story to be interesting because it showed how the life of many people without health insurance is difficult and stressful. The parts of the story that worked best were the ones that included Catalina trying to do several things in life and having to deal with all the pain and the story kept me interested and yes there was long scenes with a lot of talking that weren’t relevant to the story but the story itself had a meaning.
There was one moment where I …show more content…
felt mad when Catalina found out she was ill, but she couldn’t do anything about it because her health insurance at work was cancelled and her hours shortened and another scene made me happy when she did everything possible to keep her mother happy and didn’t tell her she was sick but despite all the trouble she was facing she was comforted by the cat. The production was trying to send multiple messages to the audience including how racism still exists and the problem with health insurance and how difficult it is to live in America for undocumented immigrants. The main character Catalina Rodriguez was played by Alex Ximenez and she did a great job throughout the whole play. Beatriz E. Vasquez was the one that controlled the cat, dressed in black she had her hand up the back of the puppet cat moving it around and making cat noises, she did a good job also controlling the cat considering there is much you can do. Sometimes her facial expressions would show what the cat was feeling. Their voices and gestures stayed true to the performance and it didn’t feel like they were acting it felt like it was kind of real but what I liked most about the actors was how they were able to present all the emotions wonderfully that their characters were feeling. The set would change during each scene, one was Catalina’s house where she took care of her mother, the other was the retirement home and another was outside on the streets.
The retirement home included a bed, receptionist desk, and table and chair and looked close to what you see in hospitals and homes for old people. The street scene included a stop sign garbage cans a building door and an outline of a sidewalk. The lighting was good it was nice and bright and would change often show the moods of the characters. The costumes looked exactly like what people in hospitals wear and and the other actors like the old patients wore what you see old people wearing in today’s world. The sound was right also and felt scary too sometimes because it sounded to real when the actors would scream and cry and
laugh. This was my first play that I had ever gone to and I loved everything about it. It was different than what you see on television because when the actors were right their in front of me it felt like I was right their experiencing their lives and the sounds you hear also isn’t like when sitting in front of a TV, it’s loud at some points and low at others and your emotions are a lot stronger because it isn’t happening behind a screen it’s right therein front of you and that’s what I loved most was the different emotions I felt throughout the performance. I would definitely recommend this play to a friend or family member. In fact I saw it with my sister and she loved it also. Judging by the looks on the audience’s faces I think they liked it too.
In a story of identity and empowerment, Juan Felipe Herrera’s poem “Borderbus” revolves around two Honduran women grappling with their fate regarding a detention center in the United States after crawling up the spine of Mexico from Honduras. While one grapples with their survival, fixated on the notion that their identities are the ultimate determinant for their future, the other remains fixated on maintaining their humanity by insisting instead of coming from nothingness they are everything. Herrera’s poem consists entirely of the dialogue between the two women, utilizing diction and imagery to emphasize one’s sense of isolation and empowerment in the face of adversity and what it takes to survive in America.
Afterwards, in the 1990s films portraying Latinos would take a somehow new direction, one of the most famous filmmakers would be Gregory Navas, he directed the movie My Family/Mi Familia, a film that portrays the lives of a Mexican-American family and the difficulty that the couple faced in order to establish in the U.S. “by passing as immigrants and all the struggle to integrate their family in another country” (Peña Acuña, 2010). The film let the audience see a potential reality that most immigrants went through when they first moved to the United States and how the system worked differently and the way immigrants had to adapt not only to the system, but also to the language and culture.
The film tells two distinct stories. The first story is a light hearted ethnic comedy about the growing friendship between an Italian American (Bruno, a man with little positive to say about illegal immigrants finds himself working with one in this film) and a Mexican immigrant (Ignacio) both struggling with their co-dependency for each other and the stronger need for a paycheck. The second story tells us about just how uncertain the life of a migrant worker can be.
Living Out by Lisa Loomer is a play that tells the story of the complicated relationship between a Salvadoran nanny and the lawyer she works for. Both women are smart, hard-working mothers who want better lives for their children. The play explores many similarities and differences between them. Through the main character Ana, we understand what it’s like to leave a child in another country and to come to come to the United States. We also get what the potential cost is like to sacrifice your own child in order to care for someone else's. Through the lawyer; Nancy, we understand the pressure on women today. How they try to do everything perfectly and sometimes having to put work before their family. The play also looks at the discrimination and misconceptions between Anglos (White American’s) and Latinos.
In the book Just Mercy by Bryan Stevenson is a memoir where Bryan Stevenson guides us through his life as a lawyer for those who are death sentence. From 1983 when he was student at Harvard Law to 2013 where he lost a client he was defending for years , he takes us through several cases he has taken over the years and showed how they personally impacted him as not only as a lawyer , but a person as well.
“Aqui Entre Nos” is Mexican comedy yet it also a movie that makes you reflect on life. In the film we are introduced to the Guerra family. The head provider of the family and father of three Rodolfo Guerra, his stay at home wife Miriam Guerra and their three daughter Sofia the oldest , Victoria the middle child and Ana Paula the youngest one. It all start when Rodolfo decided to not go to work one after being fed up with feeling unappreciated by his family. In addition he always has Miriam is his
Islas, Arturo. From Migrant Souls. American Mosaic: Multicultural Readings in Context. Eds. Gabriele Rico, Barbara Roche and Sandra Mano. Boston: Houghton Mifflin Co. 1995. 483-491.
