The husband is perplexed in the short story “The Disappearance” by Chitra Banerjee Divakaruni, as he does not see how his past actions would cause his wife to be unhappy in her life with him (there are no names associated to the characters in this story). The husband is the protagonist of the story. The story is not clear on the reasons for the wife leaving not only the husband, but also her son. The reason for this is the author utilizes a third-person narration that focus on the protagonist husbands prospective. However, as the story continues the writing exposes that the wife left the protagonist husband for the reasons that he reveals of being boring, thoughtless, demanding, and all about himself, as the author establishes with the protagonist-focused, third-person narrative. The husband is able to provide for his family with a position in an office, logically his intellect is not in question; his emotional stability has defiantly been affected. Therefore, this brings the author to rely on the husband’s perspective to divulge the fundamental components of the story using a third-person narration. For a year the husband thought that his wife had been kidnapped, yet he never checked her person effects to see if anything was missing. Only because the mother needed additional spices did the husband check for the jewelry that he advised that the wife stash in the top cabinet in case there was an intruder (1995, p. 587). Once the missing jeweler was discovered the husband knew that the wife then abandoned not only him, but also their the young son. The high level of expertise by the author using the third person narrative of the view of the protagonist husband shows that he was oblivious to the fact that his wife was ver... ... middle of paper ... ...on and wife. In conclusion, the author’s choice of utilizing the third person narration is what provided the high level of ignorance, as the voice concentrated on the protagonist husband. It brought the reader to the place of how inadequately the husband treated the wife and how he was oblivious of how his actions affected her. The reader is also able to envision that the protagonist is not cognizant that he is not being truthful to himself. It permits the reader to realize the how boring, prideful, thoughtless, and insensitive the protagonist is overall. Reference Divakaruni, C. B. (1995). "The Disapperance." Compact literature: Reading, reacting, writing. (pp. 584-589). Boston, MA: Wadsworth Publishing Company. Kirszner, L. G., & Mandell, S. R. (2012). Compact literature: Reading, reacting, writing. (8 ed.). Boston, MA: Wadsworth Publishing Company.
As the story begins, the character of the husband has a negative personality. He lacks compassion, is narrow-minded, and is jealous of his wife’s friendship with a blind man named Robert. His constantly complains that “a blind man in my house was not something [he looked] forward to” (362). The close outside friendship between the narrator’s wife and Robert provokes his insecurities. This friendship has lasted for ten years and during those years, they have exchanged countless tapes regarding experiences they have gone through. Because of this, her husband feels “she [has] told him everything or it so it seemed” (363) about their relationship.
The narrator is forbidden from work and confined to rest and leisure in the text because she is supposedly stricken with, "…temporary nervous depression - a slight hysterical tendency," that is diagnosed by both her husband and her brother, who is also a doctor (1).
The novel is nurtured with a very soft but sophisticated diction. The essay itself portrays the author’s style of sarcasm and explains his points in a very clear manner. In addition, the author has used vocabulary that is very easy to understand and manages to relate the readers with his simplistic words. The author is able to convey a strong and provoc...
Thehusband's role to his wife is plays a major role in the spiritual suicide of thewife. The reason spiritual suicide and not madness or extreme psychosis is usedis because the wife in her final throes of lucidity recognizes that the paper'spattern holds a woman in its grasp and that by this rude hand the life of thewoman is left to "creeping about" lurking like a disgruntled sha...
At the beginning of the story the husband is telling of a blind man coming to visit him and his wife. The narrator?s wife had worked for the blind man at one point. Since then they have maintained a strong friendship and keep in touch with tapes. The narrator talks about not looking forward to the blind man?s visit.
