3D Artwork Analysis

From studying multiple artifacts from the 15th century in Italy, there have been significant acronyms within Northern Europe, and Italy bases off different altarpieces that have a gland into solving the puzzle pieces from various paintings that are linked with spiritual attributes in Christianity. In northern Europe, we come to see the paintings within the altarpiece are more eccentric than Italy, and have high quality in the 3D dimensional aspect so the viewer can visualize themselves as part of the painting itself.

From behind the altarpiece, it originated back in the 15th century in Northern Italy where its name takes place from the aristocrats; the Merode family of Belgium, who owned the altar piece during the early Northern Renaissance in 1425. Not only they

He wanted to create something that display the acronyms of Christian Art by using a triptych which can display different works of art that either can fold shut, or open to display the images in the panel. By using oil painting as his sort, he painted on the wooden panel by resembling each work piece as a symbolism to convey the holiness that presented in everyday subjects. Even though he learned the teaching of the Franciscan Order from the monks who interpreted the Bible in terms that their listeners understood and corresponded with the biblical reference, their approach was to keep the religious conventions and formalities to a minimum. Since Campin had to create something that was ordeal but wasn’t constricted to settle in that subject, instead of having halos hovering over the objects in the painting; he exaggerated his painting in a domestic setting that viewed the room along with the objects in a wide perspective. So naturalistic that each object represented different entities for the purpose of the setting with Virgin Mary sitting and Arch Angel