The story of Candide, “Eldorado” and what the meaning is, has been one of debate as to what Voltaire was interpreting in the story by some authors. The scene of Eldorado is the visual philosophy of Voltaire’s thoughts of what an ideal society would be. It is a land of richness and where there is a state of being equal in status, rights, belief, and opportunity; it is free of greed, claiming titles or importance, religious strife or contention, and there is no suffering (Mason 55). Eldorado also brings the reader’s attention in its scene to show the bad fortune of realities of cultures beyond its land. If this land is the ideal society one would wonder why did Candide and Cacambo who had traveled different countries and experience many test and trails would want to leave. Voltaire visual scene in Eldorado and the characters makes the readers think that being too optimistic can cause a misrepresentation of what reality really is. The method and visual thoughts of Voltaire’s have some authors and critics expressing their opinion on religion, science, governments, utopia, and wealth; that the land of Eldorado is one that is too good to be true, and come off as unreal. Eldorado is the vision of Voltaire’s utopia where the land is desirable amongst the inhabitants and consists of what the readers are to believe the perfect society. The land is clearly the best of the worlds that Candide traveled which is a reflection of Pangloss when he said, “in this the best of all possible worlds” (Voltaire’s 101).
There are several critical analysis that examine the land of Eldorado. The first author I have chosen who gave an critical analysis of Eldorado is Donna Isaacs Dalnekoff, Eldorado as an, Impossible Dream, who argues the aspects of Utopi...
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...ous institutions, no prisons, and everyone is happy. I believe this could “be the best of all worlds” (Voltaire’s 101).
Works Cited
Dalnekoff, Donna Isaacs. "Eldorado as an, ‘Impossible Dream’." Readings on Candide. Ed. Thomas Walsh. San Diego, Calif.: Greenhaven Press, 2001. P64-71. Rpt. in Literature Criticism from 1400 to 1800 vol. 110. Detroit: Gale, 2005. Literature Resource Center.
Mason, Haydn. “Candide: Optimism Demolished.” New York: Twayne Publishers, 1992
Shanley, Mary L., and Peter G. Stillman. "The Eldorado Episode in Voltaire's Candide." Eighteenth Century Life 6.2-3 (Jan.-May 1981): 79-92. Rpt. in Short Story Criticism 112. Detroit: Gale, 2008. Literature Resource Center
Voltaire, Francois-Marie Arouet de. “Candide.” The Norton Anthology of World Literature. Gen. ed. Martin Puchner. Shoter 3rd ed. Vol. 2. New York: Norton, 2013. 100-59. Print.
The author, Voltaire, wrote in the Enlightenment period, a literary movement characterized by the rising concern of philosophy, science, and politics. Voltaire’s writing was influenced by the Enlightenment movement to create awareness of global issues. This is evident in the repeated tragedies Candide stumbles upon. Social issues, corrupt authority figures, and war are real world topics that Voltaire chooses to address in Candide. The satirical nature of Candide allows for an in-depth discussion between the characters regarding the problems they face and the problems of the people they meet, creating a perspective that the audience is forced to look through. It is also a coming of age story, not just for Candide, but for the rising awareness in global issues. Voltaire’s inclusion of the issues of his time reflect the severity of those issues. Satire is used as a reaction to a society’s hypocrisy. Candide as a satirical piece reflects what people have neglected to pay attention to. Coming into a new era of awareness and responsibility leads Candide to reflect on the live he lived in Westphalia and the people he encountered across
Throughout Candide the author, Voltaire, demonstrates the character’s experiences in a cruel world and his fight to gain happiness. In the beginning Candide expects to achieve happiness without working for his goal and only taking the easy way out of all situations. However, by the end of the book the character
Voltaire. Candide. New York: Boni and Liveright, 1918. Project Gutenberg. Web. 11 January 2014. http://www.gutenberg.org/files/19942/19942-h/19942-h.htm
American Literature. 6th Edition. Vol. A. Ed. Nina Baym. New York: W.W. Norton & Company. 2003. 783-791
Maurois, Andre. “The Sage of Ferney, An Appreciation.” New York City: Bantam Dell, 1932. Voltaire. Candide. Translated by Lowell Vair. New York City: Bantam Dell, 2003.
Voltaire, and David Wootton. "Candide." Candide and Related Texts. Indianapolis: Hackett Pub., 2000. 35-42. Print
Renascence: Essays on values in Literature 59.2 (2007) : 93. Literature Resources from Gale Web. 24 Feb. 2010. Hatcher, Melissa. A. McCrory. The “Mythlore.”
In Candide, by Voltaire, Candide struggles through a world torn by constant bloodshed and crime. As he travels, he and other characters are deceived, injured, and abused by the world around him. Voltaire’s Candide reveals another side of human beings’ hearts as he portrays humanity’s hamartias as greed, lust, and religion.
Each chapter of Candide is a part of the story which Voltaire carefully expresses his concerns and criticism of 18th century society. Chapter 11 “The History of the old women” in particular criticises the pre-modern era in regards to religion. The enlightenment period called for freedom of religion from many philosophers ...
In chapter 5 of Candide, the Enlightenment and the birth of tolerance were on full display. In Candide, the Enlightenment thinkers’ view of the optimum world is challenged through the shipwreck and the satiric explanations of the Lisbon Bay and Lisbon Earthquake. Voltaire continues to use ironically tragic events to test Pangloss’s optimistic philosophy, which attempts to explain evil. The use of grotesque and naive behavior between individuals in this chapter makes the reader question Pangloss’s irrational thinking with the cause and effects of the events.
The book Candide by Voltaire is a humorous satire constructed of many themes. Through his book, Voltaire expresses his views on life by criticizing many aspects of humanity at that time. He focused in war, religion, and love, but the main target of Voltaire's satire was a certain philosophy. All of the previous topics unite to ridicule the philosophy that, as the character Pangloss said, "things cannot be otherwise than as they are; for as all things have been created for some end, they must necessarily be created for the best end" (1).
Candide is an outlandishly humorous, far-fetched tale by Voltaire satirizing the optimism espoused by the philosophers of the Age of Enlightenment. It is the story of a young man’s adventures throughout the world, where he witnesses much evil and disaster. Throughout his travels, he adheres to the teachings of his tutor, Pangloss, believing that "all is for the best in the best of all possible worlds." Candide is Voltaire’s answer to what he saw as an absurd belief proposed by the Optimists - an easy way to rationalize evil and suffering. Though he was by no means a pessimist, Voltaire refused to believe that what happens is always for the best.The Age of Enlightenment is a term applied to a wide variety of ideas and advances in the fields of philosophy, science, and medicine. The primary feature of Enlightenment philosophy is the belief that people can actively work to create a better world. A spirit of social reform characterized the political ideology of Enlightenment philosophers. While Voltaire’s Candide is heavily characterized by the primary concerns of the Enlightenment, it also criticizes certain aspects of the movement. It attacks the idea that optimism, which holds that rational thought can inhibit the evils perpetrated by human beings.
Voltaire, Francois-Marie Arouet de. “Candide.” The Norton Anthology of World Literature. Gen. ed. Martin Puchner. Shoter 3rd ed. Vol. 2. New York: Norton, 2013. 100-59. Print.
Frautschi, R.L. Barron's Simplified Approach to Voltaire: Candide. New York: Barron's Educational Series, Inc., 1998.
Defining optimism and redefining the philosophies of the fictional Pangloss and the non-fictional Leibniz, Candid embarks on a mishap journey. From the very onset, Voltaire begins stabbing with satire, particularly at religion.