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Approaches to understanding and defining genre
Genre analysis essay
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The link between the Miller and the tale he tells is quite a close one; the tale is really a reflection of the character that relates it. We will attempt to prove it by examining the storie's genre, the way in which it is narrated, and its intended meaning.
The Miller's tale is a fabliau, a genre best defined as "a dirty story told with wit and point"; the tale itself is one of "old age, youth, carpentry and cuckoldry.". A character telling such a story can immediately be classified as a member of a low social class and gifted with a vulgar sense of humour, but not deprived of cleverness. This description matches the Miller quite well, as can be gathered from the tale's last few lines:
"Thus swyved was the carpenter's wyfe
( )
And Absolon hath kist hir nethe ye
And Nic...
Miller presents the character of John Proctor in an important way to show two sides to his character. These qualities make him have the most important role in ‘The Crucible.’ The key events that show him in this way is when the audience find out about the affair, how he tries to defend his wife, his confession in court and his hanging for the sake of others. Through the events in The Crucible, Miller then portrays John Proctor’s character with tension and suspense. This then makes the audience question whether or not he is a good man.
How Secrecy is Presented in The Miller’s Tale Secrecy is a prominent theme in The Miller’s Tale and Chaucer uses it to not only make the tale more interesting but also to give the characters more depth, or in the case of Alison less depth. The way that secrecy is presented and what effects it has will be discussed. Chaucer introduces the reader to secrecy at the beginning of the tale in The Miller’s Prologue, indicating its importance, ‘An housbande shal not been inqusitif of Goddes privetee,’ and this immediately makes the reader assume that at least one of the characters will in fact be inquisitive of ‘Goddes privetee’ and that there will be secrets in The Miller’s Tale. The element of secrecy is evident in the characters and their descriptions. This is necessary as the characters in the tale are of a fabliau sort and the incorporation of sex with ‘low-life’ characters requires secrecy, and the description sets the tone for the tale.
ruinously impact a whole community, is very aptly titled. By definition, a “crucible” is “a severe test,” and the challenges faced by Miller’s characters are many. The historical events dramatized in the play reflect how core human values, including truth, justice and love, are tested under life and death conditions. The trials of the characters and the values they hold dearly come when their simple, ordered world ceases to be black and white and easily deciphered, and is turned upside down in the gray shades of ambiguity.
Context: This part of the text is included at the beginning of the drama, telling the audience about Salem and its people. The author explains how a theocracy would lead to a tragedy like the Salem witch-hunts. This is the initial setting and is based on the principle that some people should be included and some excluded from society, according to their religious beliefs and their actions. This is basically the idea that religious passion, taken to extremes, results in tragedy. Miller is saying that even today extremes end up bad- communism, like strict puritans, was restrictive and extreme. It only made people suffer.
The style in which the miller begins his tale is similar to the style in which the Knight begins his tale. The style used is fairy tale. like, as the miller starts his story with-‘once upon a time.’ The. Miller did this deliberately to mock and parody the Knight’s Tale. The Knight’s scrupulous idealism presents a stark contrast to the Miller’s coarse parody of idealistic and romantic valour.
Parry, Joseph D. "Interpreting Female Agency and Responsibility in The Miller's Tale and The Merchant's Tale." 80.2 (2001): 133-67. Academic Onefile. Web. 16 May 2013.
Arthur Miller states in his essay, "Tragedy and the Common Man," " . . . we are often held to be below tragedy--or tragedy below us . . . (tragedy is) fit only for the highly placed . . . and where this admission is not made in so many words it is most often implied." However, Miller believes " . . . the common man is as apt a subject for tragedy in its highest sense as kings were" (1021). It is this belief that causes Miller to use a common man, Willie Loman, as the subject of his tragedy, Death of a Salesman. Miller redefines the tragic hero to fit a more modern age, and the product of this redefinition is Willie.
Persecution has been a round for sometime and can be traced historically from the time of Jesus to the present time. Early Christians were persecuted for their faith in the hands of the Jews. Many Christians have been persecuted in history for their allegiance to Christ and forced to denounce Christ and others have been persecuted for failing to follow the laws of the land. The act of persecution is on the basis of religion, gender, race, differing beliefs and sex orientation. Persecution is a cruel and inhumane act that should not be supported since people are tortured to death. In the crucible, people were persecuted because of alleged witchcraft.
The Miller tells his tale momentarily to amuse and and embarrass (the Reeve and his own cameo appearance), while the Knight tells a story strong on "sentence" or meaning. The two different motives reveal the fundamental differences between the two men: the noble Knight can still believe in a higher beautiful world, while the Miller cannot accept it ever existed.
Chaucer's "The Miller's Tale" should be tragic, because a lot of horrible things happen to the characters. The carpenter's wife is disloyal to him, sleeping with others and making fun of him with Nicholas. Also, he is depicted as a fool. However, readers get a humorous feeling from the story, rather than feeling sorry for the carpenter's unfair life. Chaucer makes the whole story come across as comic rather than tragic. This humor is created by the Miller's narration, the use of irony, the cartoon-like characters, and the twists of plot. These elements combine to produce an emotional distance which enhances the comic effect.
Writers may use literature as a vehicle of social criticism. In which ways does Arthur Miller criticize society?
Florio, Thomas A., ed. “Miller’s Tales.” The New Yorker. 70 (1994): 35-36. Martin, Robert A., ed., pp.
When analyzing literature from an archetypal perspective, one does not simply look at the character’s behavior in that literary piece. Rather, when using the archetypal theory, one connects the traits and actions of the characters in the literary work, the settings, the surroundings, and the situations to a familiar type of literary character. In Arthur Miller’s The Crucible, the characters Abigail Williams, John Proctor, and Reverend Hale exhibit common archetypal behavior and fit into a certain archetypal figure.
Arthur Miller was a good man, and with a good man comes character strengths. He always put forth the effort to judge a man by his rightful position and his fair play. He also attempted to judge a man by his moral sanity and his welfare of the community (Foner and Garraty, 1). Miller never judged someone based upon a first impression. He made great attempts to know people thoroughly before finally judging them. This was one of the greater strengths he posses in life. This helped him build the reputation that stuck with him over the years and that he became known for.
part of the teller of this tale – the miller is a thieving bastard and his wife is a haughty