The matriarchal structure of Juan and Lupe’s families are key factor in the molding of each of them into each a unique person that just so happen to fit with each other perfectly. Doña Guadalupe is a woman of great strength and power, power and strength which she draws from her devout faith and her deep and loving compassion for her family, and power and strength which is passed down to her children. “‘Well, then, come in,’ she said, deciding that she could be handle this innocent-girl-stealing coyote inside. On going into the long tent, Salvador felt like he’d entered the web of a spider, the old woman was eyeing him so deliberately” (360). Doña Guadalupe is a very protective woman, which is extremely speculative when it comes to her children, this is especially true when it comes to boys, because she has not gone this far only for all of her hard work to be ruined by a no good boy. This shows how protective she is, she loves her family, and especially her kids so much that they themselves must pass her test before being able to pass on to her children. “The newborns were moving, squirming, reaching out for life. It was truly a sign from God” (58). Doña Guadalupe is also a very devout and faithful person. She sees God in everything and in everyone and by that fact, what she sees and who she sees is true, and she tries to be a model of clairvoyance for the family. “Doña Guadalupe put the baby’s little feet in a bowel of warm water, and the child clinging to his mother. He never cried, listening to her heartbeat, the same music that he’d heard from inside the womb” (57). Finally, Doña Guadalupe is very passionate which allows for a great model upon which her children follow. This further shows how she is clearly th... ... middle of paper ... ...also accurately. “Salvador’s confession lasted three hours and twenty-two minutes and wrung Salvador out as if he’d been taken to the stream like a bunch of dirty clothes and his heart and soul were pounded with stones and scrubbed hard with soap” (537). Doña Margarita is pious woman along with having a great influence over Juan, which is shown above. Juan realizes that his mother is right, if he truly wants to be happy in his marriage he cannot start off with being unholy in his mind, so he must cleanse himself by going to Reconciliation. The children of the matriarch, mainly Juan because of his radical changes during his life, are greatly influenced by their mothers. They have become living embodiments of each of their mothers stand for, which was the real goal of the mothers after all. Bibliography Villasenor, Victor. Rain of Gold. Arte Publico Press, 1991.
Rain of Gold, is a true story about the history of Mexican people, their culture, traditions and customs that were passed down from the Euro-Indian heritage of Mexico. Rain of Gold was written by Juan Villasenor in search for his ancestral roots. The people of this story are real and not fiction. The places that are discussed are true. And the incidents did actually happen to his family. There are several underlying themes that need addressing. Such as: the importance of family, the importance of religion and spiritualism, woman as center of home and family, respect--protection of woman's virtue; ideal of women as pure, power of the woman--the mother, being a man-man as protector of the family, pride of man to be a provider, importance of traditions, respect for life, work and education/learning, death as part of life, honor, dignity, and finally discrimination and prejudice. I will be using this book as a reference and as a guide throughout this review to discuss the themes that are stated above.
Throughout time, stories have been passed down from generation to generation in order to make sense of our world and to share that understanding with others. “Los tres hermanos (The Three Brothers)” and “El indito de las cien vacas (The Indian and the Hundred Cows)” are two Tales of the Hispanic Southwest that I feel the reader could truly relate to in terms of the important moral lessons that were meant to be taught, inferred and understood. The lesson in “Los tres hermanos (The Three Brothers)” involves understanding that the characters involved failed to reflect on the needs of the thirsty, hungry and poor, the lonely, as well as the elderly and are ultimately fairly served by means of moral ruin, death, and worst of all, eternal damnation, while “El indito de las cien vacas (The Indian and the Hundred Cows)” in due course, involves the notion that God helps those who help themselves.
Initially, Patria had always strongly believed in God which made her ignore the prejudices which occurred during Trujillo’s reign, for example people being killed by the dictator (53). Patria had a still born baby and the pain of losing a loved one made her relate to families who had lost their relatives due to Trujillo’s injustices (53). Suffering from the pain of her loss, made her lose faith which resulted in Patria’s beliefs evolving from a God centered view towards a people centered faith. The evolution of her faith is aided by her experience during the pilgrimage, when she heard Mary tell her to turn around her religious views towards needy people. This is because all her life she had been focusing on God and not serving
Juan Rubio was not feeling the same about his wife anymore, Richard and his sisters had to deal with the separation of his parents, and Consuelo no longer wanted to be submissive to her husband. After the move, Consuelo was exposed to a different lifestyle for women and how they handled certain situations in America. Her American friends often questioned her level of importance. Once she married Juan Rubio, Consuelo knew she would become “the anchor” of her husband and the house. Because of this, she is stuck in an internal battle with herself. She wants to be the support system her husband demands while living up to Mexican values, but desires to have the new freedoms American women have. Juan’s infidelity and the downfall of their marriage was the push that helped change Consuelo. Although she did not want to lose the affection of her husband and children, she did not want to fall victim of the stereotypical housewife. Consuelo was not finding joy in merely serving her family but wanted recognition for who she is as a woman. “But all such scenes did not end with laughter, for Richard’s mother was a different person altogether now, and constantly interfered when her husband was in the act of disciplining a child, and these interferences grew until they flared into violent quarrels” (Villarreal 134). At this point, Counselo shows us she has developed a voice of her own. She was acting and saying
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
The traditions my parents instilled in me at a young age are important to me. They are part of my Latin culture and identity. One of the most important traditions that I value the most is our devotion to “La Virgen de Guadalupe” (The Virgin of Guadalupe), and although I don't go to church or share a specific a religion, I believe in La Virgen as a protector and a guardian figure and maintain her presence in my daily life. The story of La Virgen de Guadalupe goes back to 1531, during the time of the Spanish conquest, an indigenous man named Juan Diego encountered the apparition of La Virgen who told Juan Diego that a church should be built in her honor at the top of Tepeyac hill, where she appeared, which is now in the suburbs of Mexico City.