The first theme present in the horrific and heart wrenching story is the subordinate position of women within marriage. “The Yellow Wallpaper” begins with the narrator’s wish that her house were haunted like those in which “frightened heroines suffer Gothic horrors” (DeLamotte 5). However, this wish is in essence to empower herself. The narrator is already afraid of her husband and is suffering mentally and emotionally. She desperately wishes for an escape “through fantasy, into a symbolic version of her own plight: a version in which she would have a measure of distance and control” (DeLamotte 6). Throughout the text, Gilman reveals to the reader that during the time in which the story was written, men acquired the working role while women were accustomed to working within the boundaries of their “woman sphere”. This gender division meritoriously kept women in a childlike state of obliviousness and prevented them from reaching any scholastic or professional goals. John, the narrator’s husband, establishes a treatment for his wife through the assumption of his own superior wisdom and maturity. This narrow minded thinking leads him to patronize and control his wife, all in the name of “helping her”. The narrator soon begins to feel suffocated as she is “physically and emotionally trapped by her husband” (Korb). The narrator has zero control in the smallest details of her life and is consequently forced to retreat into her fantasies...
Updike, John. "A&P." Literature: Reading Fiction, Poetry, and Drama. Ed. Robert DiYanni. 5th ed. New York, NY: McGraw, 2002. 27-31.
Walker, Alice. “Everyday Use.” Literature: Reading, Reacting, Writing, Compact. Ed. Laurie G. Kirszner., and Stephen R. Mandell
The narrator’s name is unknown through out the story, yet at the beginning the reader is given her husbands’ name (John), and the narrator’s identity through the novella is as John’s wife, who is dominated by John in their relationship. This effect created by Gillman masterfully establishes the lack of a female determined identity. He diagnoses her, and with the exception of her being tired and wanting to write, John continues to establish that her health is unwell. John is the dominant personality in the marriage he does not see her as an equal in their relationship. This is a wonderful tone and mood used to reflect the cultural norm at the time of Gillman's writing. She is not viewed as an equal, she is treated like and often referred to as being a child. When she decides that she likes a downstairs bedroom next to the nursery, John insists on her having the bedroom upstairs with the yellow wallpaper. The narrator/wife hates the color of the room and describes the color as “repellent, almost revolting” (432) When she asks for her husband to change the color, he decides to not give in to her wants, and the reader is informed that John, who knows best, does this for her benefit. It is reflective of a parent not wanting to give into their child's whims for fear the child will become spoiled and will expect to get everything they ask for. Though her husband belittles her, she still praises everything he does and sees everything he is doing for...
Roberts, Edgar V., Literature: An Introduction to Reading and Writing, 4th Compact Edition, Upper Saddle River: Prentice Hall, 2008, print
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.
The short stories “Souls Belated” and “The Yellow Wallpaper” have in common ‘Marriage’ as main theme. However, the marriage is treated quite differently in both short stories. In "Souls Belated", Lydia chooses to take control of her destiny, to deviate from conventions and to choose what is good for her. She is the strongest character of the couple. Whereas, in "The Yellow Wallpaper", the name of the main character who is also the narrator of the story is not known. She is identified as being John’s wife. This woman, contrary to Lydia in "Souls Belated" is completely locked up in her marriage. This essay will first describe and compare the characters of Lydia and John's wife in the context of marriage, and then it will look at how marriage is described, treated and experienced by couples in these two short stories.
Mays, Kelly J. The Norton Introduction to Literature. New York: W.W Norton &, 2012. Print.
Now that we have a little background on the author, we can take a closer look at the actual work and its characters. The two main characters of the story a narrator and her husband, John, and the story takes place in the 19th century. Life for the two is like most other marriages in this time frame, only the narrator is not like most other wives. She has this inner desire to be free from the societal roles that confine her and to focus on her writing, while John in content with his life and thinks that his wife overreacts to everything. Traditionally, in this era, the man was responsible for taking care of the woman both financially and emotionally, while the woman was solely responsible for remaining at home. This w...
Kirszner, Laurie G., and Stephen R. Mandell. Literature: Reading, Reacting, Writing. Compact 8th. Boston: Wadsworth Cengage Learning, 2011. Print.