The “youth culture” of 1960s can be aptly described as a counterculture; one who’s whose values and norms of behavior differed substantially from those of mainstream society. The 1950s was an era bred in conformity; uniform suburban housing coupled with unrivaled economic prosperity all led to this emphasis on wholesome American family values. Outside of the sexual appeal of Marilyn Monroe and perhaps the flamboyancy of Little Richard, there were few cultural challenges to the norm. Enter the 1960s: images of long-haired males, recreational drug use, and open-sexuality were initially seen as a threat to mainstream society. To their elders, their actions were either seen as a danger to all of what they stood for or merely a misguided attempt …show more content…
While the use of LSD nowadays is often met with labels such as “burn-out” or “druggie”, to the counterculture the drug was championed as mode for spiritual exploration and increased human consciousness. The drug, discovered accidently by Abbie Hoffman, induces both visual and auditory hallucinations, as well as euphoric sensations. LSD awareness activists such as Dr. Tim Leary and groups such as the Merry Pranksters emerged during this time, as each thought it was their responsibility to turn on others to this life-changing drug. The fact that government authorities proceeded to ban the drug only enhanced its appeal to youths and, as such, the drug became a symbolic emblem of the counterculture. It embodied a rejection of cultural norms and more importantly, an openness to spiritual experimentation. A return to the natural world and a repression from materialist chains were said to occur during a trip. Furthermore, whatever revelations made during one’s trip was said stick with them and help tap into the inner soul: a trip signified a quest for authentic meaning in life. The drug was such a fierce symbol because it represented a challenge of the dominant norm of religious orthodoxy present in the 1950s. Instead of conforming to the ancient uniform religious values, intake of LSD allowed for these youths to find their …show more content…
The Grateful Dead, the Beatles, Bob Dylan, Jimi Hendrix, Janis Joplin, and Jefferson Airplane to name a few all exemplified various counterculture ideals through their music in the 1960s. Whether it was the sexual liberation present in Janis Joplin’s piercing voice, the peace and love that the Grateful Dead symbolized, or the anti-war sentiments found in Bob Dylan’s lyrics, music was an undisputable symbol of the counterculture. Moreover, large music festivals such as Woodstock, where almost half a million people joined together for the sake peace and love, proved to be a uniting force in the history of the counterculture. Topics that were previously considered taboo, such as sex, were first introduced through the rock industry and eventually resulted in the “sexual revolution” of the 1960s. This revolution challenged the traditional heterosexual, monogamous characteristics of sex and was founded on the counterculture’s insistence on free love and the freedom to do whatever they want with their body. Moreover, the rise of modern technology (birth control) and sexual studies (Kinsey report) gave the counterculture additional ammunition in their pursuit of sexual liberty. This pursuit of hedonism disgusted their elders, yet, as per usual, it merely heightened these youths’ focus on achieving maximum sexual pleasure. This emphasis
The 1960’s changed the world in an explosion of sex, drugs, and rock and roll, for the first time women and men where declaring freedom and free love. The sexual revolution of the 1960’s saw changes in the way the world saw its self, and the way we saw each other. It changed what we wanted to buy, how we bought it and how we sold it to each other. Artistic free thinkers began to push boundaries everywhere they could. This is reflected in the music of the times, the notable events and the fashion.
LSD has proved that the mind contains much higher powers and energies, beyond the average10% of the brain that a typical human uses. These powers and energies, under the right circumstances, can be taken advantage of to benefit human kind spiritually, creatively, therapeutically, and intellectually. LSD has given human kind the option to chemically trigger mental energies and powers. Arguments that LSD is potentially a dangerous discovery and mind control should be strictly prohibited by the government holds much validity, although there are benefits and arguments of personal freedom of neurology to consider. Whether LSD reflects negativity as a weapon and mind control drug, or radiates euphoria as a mind-expanding chemical and sacrament, the choice to engage in such an experience should be through personal reasoning. It is not the states and other bureaucracies’ duties to take control of the human brain and body.
Since the beginning of time, humans have been changing, developing, and evolving. The 1950s was a fascinating era in American history, and whether its people altered for good or bad is debatable, but one thing is for certain - many drastic changes were made during this time, especially involving teenagers. Juvenile delinquency erupted from the depths of the community, and countless gangs arose. Different genres of music were also emerging. Old perspectives were being replaced with controversial ideas; a lot was about to change.
The ‘60s were the age of youth, as millions of children’s from post World War II became teenagers and rebelled against the conservative fifties. Denying civil rights to African-Americans and liberation to teenagers in previous decades and Vietnam War, created a vortexes which lead to massive rebellion against the status qua. Music of the 1960s was characteristic of the revolution that was going on during the decade. It was a time of rebellion and counter-culture in which the teenagers and college students were critical of government, business, religious institution and other various aspects of life. Era marked by civil rights movement, Vietnam War, environment of drug abuse and sexual freedom formed new music like: folk rock, soul and psychedelic rock. These genres starkly contrast the teen idol music of ‘50s pop mainstream. Writes John Covach; “World was exploding, and rock musicians were listening more closely than ever.”(Covach, 152) Such stark contrast in pop music directly relay to changing social culture in America, which further echo’s the relationship between music and culture.
The youth of the 1950s were built off of their rebellious personalities, their sense of morality, and the metaphorical phrase of being rebirthed. This is best shown in the film Rebel Without a Cause, where teens are seen running away from their parents and getting involved in stuff they shouldn’t be. The reasons why teens were depicted as rebels against conformity was because of how youth culture formed, such as the growth of cars, being involved with love, and forming gangs within their group of friends. When comparing 50s kids to today’s kids, it can be seen that the generation’s culture is drastically different. The biggest goal for parents today are to wipe out the source of rebellious thoughts, and keep strict conformity amongst their family so it would not cause society’s downfall.