Jose Antonio Vargas’s article on My Life as an Undocumented Immigrant is a writing about his childhood journey from the Philippines to the United States as an Undocumented Immigrant. Vargas writes this article to emphasize the topic of immigrant and undocumented immigrant in the United States. He uses all three appeals: pathos, ethos, and logic in his writing, in specific, he mostly uses pathos throughout of his entire article with a purpose for the reader to sympathize and to feel compassion for him. The use of these appeals attract many readers, they can feel and understand his purpose is to ask for others to join and support other people who undocumented immigrant like himself. In addition, it gives other undocumented immigrant people courage
From across the room I could see the bright yellow, pink and red flowers. Taking some steps forward there was even more to like. The overall appearance is a depiction of everyday life. The setting is outside in a grassy area. The sky looks grey but is turning brighter. There is a house in the country whose owner is in the front milking a cow. There is a dead tree that stands bear in the center. The objects that appear closest are a broken fence and the intensely bright colored flowers. All of the objects seem animated and do not seem realistic. The clouds are grey and sharp. Making the viewer feel that something is wrong. It looks like a storm was just taking place. The wind blew the clouds away and is still blowing the grass to the right.
The eternal endeavor of obtaining a realistic sense of selfhood is depicted for all struggling women of color in Gloria Anzaldua’s “Borderlands/La Frontera” (1987). Anzaldua illustrates the oppressing realities of her world – one that sets limitations for the minority. Albeit the obvious restraints against the white majority (the physical borderland between the U.S. and Mexico), there is a constant and overwhelming emotional battle against the psychological “borderlands” instilled in Anzaldua as she desperately seeks recognition as an openly queer Mestiza woman. With being a Mestiza comes a lot of cultural stereotypes that more than often try to define ones’ role in the world – especially if you are those whom have privilege above the “others”.
Montoya, Margret E. "Masks and Identify," and "Masks and Resistance," in The Latino/a Condition: A Critical Reader New York: New York University Press, 1998.
The emotional letter that Juan left for his mother might be one of the most emotional scenes in the documentary. The pure emotions that the letter was written by Juan to her mother leaves the audience with the bonds and emotions felt between the kids and families. Juan Carlos’s father abandoned the family years ago and left to New York, consequently Juan believe it is his responsibility to provide for his family. He also wants to find his father in New York and confronts him about why he has forgotten about them. The story of Juan is not just about migration of children, but also the issue of family separation. The documentary does not dehumanize but rather bring the humane and sensitive lens to the story of Juan where the human drama that these young immigrants and their families live. Juan Carlos is not the first of Esmeralda’s sons to leave for the United states, his nine-year-old brother Francisco was smuggled into California one month earlier. Francisco now lives with Gloria, his grandmother, who paid a smuggler $3,500 to bring him to Los Angeles, California. Once Juan Carlos is in the shelter for child migrants his mother eagerly awaits him outside. After she sees him she signs a paper that says if Juan Carlos tries to travel again, he will be sent to a foster home.
Saramago’s novel clearly illustrates themes that describe the importance of the awareness of others, in terms of feeling oppressed by fear, lack of trust, dehumanization, and segregation. He describes in full detail the importance of the government’s involvement in the lives of the blind victims, which allows the reader to understand and recognize our own societal misfortunes in health care, as well as other world problems. For example, our government allows Hispanic women to be eligible for “Medicaid or state-sponsored child health insurance programs, yet many Hispanic American families fear that enrolling family members in such plans could be used against them when they apply for citizenship” (Minority Women’s Health). Not only are Hispanic Americans afraid of getting ill while without health care, but they also fear that having health insurance could devastate their chances of acquiring a citizenship. Moreover, the government is obviously not seeing the pain and suffering through the eyes of the less fortunate, and in turn robs them of their freedom and vulnerability for being in a lower class.
Rudy symbolized the immigrant’s child and he also demonstrated how one’s language may become obscured with another. Cheech Marin brings awareness of the dangers an immigrant may go through and also to the lives of an American born child to Immigrant parents. This film is not only relatable but a call for an awakening to ignorance. Many people are able to watch this film and laugh, but behind their minds they are brought to acknowledge and correct the stereotypes and wrong perspectives that one may have about
The character of Maria serves to give a voice to Indigenous people, who make up only 11 percent of the total population of Mexico and over 70% of whom live in poverty. The film follows the same formula, Maria vs. society, as many of Velasco's other films. The themes in her films vary from Maria vs conservative hometown (La presidenta municipal), to Maria vs American society (ni de aqui ni de aya and OK Mr. Pancho), and Maria vs urban Mexico, as is the case with!El que no corre, vuela! This particular film focuses on how Indigenous people struggle in the city, particularly with how they are treated by whites and Mestizos. From a comedic point of view, she is seen as a clumsy woman with no idea what she is doing, but this film serves to point out major problems that Indigenous people face, such as stereotyping, language barriers, and educational differences.