During the night. Team Luminosity had recently finished a rescue mission and have returned back to the guild for a well-earned rest. “You've been awful quiet lately, Sambas.” Kisara stated, sounding concerned. Sambas merely grunted in response, barely even acknowledging her existence. “Something on your mind?” She asked. Sambas gave the same answer; one short grunt. Kisara frowned at him, or rather his back since he was lying on the ground, facing away from her. “Not going to tell me?” she pushed, trying to provoke more of a response from him. “It's nothing.” Sambas assured. “I know something is bothering you.” Kisara softly stated. “We're partners, we share everything with each other, even-” “Look, it's nothing... just...-” Sambas lent up and faced her, but immediately lost his nerve and returned to his original stance as his sentence faded into a quiet mumble. Kisara grew tired of his behaviour and moved over him, forcing him to talk to her face, they made eye-contact for a brief moment before Sambas looked away in embarrassment. Kisara was surprised to see a deep red tint form on his face. “Are you all right? You look a little red...” Kisara pointed out, veering away from him. “N-No, it's...nothing.” Sambas repeated, attempting to hide his blush. “I know there's something, now just tell me!” Kisara impatiently yelled, staring down at him. Sambas gulped and took a deep breath. “But...I...” the luxio really didn't have a choice in the matter at this point. “Sambas!” Kisara yelled once more. “I... I've been...having these thoughts lately...” he finally stated. “What about?” Kisara asked, finally relieved that he had opened up to her. Sambas paused, little did he know; his life would forever change wi... ... middle of paper ... ...e mumbled, eyes beginning to tear up, seemingly pleading for forgiveness for the oral rape of her partner's mouth. Sambas gently placed a paw on her face and guided it upwards 'till their eyes met. “I understand.” AND... CUT! A deep sigh escaped the mouth of the director, “Kisara, darling, you're acting much too sad, if I didn't know any better I'd say you really wanted that to happen!” the director's words were met with a sharp glare from the uncontrollably blushing fox. “And you, Sammy, you have about as much expression as Kristen Stewart drawn on a brick wall, with all the acting promise of a United States senator! Sambas regained his composure and adopted his starting position before whispering in Kisara's ear,“I hate this job...” “I love it...” she replied with a wink whilst licking her lips. It's gonna be a long week. START AGAIN, FROM THE TOP!
Choosing a movie, do you take notice to whether it is a Director’s cut, the original version, or simply grab the chosen movie and pop it in taking no notice of which version is in hand? Is there even a difference? Because a director’s cut is simply a version of a movie with various cuts made by the director’s choosing, if watching both versions of Ridley Scott’s, “Blade Runner,” the subtle differences in several of the scenes will become apparent, although the scene layout and plot remains the same
“One of the great things about being a director as a life choice is that it can never be mastered. Every story is its own kind of expedition, with its own set of challenges” (“Filmmaker IQ” 2). The Academy Award winning director, Ron Howard, said this quote. Directing a film is a well know job around the world. Movies have brought happiness to millions of people around the world. Directors are the main force behind the creation of this happiness. However, this job is not easy. Film directors are
Darko” was re-released in a director’s cut version, with remastered sound, picture, 20 minutes of new footage and new visual effects. This marked the film’s impressive success on DVD sales – taking in more than $10 million to date in the U.S. sales alone. When I first saw this film, I couldn’t quite grasp the meaning of the whole story, but now seeing it for a whopping 7 times I can now call it one of my all-time favorite movies to watch. The opening scene in the movie is where the audience first
terms of revenue (All Art Schools, 2010). The film industry is big business. Every week new movies come out in the theater or on Digital Video Disc (DVD), and when you talk to anyone about their weekend they usually say, they went to see or watched a movie. As we watch the film we become our own critics, by analyzing and attempting to explain what we’ve seen. Watching a film can bring out an unlimited amount of emotions and an overwhelming sense of reality. And, analyzing a film allows you to reach
many ways to communicate this theme, but one of the most prevalent is eyes. Human eyes are featured both in the beginning of the film and near the end. After a brief introductory text crawl which explains the world in which the movie takes place, "Blade Runner" cuts to a dark, futuristic Los Angeles. There are some flying cars, but mostly we see dark, smog-filled skies and smokestacks belching fire. As the camera moves across this landscape, blue eyes are superimposed on the screen. These eyes