Wesson, Donald R. "Psychedelic Drugs, Hippie Counterculture, Speed And Phenobarbital Treatment Of Sedative-Hypnotic Dependence: A Journey To The Haight Ashbury In The Sixties." Journal Of Psychoactive Drugs 2 (2011): 153. Academic OneFile. Web. 23 Mar. 2014.
There were leaders such as Timothy Leary, Harvard Professor, who was helped spread the hippies drug use. He recommended the use of LSD and used his famous slogan, “tune in, ten on, and drop out”, to inspire the American youth. Later during his career, he was fired for being unreliable to showing up to his classes. Leary had a belief that LSD showed improvements for therapy, that the human mind would expand and there would be personal truth. During the hippie movement he was constantly arrested and was known as “-in the words of president Richard Nixon - “the most dangerous man in America”” (Bliss Jim, “The death of Timothy Leary, ‘The most dangerous man in America’”). Later in 1995, Leary was diagnosed with inoperable prostate cancer. And then in 1996, he died lying in bed with his
Beginning with the late 1960’s counterculture in San Francisco, music and drugs will forever be inter-linked. Hippie bands such as the Grateful Dead, the Allman Brothers, and Phish are associated with marijuana, mushrooms, and LSD. Modern electronic “rave” , or club music is associated with MDMA or Ecstasy. When one thinks of rock and roll, sex and drugs immediately come to mind. While the use of drugs is not essential for the creation or performance of all new music, it was certainly in important factor for the counterculture music of the late 1960’s. While some of the most important and influential music was made with the help of psychoactive drugs, it was often to the detriment of the artist. Janis Joplin, Jimi Hendrix, Jim Morrison, and countless other tremendously talented artists had their lives cut short due to drug use. Drugs were most often good for the music, but deadly for the music makers.
During the sixties Americans saw the rise of the counterculture. The counterculture, which was a group of movements focused on achieving personal and cultural liberation, was embraced by the decade’s young Americans. Because many Americans were members of the different movements in the counterculture, the counterculture influenced American society. As a result of the achievements the counterculture movements made, the United States in the 1960s became a more open, more tolerant, and freer country.
Although in the modern world such drugs have developed an almost taboo status, it is impossible to ignore the tales of enlightenment reported by ancient cultures and even those rebels that use such drugs illegally today. While the American government has been one of the main influences on today’s society’s negative attitudes towards psychedelic drugs, they have granted some scientist and psychologists permission to experiment with such agents, and despite the controversy and varying results there seem to be many positive uses of psychedelic agents. These positive uses and the research that has been directed toward these uses will be reviewed in the following, as well as a brief history of psychedelic drugs.
“Of all the Buddhist groups in America, those focusing on meditation have been most attractive to young people from the drug scene, and it is these groups that have taken the strongest stand against drug use. The psychological literature as well as the literature on Zen abounds in descriptions of the altered states of consciousness experienced under the influence of LSD-25 and other hallucinogenic drugs. Descriptions of these drug-induced states often compare them with the experience of satori or enlightenment which may result from Buddhist meditation. Frequently the opinion is expressed that, under certain circumstances, the LSD experience is a satori experience. ”
The Hippie Movement changed the politics and the culture in America in the 1960s. When the nineteen fifties turned into the nineteen sixties, not much had changed, people were still extremely patriotic, the society of America seemed to work together, and the youth of America did not have much to worry about, except for how fast their car went or what kind of outfit they should wear to the Prom. After 1963, things started to slowly change in how America viewed its politics, culture, and social beliefs, and the group that was in charge of this change seemed to be the youth of America. The Civil Rights Movement, President Kennedy’s death, new music, the birth control pill, the growing illegal drug market, and the Vietnam War seemed to blend together to form a new counterculture in America, the hippie.
American society and culture experienced an awakening during the 1960s as a result of the diverse civil rights, economic, and political issues it was faced with. At the center of this revolution was the American hippie, the most peculiar and highly influential figure of the time period. Hippies were vital to the American counterculture, fueling a movement to expand awareness and stretch accepted values. The hippies’ solutions to the problems of institutionalized American society were to either participate in mass protests with their alternative lifestyles and radical beliefs or drop out of society completely.
Throughout the 1960’s there were many fads and trends, but one of the most creative ones was the idea of psychedelic art. The word “psychedelic” comes from the Greek words “psyche” and “delos”, which means “mind manifesting” or “soul manifesting.” (network9.biz) And according to the author Ken Johnson,
The sixties was a decade of liberation and revolution, a time of great change and exciting exploration for the generations to come. It was a time of anti-war protests, free love, sit-ins, naked hippie chicks and mind-altering drugs. In big cities such as San Francisco, Los Angeles, New York and Paris, there was a passionate exchange of ideas, fiery protests against the Vietnam War, and a time for love, peace and equality. The coming together of like-minded people from around the world was spontaneous and unstoppable. This group of people, which included writers, musicians, thinkers and tokers, came to be known as the popular counterculture, better known as hippies. The dawning of the Age of Aquarius in the late sixties was more than just a musical orgy. It was a time of spiritual missions to fight for change and everything they believed in. Freedom, love, justice, equality and peace were at the very forefront of this movement (West, 2008). Some wore beads. Some had long hair. Some wore tie-dye and others wore turtle-neck sweaters. The Hippie generation was a wild bunch, to say the least, that opened the cookie jar of possibilities politically, sexually, spiritually and socially to forever be known as one of the most memorable social movements of all time (Hippie Generation, 2003).