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Effects Of Television To It's Viewers
Effects Of Television To It's Viewers
Effects Of Television To It's Viewers
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Cooking Programs – Comparative Essay
Using the tools for analysis, compare and contrast how the filmic techniques are used to create interest and purpose in the programs “Mexican Fiesta”, “My Kitchen Rules“ and “Jamie Oliver’s 30 Minute Meals”.
Mexican Fiesta, My Kitchen Rules and Jamie’s 30 Minute Meals (30 Minute Meals) introduce many filmic techniques to create purpose and interest, which is further articulated and addressed to the audience. The commercial, instructional and educational purposes are expressed through the utilisation of camera angles, narration and special effects in the programs. The commercial elements are easily distinguished in both 30 Minute Meals and My Kitchen Rules to promote and advertise certain brands and cook
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books towards the targeted audience. Importantly, the establishment of an instructional purpose addresses the audience towards the main attributes which are applied across all three shows. However, contrasting elements are used in Mexican Fiesta and 30 Minute Meals to explore the wide variety of produce and culture which provide positive correlation between the audience and the visual representation of the shows. The filmic techniques are significant and depict certain purposes directed to audiences’ throughout many similar and different elements which help to create interest in all three programs. There are many comparative elements in both 30 Minute Meals and My Kitchen Rules that relate to a commercial purpose. Within My Kitchen Rules, the director uses sharp perspective camera angles to define the purposely showing brand of Coles, as seen when the shopping bags are placed orderly on the kitchen bench in Paul and Blair’s house, directly facing the camera. Similarly, the commercial concept of 30 Minute Meals is presented to the audience by the casual voice over towards the end, seeing that Oliver announces, ‘for selective recipes in this series go to Channel4.com/food.’ Quite diligently, My Kitchen Rules in effect grabs the viewers’ attention and creates a sense of demand for the produce, and considering that it came from Coles it further adds the utilisation of commercial aspects. More importantly, the promotion of food is supported by special effects through social media pop-ups of twitter seducing the audience into the luscious food, observed entirely throughout My Kitchen Rules. Furthermore, these particular elements are exploited not by camera angles but by a useful voice over technique to enhance the demand for buying cook books in 30 Minute Meals. Upholding the scripture in 30 Minute Meals, referencing is utilised to contribute and explain where recipes may be found, effectively luring the young adult audience to buying cook books. Correspondingly, voice over narration equally promotes and commercialises 30 Minute Meals, in comparison to the incredibly accurate camera shots derived by My Kitchen Rules. An instructional purpose is implemented through many techniques in all three shows, 30 Minute Meals, Mexican Fiesta and My Kitchen Rules. Oliver uses narration to provide a set of instructions to effectively provide correlation between his targeted audience and actions in the kitchen setting. For example, it is seen through scripture when Oliver announces, ‘I am going to take the bearings off here and get rid of that, so its all nice and fresh and if there’s any sort of tatty outside leaves just click ‘em off.’ In addition, there is also utilisation of tools which include narration in accompany to precise birds-eye view camera angle to visually compare narration to action. This is perceived when Paul states, ‘For the slow cooker I am going to add some beef stock, shaoxing rice wine, oyster sauce and some soy sauce, orange peels star anise and just a little bit of salt and pepper to season it.’ This is accomplished while the audience is looking at him add all the particular ingredients to develop understanding. Importantly, it is only stated to communicate to the audience into the instructional effect of My Kitchen Rules rather than the major commercialisation advocate that supports Channel 7. In comparison, there are instructional attributes carried in the presentation of Mexican Fiesta through narration. We can see this when Kuruvita believes that the audience should place, ‘Oil on the grill and season the grill with some salt,’ which in turn provides instructional evidence. Therefore, instructional devices and concepts play a massive part to seduce to the audience and show how the creation of different tools can deliver interest in the programs. In both shows, Mexican Fiesta and 30 Minute Meals, the utilisation of different techniques are portrayed to enable an educational purpose, given to the audience.
