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Reality programs have dominated television networks since their rise in popularity began in the early 1990s with MTV’s The Real World. The reality genre quickly gained viewership as it redefined the formulaic set up of televisions shows from the past. Reality television has infiltrated television because networks prefer low budgets for their programs that also generate high ratings (Hasinoff, 2008). People watch reality shows because they are intrigued by the seemingly “real” drama with ordinary people as characters (Dubrofsky, 2006). Now at its peak of growth, reality television evokes ideas of social order and cultural norms to its audiences, while perpetuating racial stereotypes in society (Mendible, 2004). My purpose of the review of literature is to examine and analyze reality television’s influence on people’s perceptions of African American stereotypes.
Reality Television
Reality based television has a broad landscape ranging from competitive game-like shows to programs following the daily lives of a group of people. Every major network now has some form of reality programming because the genre’s shows are high in viewership and require low costs for production. The genre is appealing to viewers because it provides them with a first-hand look into the lives of everyday people, which allows them to observe social behavior that helps them determine what is appropriate or not (Tyree, 2011, p. 397). Since the majority of modern reality stars start out as unknowns, frequent viewers of reality programming believed that fame is obtainable if they appear on a popular show (Mendible, 2004). According to Mendible’s evaluation of the genre in the article Humiliation, Subjectivity, and Reality TV, people enjoy reality programs beca...
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...evision and other forms of mass media.
References
Bell-Jordan, K. E. (2008). Black, white and a survivor of the real world: Constructions of race on reality tv. Critical Studies in Media Communication, 25, 353-372
Boylorn, R. M. (2008). As seen on tv: An autoethnographic reflection on race and reality television. Critical Studies in Media Communication, 25 (4), 413-433.
Dubrofsky, R. (2006). Whiteness in the harem. Crticial Studies in Media Communication, 23 (1), 39-56.
Hasinoff, A.A. (2008). Fashioning race for the free market on america’s next top model. Critical Studies in Media Communication, 25 (3), 324-343.
Mendible, M. (2004). Humiliation, subjectivity, and reality tv. Feminist Media Studies, 4 (3), 394-413.
Tyree, T. (2011). African american stereotypes in reality television. Howard Journal of Communications, 22 (4), 394-413.
Dines, Gail, and Jean McMahon Humez. Gender, Race, and Class in Media: A Text-reader. Thousand Oaks, CA: Sage, 1995. Print.
Eye witness accounts of events are not always accurate. The accounts depicted by depend on how witnesses read the situation. The same is true when interpreting the depiction of race and/or ethnicity in media productions. Because situations gain meaning through the process of social construction (the interpretation of a situation based on one’s knowledge), the same event can be viewed and internalized by witnesses who render opposing viewpoints. This analysis will compare the depiction and rejection of socially constructed stereotypes relative to race and ethnicity in three situation comedies: All in the Family, The Jefferson’s and The Cosby Show.
Many people in America like to think that racial stereotyping and racism is a thing of the past, but racial stereotyping is still prominent in America. Although racial stereotyping and racism significantly slowed down, it still remains a major factor in American society. In “The End of Post-Identity Television,” Aymar Jean Christian argues the fact that race is not a major factor in casting characters in a television series or a movie, he reveals that race is not relevant anymore. In Michael Omi’s “In Living Color: Race and American Culture,” he argues how racial stereotyping and racism still exist in America. The Cosby Show seeked to change racial stereotyping in television by portraying an upper-middle class African American family. The Cosby Show attempted to break barriers for African Americans in television and did so by paving the way for other major African American based sitcoms. “The End of Post-Identity
The roles African Americans play on television are not satisfactory. Though the roles have changed during the development of television, the current relationship is not representative of true African American people or their lifestyles. The question is how do the past roles African Americans play in television sitcoms compare to the current roles? How does this affect society’s perception of the African American in American culture? Throughout the history of television the roles and the representation of African Americans has developed with the changing cultural conditions. However, the representation of African American’s has not fully simulated into today’s society. What the average citizen views on his or her television does not accurately portray the African American’s influence on America.
Stereotypes strongly influence how people interact, communicate, and establish relationships with others around them (Fries-Britt and Griffin 2007). In mainstream America, black women are often stereotypically portrayed as sex workers, welfare queens, blue-collar service workers, video vixens, and entertainers (Collins 2004). Within these stereotypical depictions, black women are viewed as loud, angry, ghetto, hypersexual, and sometimes violent (Chavous et al. 2004; Childs 2005; Collins 2004; Nguyen & Anthony 2014; Wilkins 2012). In contrast, positive stereotypes of black women showcase them as strong, independent, resilient, loyal to their families and romantic partners, and responsible for sustaining the African American family. These images promote constructive illustrations of black women even though popularized images negatively portray black women (Chavous et al. 2004; Settles 2006; Wilkins 2012). These stereotypes of black women describe positive characteristics that many black women tend to ascribe to and attain. I argue that even though these stereotypes may yield positive behaviors from black women, they are still considered stereotypes because the majority will utilize these stereotypes to negatively categorize black women. In the words of Pat Hill Collins (2004: 263), “African American women’s race and gender classification disadvantages them”. Thus, these
Racism and discrimination continue to be a prevalent problem in American society. Although minorities have made significant strides toward autonomy and equality, the images in media, specifically television, continue to misrepresent and manipulate the public opinion of blacks. It is no longer a blatant practice upheld by the law and celebrated with hangings and beatings, but instead it is a subtle practice that is perceived in the entertainment and media industries. Whether it’s appearing in disparaging roles or being negatively portrayed in newscasts, blacks continue to be the victims of an industry that relies on old ideas to appeal to the majority. The viscous cycle that is the unconscious racism of the media continues to not only be detrimental to the white consumers, who base what they know about blacks by what is represented in television, but also the black consumers, who grow up with a false sense of identity.