sci-fi horror movie Alien, Ridley Scott brings DADES to the screen with the flare in the casting and visuals of a “blockbuster”. But does it amount to the hype worthy of a philosophical and sociological sci-fi thriller novel? Guest reviewer, Robbie Cribb investigates. We just can’t seem to leave Blade Runner alone. This cinematic adaptation of Philip K. Dick’s 1968 novel, Do Androids Dream of Electric Sheep? was first released in 1986. Since then, it has been re-released as both a Director’s and Final
Global Warming’s Bane An Inconvenient Truth is a critically acclaimed documentary about global warming and its effects on the modern world. The movie centers around Al Gore and his mission to make global warming an important worldwide issue. The director, Davis Guggenheim, used emotional and logical appeals, dramatic filmmaking, and strong narration to convey his message of the importance of global warming and its effects. Pathos and logos are emotional and logical appeals and Guggenheim uses both
with multiple attacks from different species of birds. The movie is a late work up about bird problems just as the story“The Birds” has. On the other hand, in the movie, towns people that live near the sea come into problems with bird attacks but do not take it serious at first. Although both versions of the story attempt to leave a lasting impact on their audiences, Alfred Hitchcock’s film is ultimately more successful due to the director’s use of mood, settings, and visuals. Daphne Du Maurier’s short
La Haine proves to be different in all five components of film language in comparison to the classic Hollywood narrative in the way that they are used. The first film component can be analysed from the opening scene to the closing; the script. The movie begins with the scenes of the riots as Hubert tells the story of the man falling from the building. There is then a four to five minute montage of the police brutality riots in France. We then see the characters and it seems as if the film starts in
“A lot of things you see as a child remain with you...You spend a lot of your life trying to recapture the experience.” These are the words of Tim Burton, a successful movie director--however, him saying this causes people to wonder what Tim Burton had gone through during his childhood, in order for him to come up with his sarcastically dark stylistic movies. For over 30 years, director Tim Burton has been creating movies that are significantly different from others in terms of its stylistic choices
Man with The Movie Camera: Shot Change constructs a New Perspective Avant Garde Film Midterm 11395 Question #4 Time was used by Vertov as an important factor in editing as well as in the daily lives of humans. With editing he utilized the essence of time to his advantage. Vertov wanted a certain rhythm of cuts to exist in the movie. He desired a choppy effect. The cameras, themselves, were supposed to produce a rithym in movements, too. The point was he wanted to make as many cuts and rigid motions
trailer was released for the movie, Will Smith was only that guy from The Fresh Prince of Bel-Air, Jeff Goldblum was an established actor who is was coming off the major hit Jurassic Park, and Bill Pullman was destined to be quoted for his speech in the movie up until now. The trailer for the movie was and probably still is one of the best trailers to a film every to be cut. The alien ship coming through the atmosphere hover over NYC is still jaw-dropping when you watch the movie again. I'd know since
An ugly and frightening old woman crouches ominously over a big worn cauldron, set over a crackling red fire. Her skin is wrinkled, cragged and coloured in a strange tone that isn't quite natural, and her face features a long and crooked nose, adorned with a few erratic warts. She is wearing a long black robe that has seen better days, and a tall conical hat with a large rim covers her untidy hair. She concentrates on her cauldron, in which some unwholesome-looking liquid is boiling and sending off
each example to get to the overall picture covering the Ideological analysis. Director’s point of view I will start by explaining about the director Alejandro Gonzalez Inarritu. Nathan Gardels did an interview with the director of this film and he tried to understand what the main goal was. According
covered heavily using the movie of the week, Children of Men, as a prime example. First, we covered the act of directing a film. The process usually began with a script. The director's role is to visualize a script and make it come to life. Scripts are supposed to catch the attention of directors and convince them it can be turned into a film. These are usually not read by the general public, but only by the production team. A common misconception with scripts is that the final cut of the film ends up