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An essay paper on a clockwork orange
Analysis of a clockwork orange
An essay paper on a clockwork orange
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A strong and compelling theme within the film is dominance; dominance within the characters, as well as the interior spaces throughout the film. The design of the space has the aesthetic sensibilities of mayhem.
Alex is the personification of dominance, like a warrior king, he takes what he wants in the spoils of victory, from the bodies of conquered women to the riches of modern nations and the status that goes along with it.
In the opening scene of the film, as the camera tracks backwards, the widening perspective shows with bizarre imagery what the theme of the first fifteen minutes is going to be. The tables throughout the Korova milk bar are female figures with their legs spread inviting “use” and the hair colors alternate in orange and purple, which are royal colors, associated with dominance in following scenes. The milk bar is overseen by two white clad bouncers that represent the enforced peace that Alex and his gang of ‘droogs’ are about to ignore.
The scene in the milk bar after the ‘surprise visit’ emphasizes the parallel forms of dominance. The music is the Purcell elegy normally dedicated to royalty and Alex’s bearing, language and superior taste establish him as a king. Alex seems to have the soul of a king but the imagination of an artist, for he is a creative killer, molester, menace.
The design of his room can quickly show the character of Alex. The purple rug with the orange and gold squares of his bed spread show royal colors again. These colors are offset by the deep blue of the bed sheets creating a balanced contrast in the space. His bedroom is an ironic Eden where violence is innocently natural and where a love for color, proportions and music is equally natural. Upon entering the room Alex she...
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...nting’s black and white colour scheme matches Alex’s white pants and black boots and the spherical light behind him corresponds to the round shape of the woman’s body. Her eyes are small black spots that form a symmetrical pattern with her nipples, and fingernails as if to show she can receive pleasure but can not understand or create it.
Alex’s artistic sensibility is highlighted when his room becomes that of Joe, the lodger. Alex’s perfectly made bed, unruffled even when he slept in it, now messily unmade. Its deep blue sheets are now grayish white. And the unusual orange and gold quilt is now a blue linen bedspread. The stereo system has devolved into a small radio, barbells and a school binder has replaced the records and books, magazine clippings of soccer stars have replaced the paintings and a tack floral pattern has ousted Beethoven from the shade.
In conclusion it is seen that Alex has effectively changed into a man and has become a morally sensitive individual. He, for himself has chosen good
In his book, Grassian looks at Alexie’s works from The Business of Fancydancing and Old Shirts and New Skins to Ten Little Indians and analyzes each work such that readers can understand what Alexie is trying to convey. In Chapter 1, Grassian gives some background on Alexie’s childhood, which helps readers understand how Alexie quickly learns the power of humor. An analysis of Alexis’s use of humor in “The Approximate Size of My Favorite Tumor” is included in Chapter 3.
Faith Ringgold’s art displays a nighttime scene of a group of African American adults and children. In the middle of this piece, there is four adults sitting at a square table. They are each sitting in different types of chairs. There is two women and two men at this table. Off to the back right of this table is another table with a blue table cloth. It appears that food and drinks are housed on top of this table with a basket of food underneath. Next to the table is also a pallet with two young African American children laying on their backs side by side. The bigger one is a girl, and the smaller one is a boy. The girl is wearing a white dress with pink/red details. The boy is wearing light blue and yellow pajamas. His socks are
involved in being black in blue. Alex was concerned with the ways in which the
The right side is almost purely white, with blue and gray shadows; the rest of the body is black, dark brown, and navy. The profile of a white woman obscures the left half of the black face, facing to the right of the piece; her hair is in a large braid and she wears a simple pearl earring. The black woman has long, flowing, bright blue hair, as well as full red lips. The black woman’s body has a rose over it, and the white woman is wearing what looks like a straw bikini; the figure is wrapped in a thick rope from the waist down. The stark contrast between the white and black meet with a definitive line; there is no blending between the two colors, which amplifies the feelings of separation and difference between the two halves of the woman’s
We are first introduced to Alex (Malcolm McDowell) in the company of his posse, strangely sipping drugged milk in a freakish bar with anatomically indiscrete manikins serving as tittie-taps and tables. The ensuing scenes flash from Alex and his three droogs brutally beating an old man to a violent rape scene to a semi-chaotic gang-brawl. The story is of Alex and his love of the old ultra-violence, his act of murder, his betrayal and imprisonment, and his cure (twice).
Alexander Stowe is a twin, his brother is Aaron Stowe. Alex is an Unwanted, Aaron is a Wanted, and their parents are Necessaries. Alex is creative in a world where you can’t even see the entire sky, and military is the dream job for everyone and anyone. He should have been eliminated, just like all the unwanteds should have been. He instead comes upon Artimè, where he trains as a magical warrior- after a while. When he was still in basic training, and his friends were not, he got upset, he wants to be the leader, the one everyone looks up to.
Visually the film captures the bleak tone of the script. The coloring in the scenes are dark and blue with the characters wearing dark clothing. This demonstrates the serious nature of the subject matter, while also setting the tone. The performances in the film helps to create tension.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
To begin, Alex is one out of the four characters that reveals self-awareness broadly. Alex begins by stating, “What’s it going to be then, eh” (Burgess 1). The use of this quote explains to the reader that Alex is not only self-aware of himself, but he is careless, and he is an outlaw. Another quote that Alex states throughout the novel is, “O my brothers” (Burgess 5). “O my brothers” reve...
The narrator's detailed description of the wallpaper makes the reader understand the woman is well educated and has a keen eye for detail. The wallpaper evokes an emotional response from her, such as her statement, "It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study . . . " (793).
The bedroom is an overvalued fetish object that nevertheless threatens to reveal what it covers over. John's time is spent formulating the bedroom in a way that conceals his associations of anxiety and desire with the female body, but also re-introduces them. The bedroom's exterior, its surface, and its outer system of locks, mask a hidden interior that presumably contains a mystery--and a dangerous one. The bedroom in "The Yellow Wallpaper" generates this tension between the desire to know and the fear of knowing: on one hand, the enigma of the bedroom invites curiosity and beckons us towards discovery; on the other hand, its over- determined organization is seated within a firm resolution to build up the bedroom, so that what it hides remains unrealized. Mulvey writes, "Out of this series of turning away, of covering over, not the eyes but understanding, of looking fixidly at any object that holds the gaze, female sexuality is bound to remain a mystery" ("Pandora" 70).
‘My Bed’ is one of the recent works of Emin, which shows her own bed having all her private embarrassing glory. Her work is the representation of her own unmade bed, surrounded by yellow stains on the bed sheets, tissue papers, vodka bottles, cigars, used condoms, dirty pillows, empty cigarette packets, dirty bed covers and a pair of knickers with menstrual stains. Tate
Earls expresses the theme of getting out of your comfort zone to help someone discover new places. Earls states, “Fortuna comes and asks me if I want to go to Kings to surf, and of course I say yes,”(Earls 74). This shows how Alex always stayed in his comfort zone, but once he met Fortuna
Trudging up the stairs to his old bedroom, he looked around when he entered to see it had been done up since he had last been here. The space was clearly Molly’s considering the desk tucked into the corner was quite tidy and there was the occasional cat post it note stuck onto something. John did not mind though as he saw it as a sign that Sherlock had clearly moved on with his life as he’d allowed Molly to take over some of this space. The room was clearly a spare bedroom now as the sheets were plain and comfortable enough for anyone to sleep on if they were to stay over.