In contrast, traditional music and cultural activities majorly influence Mexican Fiesta as seen through calming music shown through the Mariachi band, located at The Plaza De Mariachi, Guadalajara Mexico. However, special effects are manipulated wisely in 30 Minute Meals to educate the audience that the quality of food is not dependent on the quantity of time. This is distinguished when the digital clock slowly clicks in the foreground, while people are rushing in and around supermarkets as shown in the background, relating 30 Minute Meals to the audience in reality. The manipulation of time is an essential part in everyone’s lives, as this connection is definitely established in 30 Minute Meals to educate and engage the audience. Therefore, both shows uniquely articulate an educational purpose towards the audience visually to enhance a more prominently cultural perspective delivered by Mexican Fiesta. There is also the make-up of graphics in Mexican Fiesta which provide a more educational purpose about the geography of Mexico in accompany with music to depict certain locations in which produce is brought about. Not only has Kuruvita delivered an educational observation on Mexico, but he announces to the Australian audience that there is much diversity and cultural representations as well. Dissimilarly, 30 Minute Meals presents a much more dignified time exploitation effect to educate the audience, rather than a geographical examination delivered by Mexican
Fiesta. Filmic techniques are a crucial tool in the utilisation of creating purpose and interest in the film productions Mexican Fiesta, My Kitchen Rules and 30 Minute Meals. Not only does Mexican Fiesta portray an educational purpose to the audience through many techniques depicting culture, but so does 30 Minute Meals through the utilisation of time manipulative effects. The delivery of an instructional purpose is grasped by all three shows, as each show prominently displays and compares similar peculiarities in their construction. Finally, there is polarity between 30 Minute Meals and My Kitchen Rules, however they equally share methodical commercial aspects to create interest and direction to the audience. Purpose is exploited and is recognised phenomenally in all three shows and is also communicated to the targeted audience with the utilisation of filmic techniques to describe a positive correlation.
...lly has a critic. To strengthen the arguments and persuade viewers to their side of the debate, film makers tend to present only one side of the story. Specific placement of an object, the choice of words and the selection of scenes are possible elements that could be woven into documentaries to shape viewers’ perspectives on certain issues. Fat Head is a great case in point, which is likely to convert some public opinion about the ideology of healthy eating. Documentaries may contain biases that mislead the viewers; presenting ‘facts’ but perhaps not revealing the entire picture. Therefore, in a sense, documentaries can be truthful, but also fallacious. It is imperative to evaluate the techniques used in documentaries, in order to distinguish readily from what is fantasy. It could be concluded that Fat Head and Super Size Me are two version of the same reality.
Food Inc. addresses many political issues during the film to draw in the audience. Issues such as: the environment, education, workers’ rights, health care, climate change, energy control, to name a few. Director Robert Kenner exposes secrets about the foods society eats, where the food has come from and the processes the food went through. It is these issues that are used as politics of affect in both an extreme visual representation and a strong audio representation that has the biggest impact on the audience and their connection to what they are being told. This paper aims to discuss the film Food Inc. and the propaganda message for positive change, as well as, the differences between seeing food and deciding...
Documentary films have become a very popular in the last few years with the success of Michael Moore’s films fueling interest to learn while being entertained. Two filmmakers have benefited from this new interest in the non-fiction film movement, including directors Morgan Spurlock and Lee Fulkerson. The two filmmakers both made documentaries regarding healthy eating, or the lack thereof, in North America. Spurlock’s film, Super Size Me was about a healthy man who wanted to see what would happen to his body if he ate nothing but items from McDonalds for an entire month. On the other hand, Fulkerson’s Forks Over Knives is about a man on a quest to improve his health by consuming a plant and whole food based diet only. Despite the differences in their respective journeys the films of Spurlock and Fulkerson both combine several modes of documentary cinema including, the expository mode's use of narration, reflexive mode's use of the filmmakers on screen presence and the participatory mode in that they are both on a personal, and thus relatable, quest for knowledge.
The information is presented in an efficient manner as it correlates and appeals with viewers existing knowledge and lifestyle. The documentary begins with a lethargic women who appears to lack motivation due to following an unhealthy lifestyle and diet. This example, that continues throughout the whole documentary,
In the original three day diet analysis, Susanne Coleman found that she was not eating from all of the food groups recommended by the food pyramid. Particularly, she was not eating the amount of fruits, vegetables and grains recommended. While she felt she made wise food decisions, there was room for improvement. When completing another three day diet analysis, Susanne received different results. After completing the original three day diet analysis, Susanne has been more conscientious of her food choices. Since the first analysis, Susanne has begun to plan meals ahead and to pack her meals for the day to stay on track.