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
It all began with a young hidalgo (a member of the minor nobility in Spain) falling in love with a beautiful but lowly girl, María. Some years ago, the young hidalgo fell in love with María. María had a casita--a little house--where the young hidalgo would visit and bring his friends. In almost every way, they shared a happy life together. Eventually, María bore him two or three children. Everything was well except that their marriage was not blessed by the church, as his parents knew nothing about the arrangement. When his parents found out about María, they would not allow him to marry her and would not accept her as his wife nor her children as their grandchildren. They went on and urged him to marry a more suitable lady to give them grandchildren; this "suitable lady" was also a member of the minor nobility in Spain, also very beautiful. At some point in time, he ga...
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
In our reading this week, we are introduced to Bélicia; not as Oscar and Lola’s mother but as an adolescent and teenage girl. While reading her chapter it is filled with humor, love and ultimately pain and tragedy. Poor Bélicia has had a very hard life. Although her earlier years were not addressed in this chapter, the reader can decipher that she faced abuse and maltreatment. Diaz stated that “Before 1951, our orphaned girl had lived with another foster family, monstrous people if the rumors are to be believed dark people of life neither she nor her madre ever referenced. Their very own pagina en blanco” (Diaz 78). Belicia’s years with La Inca were loving and La Inca provided for her very well. Emotionally, physically, and psychologically
After the Mirabal family met Lio, they all thought that he was a man of wisdom. Once the news of his revolutionary actions became known, Mama was against the girls seeing Lio, especially Minerva. “But I didn’t know they were communist ideas!” Minerva and Dede came together so that they could both see their ‘secret loves’. The girls weren’t the only one’s to be affected by God. The whole country was very religious. “paper fans with the Virgencita on one side and El Jefe on the other.” Trujillo wanted to make himself loved just the same as the people of the DR loved God. This is evident in the Mirabal household, where Trujillo’s portrait is hung up right besides a holy
Celianne, a fifteen-year-old pregnant girl, was raped when a dozen men raided her home and forced her brother and mother to sleep together. She found out she was pregnant and boarded the boat as soon as she’d heard about it. The child represents the hope of a new life, away from the persecution awaiting back in Haiti. Celianne finally gives birth to a baby girl and the acting midwife prays for the baby to be guided by God, “Celianne had a girl baby. The woman acting as a midwife is holding the baby to the moon and whispering prayers . . .
In conclusion, this poem gives great insight into the culture of Aztec women during this time in history. Women who have given birth successfully were depicted to have strength and great fortune. The author presents the role of a midwife in Aztec culture helping and teaching wisdom throughout the woman's labor. The author of the poem also explained the hazards of giving birth and when successfully born, to give God praise.
Initially relieved that she and her husband are alone, Rodriguez’s mother is quickly disappointed, as her husband has left her for another woman. Later in a photograph, Rodriguez sees her mother with a coffee-dark V in the collar area of her neck, proof of hard labor during the Cuban Revolution. Above her head in the photo lies a painting of a saint with no head. After sending her children away in hopes of giving them a better life, Rodriguez’s mother is left working in the hot and sunny cane fields, which marks her with a coffee-colored tan. Rodriguez reveals her family’s Catholic religion through the painting of the saint, but without a head, the painting reveals her mother’s loss in faith due to the its failure to address her and other suffering laborers. With a loss of her faith, husband, and children, Rodriguez’s mother is left with one last person: her mother. However, while Rodriguez looks at the photograph, her
In Latin America, women are treated differently from men and children. They do lots of work for unexplainable reasons. Others for religious reasons and family orders and others because of the men involved. Women are like objects to men and have to obey their orders to either be rich or to live. Some have sex to get the men’s approval, others marry a rich man that they don’t even know very well, and become slaves. An important book called Chronicles of a Death Foretold is an example of how these women are treated. Purisima del Carmen, Angela Vicario's mother, has raised Angela and her sisters to be good wives. The girls do not marry until late in life, rarely socializing beyond the outsides of their own home. They spend their time sewing, weaving, washing and ironing. Other occupations include arranging flowers, cleaning up the house, and writing engagement letters to other men. They also keep the old traditions alive, such as helping the sick, comforting the dying, and covering the dead. While their mother believes they are perfect, men view them as too tied to their women's traditions. The men are afraid that the women would pay more attention to their job more than the men. Throughout the book, the women receive the respect they deserve from the men and others around them.