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Literary Response Easy on the cask of amontillado
Similarities between the cask of amontillado and the tell tale heart
Similarities between the cask of amontillado and the tell tale heart
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Recommended: Literary Response Easy on the cask of amontillado
A Befriending Prelude to Murder The villainous protagonists from Poe's stories, "The Tell Tale Heart" and "The Cask of Amontillado", are quite similar in their murderous ways. Both killers are deceptively devious in the manner they go about achieving a certain amount of trust between themselves and their ill-fated victims. The two men had shown an eerie likeness in their homicidal cunningness; however, their display of behavior varied as well. Their thought process varied. And their motivations differed. The outcome of each would also take them to completely altered fates. Both Montressor and the nameless anti-hero of "Tell Tale Heart"(Poe writes this character completely from the first person narrative, never mentioning his name), make a conscious effort to befriend their prey in the time leading up to the attacks. Montressor's prey is a loud, brash man by the name Fortunato. While the victim being stalked in "Tell Tale Heart" is a frail, elderly man. Fortunato, of "The Cask of Amontillado," has apparently insulted Montressor in such a way that it has become intolerable to his supposed friend. Montressor, knowing he cannot waver this offense, decides to dispose of his friend. Both men being self-proclaimed wine aficionados, Fortunato willingly accepts Montressor's invitation to sample a pipe of Amontillado he recently purchased. Laughing and joking all the way down through the catacombs and to the vault, Montressor is completely oblivious to the fate his friend has awaiting for him. It is not until moments before the last brick sealing his doom is laid, does Montressor become aware of his undoing. As the conniving Montressor so deviously executed, the unnamed villain of "Tell Tale Heart" also befriends his victim prior to attack This man; a servant of the elderly gentleman whom he preys upon, whole heartedly smiles in the face of his victim. An eye that resembles that of a vulture, disgusts the old man's servant to the point where he feels he must rid himself the sight of it. So, night after night, the servant eases his way into the old man's room. Every night inching the old man's door open, until he ultimately enters the room and asphyxiates him under his own bed. Comparisons between the two pretty much end with the friendly faces they put on leading up to the attacks. While the "Tell Tale Heart" murderer chooses a swift decent for the old man, Montressor wickedly chains and seals Forturnato in a vault, allowing him to gradually wither away.
One catches a glimpse of Montresor’s lost happiness from his obscure past, moreover his distressed self-esteem, in this statement. His façade begins to slip. The strain starts to show. At last Montresor leads Fortunato to the remote niche and secures him to the wall. Surprised Fortunato does not immediately respond.
While at the carnival, Montresor bought some of the finest Amontillado wine to use in his vengeful plan to murder Fortunato. He then meets his "friend," Fortunato. Fortunato is wearing "a tight fitting parti-striped dress and head is surmounted by the conical cap and bells" (Poe 528). By him wearing this outfit, makes it great for the narrator because he is going to make a fool out of Fortunato. Montresor is a manipulative person. He challenges Fortunato's connoisseurship on wine tasting and leads him to his family estate.
Montresor seeks revenge on Fortunato by stating, “A succession of loud and shrill screams, bursting suddenly from the throat of the chained form, seemed to thrust me violently back” (Poe 379). Montresor is now getting revenge on Fortunato by chaining him up deep in the catacombs behind this big wall that he has just created. He is doing this to get payback for the things that Fortunato did to him at an earlier date and going by a plan he made to do everything. Montresor gets revenge and satisfies himself. He undergoes the action of doing so when he explains, “I forced the last stone into its position; I plastered it up, against the new masonry I re-erected the old rampart of bones. For a half of a century no mortal has disturbed them” (Poe 379). Montresor is building a huge wall deep in the catacombs with Fortunato behind that so no one can hear him scream and so he can die there and if that is not bad enough he is even chaining him up and drugging him in the process and then after that he is putting the bones back where he found them so even if someone did go back there no one would see or hear anything. That is some smart and painful planned revenge. This is how Montresor got revenge on
Reading Edgar Allen Poe’s works such as “The Cask of Amontillado” and “Tell-Tale Heart” are both written around 1840’s and written in the gothic style. Poe displays his horror short stories, in which the reader can differentiate his signature style. Although many of Poe’s significant works may have a similar theme, the reader can distinguish the themes through the characters in “The Cask of Amontillado” and “Tell-Tale Heart.”
