In William Faulkner’s “A Rose for Emily and Charlotte Perkins Gilman’s “The Yellow Wallpaper, the two main characters exhibit behavior that some readers may consider unusual or even totally crazy. These two women are having a difficult time adjusting to the many changes taking place around them. In the midst of these changes, they face the struggles of being women such as post partum depression and love and rejection from men. Such problems become so overbearing that each woman ends up in their own delusional world which in turn, leads to their isolation and insanity. Gender issues, love, hate, insanity and isolation, are thematic connections in both stories and are important components of how each woman functions throughout the story and how each character fares in the end.
In “The Yellow Wallpaper”, the woman, whose name we never learn, is being treated by her doctor husband for a condition that he simply describes as “temporary nervous depression” (Gilman, 313). She is placed in a room in which she is to have no stimulation in order to rest, also known as the “rest cure”. Durin...
In the short story, The Yellow Wallpaper by Charlotte Perkins Gilman, the narrator of the story is a woman who is struggling with her mental health. Throughout the story, she progressively gets worse in her condition, due to the lack of mental health awareness, and her treatment plan. To start off, she is given the “rest” method of treatment.This is a treatment that focuses on letting the brain rest due to the thought that mental health issues were just a matter of an overactive or overstimulated mind. The narrator’s husband is the reason why her condition continued to get slowly worse, his main concerns were making her normal again, even if he hurt her in the process. Although this story can be interpreted many ways, through symbolism and
She was placed in this treatment called the “rest cure” that made her somewhat like a prisoner. She started to slowly decrease into psychosis due to her husband’s treatment, the environment, and the way society has treated her illness. The love the husband felt for his wife and the fear he had of losing her lead him to treat her in questionable ways. He placed her in environment that made her feel trapped and aided to her reduction in sanity. Ann Oakley in her article, “Beyond the Yellow Wallpaper” discusses how important this story truly is. Oakley talks about the gender differences and the harm that it can bring to a society. This treatment was acceptable and normal for the situation because society has taught him and her that it was normal. Even if the protagonist’s husband meant well the treatment she was placed in for depression lead her to have more psychological damage, increasing her insanity more each
“To jump out of the window would be admirable exercise, but the bars are too strong even to try,” (Gilman). There are an extraordinary amount of stories written about women that go insane for certain reasons. Two of those stories are, The Yellow Wallpaper by Charlotte Perkins Gilman and A Rose for Emily by William Faulkner. Both stories are about women who are driven insane by situations that are happening in their lives; both women turn to isolation for different reasonings. Both A Rose for Emily by Charlotte Perkins Gilman and A Rose for Emily by William Faulkner show similarities and differences with dysfunctional lives.
William Faulkner and Charlotte Gilman are two well known writers for intriguing novels of the 1800’s. Their two eccentric pieces, "A Rose for Emily" and "The Yellow Wallpaper" are equally alluring. These authors and their works have been well recognized, but also critized. The criticism focuses on the society that is portrayed in these novels. The modern readers of today’s society are resentful to this dramatic society. These two novels are full of tradition, rebellion and the oppression over women’s rights. Both of these novels share the misery of the culture, but there is some distinction between the two. "A Rose for Emily" is a social commentary while "The Yellow Wallpaper" is an informative novel about the writer herself. The authors outlook focus on the gloomy structure in society during that time frame and therefore, create down hearted, reckless characters that offer stimulation for women of all generations.
The medical profession’s godlike attitude in “The Yellow Wallpaper” demonstrates this arrogance. The Rest cure that Dr. Weir Mitchell prescribed, which is mentioned in Gilman’s work, reflects men’s disparaging attitudes. His Rest cure calls for complete rest, coerced feeding and isolation. Mitchell, a neurosurgeon specializing in women’s nervous ailments, expounded upon his belief for women’s nervous conditions when he said,
The Yellow-Wallpaper is a short story written by Charlotte Perkins Gilman. It narrates the story of an unnamed woman that is subjected to the famous “rest cure” in order to cure her from her mental illness. This story shows
In Charlotte Perkins Gilman's short story "The Yellow Wallpaper," the reader is treated to an intimate portrait of developing insanity. At the same time, the story's first person narrator provides insight into the social attitudes of the story's late Victorian time period. The story sets up a sense of gradually increasing distrust between the narrator and her husband, John, a doctor, which suggests that gender roles were strictly defined; however, as the story is just one representation of the time period, the examination of other sources is necessary to better understand the nature of American attitudes in the late 1800s. Specifically, this essay will analyze the representation of women's roles in "The Yellow Wallpaper" alongside two other texts produced during this time period, in the effort to discover whether Gilman's depiction of women accurately reflects the society that produced it.
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest. Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender.
Charlotte Perkins Gilman, one of America’s early feminist authors, examines the consequences of a male dominant society on women’s mental health in her captivity narrative, “The Yellow Wallpaper.” The journal-like entries by the unnamed narrator describe the ineffective ‘medical’ treatments John, the narrator’s husband and physician, advises to ameliorate her illness. The narrator defies her husband’s orders, by expressing herself through writing and by immersing her thoughts into the “sprawling flamboyant patterns” of the yellow wallpaper of her cell (Gilman 648). This resistance to her husband’s advice eventually leads to her complete liberation from the shackles of his regressive and oppressive mindset. Gilman’s allusion to
William Faulkner’s “A Rose for Emily,” and Charlotte Perkins Gilman’s “The Yellow Wallpaper,” are two short stories that incorporate multiple similarities and differences. Both stories’ main characters are females who are isolated from the world by male figures and are eventually driven to insanity. In “The Yellow Wallpaper,” the unidentified narrator moves to a secluded area with her husband and sister-in-law in hopes to overcome her illness. In “A Rose for Emily,” Emily’s father keeps Emily sheltered from the world and when he dies, she is left with nothing. Both stories have many similarities and differences pertaining to the setting, characterization, symbolism, and their isolation from the world by dominant male figures, which leads them to insanity.
William Faulkner’s short story “A Rose for Emily” displays themes of alienation and isolation. Emily Grierson’s own father is found to be the root of many of her problems. Faulkner writes Emily’s character as one who is isolated from the people of her town. Her isolation from society and alienation from love is what ultimately drives her to madness.
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
Although the stories are very different, the tension stems from the perception and expectations of women in society during the time each story was written. In “The Yellow Wallpaper,” the character struggles throughout the story due to her controlling husband and a woman’s role in society during this time. On the other hand, "A Rose for Emily” shows the struggle of Emily Grierson and her inability to accept the changing times due to a father who controlled her into only knowing and understanding his ideal of a southern
In Charlotte Perkins Gillman’s short story “The Yellow Wallpaper”, the author takes the reader through the terrors of a woman’s psychosis. The story convey to understatements pertaining to feminism and individuality that at the time was only idealized. Gillman illustrates her chronological descent into insanity. The narrators husband John, who is also her physician diagnosed her with “nervous depression” and therefore ordered her to isolate until she recuperates. She is not only deprived of outside contact but also of her passion to write, since it could deteriorate her condition. The central conflict of the story is person versus society; the healthy part of her, in touch with herself clashing with her internalized thoughts of her society’s expectations. In a feminist point of view the central idea pertains to the social confinement that woman undergo due to their society.
Charlotte Perkins Gilman experienced a relatively similar life story to the life of the narrator in “The Yellow Wallpaper”. She was prescribed the same “rest cure” as the narrator that subsequently led to a mental breakdown. The prescribed “rest cure” entails minimal human contact, repressed imagination, and female confinement. Comparatively, persistently being told that you are insane especially if you’re not, may drive someone to actually become psychotic.