For many years, racial and ethnic stereotypes have been portrayed on multiple television programs. These stereotypes are still illustrated on a day-to-day basis even though times have changed. Racial or ethnic stereotypes should not be perpetuated on certain television programs. These stereotypes provide false information about groups, do not account for every person, allow older generations to influence younger generations, create tension between groups, and affect people in many ways.
For as long as I could remember plenty of races are being stereotyped, but African Americans are one of the most frequent racial groups stereotyped against. African Americans have been portrayed on television and other forms of media unfairly and unrealistically. Movies and TV shows have played a major role in stereotyping African Americans, mostly reflecting them as being less intelligent, more vulgar, poor, uneducated, and more violent than other ethnic groups. African Americans have been perceived to be someone they are not in the media, history, and in everyday life. Although some stereotype portrayals made about Africans Americans may have some truth to them many on the other hand are harmful and inaccurate. Africans Americans are mainly in the spotlight of the news, when involved in crimes. When an African American becomes successful they are glorified, and seen as the person who made it and got out the “hood”, as if all black people are poor and living in rundown neighborhoods. Television networks depict whites as the perfect family with no problems and blacks with a household with only one parent and a long list of problems. Many African Americans believed that in order to be successful in the media industry they had to portray themselves as being idiotic and lazy. African Americans are mainly portrayed in the media as a pleasing aspect. Rather than focusing on the positive and good side to African Americans, the media would rather on the negatives. One of the main reasons why it is so easy to target an African American is because; it is so much harder to point the finger at a more dominant power ethnic group, Caucasians. I think this alone tells us a lot about where our society is and that racism still does exist.
The healthy relationships portrayed in the media are few and far between, which leaves Black women to make choices based on the options they have and perceive. For that reason, it is not complicated to understand why Black women are the least likely to marry in the environment of the over-sexed woman and a pimp. The portrayal of Black women as lascivious by nature is an enduring stereotype. To understand more fully the media’s role in shaping the culture of African-American experience, one must first examine the stereotypes projected by TV stations like, BET, MTV, and VH1. The songs and music videos created by such hip-hop artists as 50 Cent, Dr. Dre, and Snoop Dogg have built ...
Most of these images are always negative; in fact, when most of us turn on the television to watch a sitcom, we will often see African- Americans acting as if they have little or no sense at all. Frequently African-Americans would be depicted as being extremely melodramatic in all that they say or do, and it tends to send the wrong message to people in the United States; as well as, people all across the world. For example, on the television sitcom ‘Good Times’ viewers observed a black family living in a Chicago housing project in poverty. Sitcoms of African Americans who did not live in poverty were uncommon until the 80’s. The Huxtables introduced me and everyone else to a new image of living as an African American. ‘‘The Cosby Show’’ enlightened me to a new sense of self-confidence and pride. Throughout its broadcasting years, the Huxtable family candidly crushed the stereotypical images of the African-American family. The show displayed the African-American family in a way that was never before seen or grasped by the American public. In fact, during that era most of the mass media programs depicted African-American television families as hard working lower class poor citizens, many of which constantly used slang or terrible grammar. Likewise, the broadcasting community endorsed the idea that African-American people were connected to
One of the greatest exports of American culture is American media. American media is one of the most widely distributed and consumed cultural forms from the United States. This means that not only do Americans consume large quantities of their own media, but many other countries in the world consume American media, too. People in other countries will not interpret or understand the media in precisely the same ways that Americans will and do, nonetheless, many aspects of American culture and American reality are communicated to numerous viewers as part of the content in the media. The media is an important tool in the discussion of race, class, and gender in America. It takes a savvy viewer to discriminate between and understand what media accurately represents reality, what media does not, or which aspects of experience are fictionalized, and which elements ...
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
Reality Television has changed television in a way that no one could have imagined. Being the one of the most talked about genre in history, it is seen by millions of viewers. It has more ratings than any other kind of show (Breyer 16). From its start, there have been many Reality Television shows. Shows like The Real World, Survivor, Big Brother, and Jersey Shore. All of these give off a negative portrayal of reality. While Americans watch these shows, it seems that the show is real life, but in reality, no pun intended, before the show is even filmed, it’s written, edited, and produced (Breyer 21). Writers humiliate and degrade people just for the plot of the show, making their private lives public (Breyer 16).
Barton, K., & Raney, A. A. (2002, August). Disposition and ethnicity in competition-based reality television programming: An examination of the effects on viewer enjoyment. Presented at the annual meeting of the Association for Education in Journalism and Mass Communication, Miami, FL.
Lehmann, Carolin. “Reality TV: A Blessing or a Curse? An Analysis of the Influence of Reality TV on U.S. Society.” Academia. Edu 5 Nov. 2012. 29 Nov. 2013.