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Television impacts human behaviour
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African American Comedies Effect on my Childhood and Growth When you’re bored, what do you do? I find that when boredom hits reading a book simply puts me to sleep. I find boredom cured by television; but as I’m sure you already know that even television can bore you to tears sometimes! I have found that I enjoy watching comedies to entertain me, but not pointless comedies with no plot; just jokes. I am enticed by comedies with a good plot and that teaches me more than just how to make someone laugh. I watch shows like The Cosby Show, Good Times, Living Single and The Jeffersons. These are just a few examples of comedies that entertained me while I was growing up while also educating me in strong life and family lessons. It is not a coincidence that all these shows are African American created and also starred by. It was not and is not uncommon for African American shows to portray a great sense of education, family, and love. There is a never ending negative aura surrounding African American shows; especially those that the cast is mostly or fully of Negro background. The stereotype is violence, drugs, foul language, rough behavior and mannerisms etc. African American comedies have indubitably impacted me in more ways than one. Whether through memorable running gags or episodes that touched base on poignant societal topics; African American comedies has had a major effect on my childhood and growth. Whether or not they have had a more positive or negative affect on my life at this point is a mystery. I hope that by exploring the comedies I have watched I will be able to solve this mystery. Let me first explore the possible negative effects. Some negative effects I found are due to poor morally connected content; content that is ... ... middle of paper ... ...ether it is on the dangers of violence within the community or the importance of getting educated about Hiv/Aids, these sitcoms have hit home on a variety of issues. I’m a proponent of utilizing programming that has strong ties to real life issues such as teen pregnancy, valuing your education, growing up without fathers, not having food to eat, homelessness etc… to educate viewers on what’s really happening in the world. I hope it will bring us closer to finding a method for curing the ills within our community. Bibliography Chitiga, Miriam Miranda. “Black Sitcoms: a Black Perspective.” Cercle.com. Cercles, 8 2003. 46-58. Web. August 2003. "Reports." State of the Media: U.S. TV Trends by Ethnicity. Nielson, 30 Mar. 2011. Web. 11 Sept. 2013. Williams, Lashaun. "Part of Our Culture." The Opinion Pages. The New York Times, 14 Aug. 2011. Web. 11 Sept. 2013.
The Beulah Show, airing on ABC in the early 1950s, is the first sitcom to star an African American actress who plays as a maid to the Henderson family (Bronstein). In the episode “Beulah goes Gardening”, the Henderson discuss Beulah’s demanding workload―housework and gardening―after realizing Beulah did all of their gardening. Beulah tells Oriole, her friend, about her rosebush problem, and the next morning, Beulah sasses Bill, her boyfriend, into helping her. While the show may seem revolutionary with an African American actress and an innocent representation of a 1950s family, this show in reality demonstrates the harmfulness of the lack of diversity and misrepresentation on television. Tropes like “Mammy” and the “sassy black woman” are
Arenson, Lauren J., and Jennifer Miller-Thayer. Cultures of the United States. Plymouth, MI: Hayden-McNeil Pub., 2009. Print.
Starting with Sanford and Sons through the progression of The Fresh Prince of Bel-Air, it is evident that the changes transpiring in society are slowly entering the television industry. What would have been acceptable in the 1970s would be totally unacceptable in this day. No longer is an African-American father in a sitcom shown as a worthless, rude individual. The father figure is now shown more as a responsible, loving, and moral person with more realistic faults. Color now seems, through evolution, to be taken out of the equation for the African-American television families.
Rpt. in Current Issues and Enduring Questions. Sylvan Barnet and Hugo Bedau. Boston: Bedford/St. Martin’s , 2011. 571-574. Print.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
The roles African Americans play on television are not satisfactory. Though the roles have changed during the development of television, the current relationship is not representative of true African American people or their lifestyles. The question is how do the past roles African Americans play in television sitcoms compare to the current roles? How does this affect society’s perception of the African American in American culture? Throughout the history of television the roles and the representation of African Americans has developed with the changing cultural conditions. However, the representation of African American’s has not fully simulated into today’s society. What the average citizen views on his or her television does not accurately portray the African American’s influence on America.
Henderson, Jennifer Jacobs; Baldasty, Gerald J. 2003 “Race, advertising, and prime-time television” Howard Journal of Communications 2(14): 97-112.
Goodale, Gloria. "TV in black and white." 20 November 1998. Christian Science Monitor. Web. 15 Jan. 2015.
Whether it’s through its overly upbeat and positive conflict resolving themes or inclusivity of customary morals and values, each show has seen its fair share of critique in terms of it’s realism to society.
My research focused on the coverage of Asian Americans in contemporary mass media. The following types of media were researched:
Television has changed dramatically since its release. Television, over the years, has also affected society. Television in the 1960s almost only included Caucasian actors. The minorities that did appear in a television show were often played stereotypes. For instance, an African American would play the role as a household servant. The creators of a television show would always assume that their viewers were all white. Most creators felt that people would not want to watch a show about minorities. Television did not start developing television shows about minorities until the 1980s. In 1950s the NAACP often filed lawsuits on television shows that discriminated their actors. The NAACP did not like that minorities could not play lead roles in
McCarthy, Anna. "Ellen: Making Queer Television History." GLQ: A Journal of Lesbian and Gay Studies 7.4 (2001): 593-620. Project Muse. Web. 16 Mar. 2014.
The average America watches more than 150 hours of television every month, or about five hours each day (“Americans,” 2009). Of the 25 top-rated shows for the week of February 8-14, 2010, six were sitcoms, averaging 5.84 million live viewers each (Seidman, 2010), to say nothing for the millions more who watched later on the Internet or their Digital Video Recorders. The modern sitcom is an undeniable force in America, and its influence extends beyond giving viewers new jokes to repeat at the water cooler the next day: whether Americans realize it or not, the media continues to socialize them, even as adults. It may appear at first glance that sitcoms are a relatively benign force in entertainment. However, the modern sitcom is more than just a compilation of one-liners and running gags. It is an agent of gender socialization, reinforcing age-old stereotypes and sending concrete messages about how, and who, to be. While in reality, people of both sexes have myriad personality traits that do not fall neatly along gender lines, the sitcom spurns this diversity in favor of representing the same characters again and again: sex-crazed, domestically incompetent single men enjoying their lives as wild bachelors, and neurotic, lonely, and insecure single women pining desperately to settle down with Prince Charming and have babies. Sitcoms reinforce our ideas about what it is “normal” to be, and perhaps more importantly feed us inaccurate ideas about the opposite sex: that women are marriage-crazed, high-maintenance, and obsessed with the ticking of their biological clocks, while men are hapless sex addicts whose motives can’t be trusted. The way that singles are portrayed in sitcoms is harmful to viewers’ understanding of themselves...
Zimmermann, K. A. (2013, April 22). American Culture: Traditions and Customs of the United States | LiveScience. Retrieved February 9, 2014, from
Kroeber, A. and C. Klockhohn, Culture: A Critical Review of Concept and Definition New York: Vintage Books, 1989.