1984, A plot masterpiece

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George Orwell’s 1984 makes very efficient use of a combination of many plot styles. Chiefly 1984 follows a progressive plot structure, however, Orwell also makes use of in media res and flashback by starting his novel in a world that has recently changed drastically. He even manages to throw in a dash of episodic plot with his subplots. It is this remarkable blend of plot structures that gives 1984 its unique feel. With 1984, George Orwell is trying to prove a point. To get his point across he tells a story, and that story largely follows a progressive structure. After the reader meets Winston, days go by and the story progresses toward a climax. Every day Winston goes to work or even gets up in the morning brings him one step closer to the inevitable: his own arrest by the Thought Police. But Orwell takes this time to set the stage and familiarize the reader with the world he envisions. It is debatable whether the first three quarters of the book is rising action or exposition, but either way the climax arrives when Winston is finally arrested and tortured. The story’s resolution is Winston’s assimilation, acceptance of the Party and love for Big Brother. But where is the inciting incident? The inciting incident occurs before the beginning of the book, making 1984 an in media res plot. Again, exactly which event the inciting incident takes the form of is a topic for discussion, but it is likely before the story begins. The inciting incident is the moment conflict between Winston and the Party becomes inevitable. It could be the moment Winston bought the book from Mr. Carrington, it could be the event that originally caused the Party to watch Winston closely some seven years before, it could even be the war that brought the Par... ... middle of paper ... ...aken control, he puts the reader not only in suspense from the future, but also as to what has happened in the past. By giving flashbacks, he explains who Winston is and how the Party rose to power. After flashbacks he continues moving the plot ahead as though it were a simple progressive plot, but throws in side characters to create episodic plots off to the side. The end result is that the reader gets a very clear idea of how horrifying Orwell’s world is, and also how to avoid it. Orwell’s ideas about totalitarianism are brilliantly shown in 1984. His use of multiple plot structures allowed him to keep the reader engaged while spending copious amounts of time explaining every aspect of life in London. Ultimately, 1984 is a progressive plot, but it also makes good use of in media res, flashback, and episodic plot structures to bring the reader into Orwell’s London.

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