My goal is to consume 1500 calories per day. According to the Super Tracker website, for breakfast I should have 1 ounce of grains, ½ cup of fruit and ½ cup of dairy. I will be able to have a midmorning snack that can include 1 ounce of grains and ½ of fruit. For lunch, I can have 1 ounce of grains, ½ cup of vegetables, ½ cup of fruits, and 2 ½ ounce of protein foods. This meal plans also allows me to have an Afternoon snack, that can include ½ cup of vegetables and ½ cup of dairy. Finally for dinner, I can consume 2 ounces of grains, 1 cup of vegetables, and 1 cup of dairy, and 2 ½ ounces of protein food.
My overall Kcal average for the three days I recorded was 4,318, while my Daily recommended intake was 3,484. In terms of Kcal, I am eating more calories per day than recommended. Breaking it down a bit farther to percent of carbohydrates, I ate 110 percent of my Daily Required Intake for Carbohydrates, specifically 39.1 g more than recommended. The daily recommendation for protein is ten to thirty-five percent,
Nutrition, I have learned plays a big part in our life. To be honest I was clueless about how much nutrition affected our everyday lives. I love going to the gym working out, now that I know what should go into my diet I think I will see a lot more improvement. I occasionally follow the latest diet fads because I believed it would be better for my health, but in turn it really hurt more than it helped! This Diet Analysis project has been extremely useful course because I can personally relate to it and can use much of the information learned to my daily routines. The Diet Analysis project was a real eye opener because it let me see what exactly I was putting into my diet.
In “Last Meals”, which appeared in Lapham’s Quarterly, Brett Cunningham focuses on pointing out the contradiction of the age-old tradition of the last meal. He argues that, “The idea of a meal before an execution is compassionate or perverse, depending on your perspective, but it contains an inherently curious paradox: marking the end of a life with the stuff that sustains it seems at once laden with meaning and beside the point” (Cunningham, para. 6). His tone, syntax and, word choice as well as current and historical anecdotes not only adequately support his argument but forces readers to examine how we as a society use empty gestures to distance ourselves from unpleasant realities.
In order to get a greater sense of the food personality attributes, three episodes from each show’s current season were analyzed to examine the personalities’ mannerisms and culinary identity. These attributes and characteristics were coded and analyzed (see Table 2). Content analysis started with cursory examination of the television episodes. I posed two questions during my initial examinations: how do these culinary personalities present themselves as experts in either the domestic or public spheres, and how do these presentations adhere or diverge from the earlier outlined gender culinary stereotypes. This meant looking at the theme of the shows, setting, the appearance and mannerisms of the culinary personalities, and how well these shows convey the tone of the network. While watching, I took note of any personal anecdotes or memories given while the food was being
The United States has lots of freedoms, and one of those many freedoms is the option to have a last meal before being executed. There are not many limits to what can be served to someone on death row, as long as it fits the guidelines and is not a ridiculous sum of money. Some states, such as Florida limiting it to $40, have a limit already set. When a prisoner on death row chooses their last meal, most of the time it will be large, extravagant, or sometimes just strange.
McDonalds is one of the world’s leading fast food franchisee. They mainly concentrate on burgers with occasional additions with to suit the host country. They have designed meals targeted at adults to toddlers so as to reach wider range of audien...
In Christophile Konstas’ “Pimento Cheese, Please!” and Kevin Longa’s “Dictionary of a Food Hero” they both address the power of food and the effects it can have on the lives of people. In the pimento cheese video this is show through the southern family meaning of and tradition of pimento cheese. The food hero movie takes us on a different route.
The film exposes how modern media develops so greatly and expeditiously, and also in a way, horrible. People get diverse information from all kinds of media. The entertainment through the media also provides us immense enjoyment. In a word, media has become one of the most important things in our life. We even cannot live without it now. It re...
...n with others so they did not use their passionate to create ideal movies or high quality of films and dramas. It causes the film production or products getting worsen and worsen. Along with the well-developed technologies, we intended to film a parody to mock the TV shows that are manufacture in a rough and slipshod way; their facial expression, body gesture and even the speech are almost the same. So in this video portrait, we think that it is a need to stand out to do something for our society. We no longer want to receive useless information every day, so we want to film Cat’s kitchen to arouse people’s attention about this eager issue. Although our target audiences are only classmates, but as we gained the experience of how to film a video, we might keep on filming others social issues and uploaded to YouTube; try to gain the attention of the general public.