Montresor in "The Cask of Amontillado" is similar to the narrator in "The Tell-Tale Heart" in that his obsession with consuming the soul of Fortunato influences his every action. However, it is with Fortunato himself that he is obsessed. He feeds off of Fortunato's pain, unlike the narrator in "The Tell-Tale Heart" who's obsession is with destroying a menacing inanimate object. Montresor's entire conspiracy is focused around making Fortunato suffer, and for him to know just who is causing this suffering. This is why he goes to such lengths to put together this intricate strategy. It could have been so much easier to kill Fortunato in some easier, quicker way. Instead, he dedicates himself to torturing Fortunato. He creates a plan that leads Fortunato into the depths of the catacombs beneath his home, and kills him in an excruciating manner.
The power to change is man’s greatest struggles, since a strong influence that lead them to where they are now. It is also the price and journey that both Montresor in Edgar Allan Poe’s short story “The Tell Tale Heart” and the narrator of the “The Cask of Amontillado”, another of poe’s story. In both story the narrators, both indicate that they want to get rid of an addiction they had that is driving them to madness, and in order to do so they, must do it at any cost. Both narrator clearly plan on their instincts and carefully plans out methods in which leads them to their satisfaction. These stories contain many similarities and differences in the use of tone, irony and symbolism, of the protagonist. Through these characters and their actions,
Like many of Poe's other works, the Tell-Tale Heart is a dark story. This particular one focuses on the events leading the death of an old man, and the events afterwards. That's the basics of it, but there are many deep meanings hidden in the three page short story. Poe uses techniques such as first person narrative, irony and style to pull off a believable sense of paranoia.
The narrator in “The Tell-Tale Heart” has taken the time to meticulously plot. He sneaks nightly into the old man’s room preparing until he is ready to carry out his plans. His discontent lies...
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
Poe writes “The Tell Tale Heart” from the perspective of the murderer of the old man. When an author creates a situation where the central character tells his own account, the overall impact of the story is heightened. The narrator, in this story, adds to the overall effect of horror by continually stressing to the reader that he or she is not mad, and tries to convince us of that fact by how carefully this brutal crime was planned and executed. The point of view helps communicate that the theme is madness to the audience because from the beginning the narrator uses repetition, onomatopoeias, similes, hyperboles, metaphors and irony.
Unlike “The Tell Tale Heart” were the narrator loved the old man just hated his eye, the narrator of “The Cask of Amontillado” hated Fortunato but did things that make it look like he loved him. Montresor approaches Fortunato with claiming to have acquired something that could pass for Amontillado. Here Montresor may seem like he is being nice but he really just using Fortunato’s love for wine against him. As they went through the catacombs Montresor gave Fortunato enough wine so that he would be drunk and would be oblivious of what was happening as they went deeper and deeper into the catacombs. Fortunato never expected this to be the plan but just as a simple act of kindness from Montresor. As mentioned in the introduction of this paper the narrator of this story wanted revenge. Why does the Montresor want revenge? Well it is mention in the story on page three “THE thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge” but never gives us a full reason just that Fortunato insulted the Montresor in some
The first indirect factor that could contribute to Montresor’s vengeful act, and thus the story’s theme of revenge, is the character of Montresor. Montresor tends to harbor feelings of resentment and has a hard time not taking things out of context (Womack). He also plans the murder of Fortunato in advance and devises it in such a way that he will not be caught. In killing Fortunato, Montreso...
Edgar Allan Poe's short stories, "The Telltale Heart" and "The Masque of the Red Death" are two very different stories. One is about a simple man, perhaps a servant, who narrates the tale of how he kills his wealthy benefactor, and the other is about a prince who turns his back on his country while a plague known as The Red Death ravages his lands. Yet, there are some similarities in both. Time, for instance, and the stroke of midnight, seem to always herald the approach of impending death. Both are killers, one by his own hand, the other by neglecting his country. One seeks peace, the other seeks pleasure, but both are motivated by the selfish need to rid themselves of that which haunts them, even at the expense of another's life. However, the point of this critique will show that their meticulous plans to beat that which torments them are undone by a single flaw in their character - overconfidence.
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult" (34). The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
The characters in The Tell-Tale Heart are complex, interesting, and elaborate. Although much is not known about them, they each have minor details that make them stand out. Whether it be the old man’s eye, or the narrators growing insanity.