Since the forced-migration to the Americas, African-Americans have been assigned between two cultures: being African and being American. Both cultures are forced upon African-Americans who lack a culture of their own. Neither Africa nor America is truly home to the African-American and the connections between both cultures have been separated. In the play, A Raisin in the Sun by Lorraine Hansberry, the duality of African-American race is explored within the characters of Joseph Asagai and George Murchison – boyfriends of Beneatha Younger. Asagai and Murchison portray the struggle African-Americans encounter when they try to be either African or American. African-Americans face a great deal of strife when they seek to be both African and American. In Souls of Black Folk, WEB Dubois discusses the duality African-Americans face. Dubois writes, “It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness, – an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.” (Dubois 694). Dubois also writes, “The history of the American Negro is the history of this strife, – this longing to attain self-consciousness, manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message f... ... middle of paper ... ...solely American. A Raisin in the Sun reinforces the idea that African-Americans have identified with the same beliefs, goals, and dreams of all Americans because they lack a strong culture of their own. Works Cited Dubois, WEB. Comp. Henry Louis. Gates and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. 694-695. Print. Hansberry, Lorraine. "A Raisin In The Sun." Comp. Henry Louis. Gates and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. 1771-830. Print. James, Johson Weldon. Comp. Henry Louis. Gates and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. 832. Print. McKay, Claude. "The Tropics in New York by Claude McKay." The Poetry Foundation. Web. 28 Oct. 2011.
Ali, Schavi Mali. “Claude McKay.” Afro-American Writers from the Harlem Renaissance to 1940. vol. 52. Ed.:Trudier Harris. Detroit: Gale Research Inc, 1987. 201-212.
Prentice Hall Anthology of African American Literature. Upper Saddle River, NJ: Prentice Hall, 2000. 163-67. Print.
Cullen, Countee. "Incident." African-American Literature: A Brief Introduction and Anthology. Ed. Al Young. New York: Harper Collins, 1996. 398.
Hines, Ellen, and Hines, William, and Stanley, Harrold. The African American Odyssey. Fifth Edition. New Jersey: Prentice Hall, 2008. Print.
Gates, Henry Louis, and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. Print.
In “A Raisin in the Sun” by Lorraine Hansberry, the main character, Beneatha Younger is a 20 year old black woman. She struggles with her identity throughout the play by not wanting to assimilate into white culture, but has no connection to her distant African culture. Beneatha dates two men who represent these different identities. George Murchison, an African-American man, comes from a wealthy family. George and his family represent assimilation into white culture and finding success by doing so. Their success makes George the favorite of Beneatha's suitors among her own family. The second man, Asagai, is Nigerian. He represents a connection back to Beneatha’s distant African culture. Beneatha feels the most connected with Asagai, as he provides
In the timeless play “ A Raisin in the Sun” by african american writer Lorraine Hansberry, one of the most significant theme is that there is an intersection of sexism and racism. This pattern of conflicting attitudes are both limiting and demeaning.
A Raisin in the Sun by Lorraine Hansberry is a dramatic play written in 1959. The play is about an African American family that lives in the Chicago South Side in the 1950’s. Hansberry shows the struggles and difficulties that the family encounters due to discrimination. Inspired by her personal experience with discrimination, she uses the characters of the play, A Raisin In The Sun, to show how this issue affects families.
Hansberry, Lorraine. "A Raisin in the Sun." Ed. Nellie Y. McKay. The Norton Anthology of African American Literature. Comp. Henry Louis. Gates. 2nd ed. New York: W.W. Norton &, 2004. 1771-830. Print.
During the 1960s, the African-American people were in racial situations due to their “lowered status”. They had no control over the strong beliefs in segregation, which “is characterized by a mixture of hope and despair.” (Nordholt) African-Americans, like normal people, had strived to achieve set goals. Unfortunately, their ethnicity was what inhibited them from accomplishing their dreams. In Lorraine Hansberry’s A Raisin in the Sun, the author conveys the theme of the seemingly trivial efforts of the African-American people in their individual pursuits for a satisfactory life lead each person down a road of self-discovery that reveals an indefinite amount of truths, which transform their promising hopes into unachievable fantasies. By using powerful characterization, Hansberry creates characters with contrasting personalities dividing their familial hopes into different dreams. With the use of symbolism, each character’s road is shown to inevitably end in a state where dreams are deferred.
In Lorraine Hansberry “A Raisin in the Sun”, the issues of racial discrimination, the debate of heroism, and criticism is vividly displayed. The play, which was written in the late 1950’s presents itself in a realistic discerning matter that implicates the racial division among the black family and white America. The play insinuates Walters’s heroism as well because of the black family’s struggle not to become discouraged in trying to obtain the world riches and still maintaining human dignity. When Hansberry wrote “A Raisin in the Sun”, many critics questioned the motive behind her play because it showed the America the world wants to grow oblivious to. This presents the reality of racial discrimination and heroism for the black man among
The Souls of Black Folk by W.E.B Dubois is a influential work in African American literature and is an American classic. In this book Dubois proposes that "the problem of the Twentieth Century is the problem of the color-line." His concepts of life behind the veil of race and the resulting "double-consciousness, this sense of always looking at one's self through the eyes of others," have become touchstones for thinking about race in America. In addition to these lasting concepts, Souls offers an evaluation of the progress of the races and the possibilities for future progress as the nation entered the twentieth century.
Lorraine Hansberry's A Raisin in the Sun is a play about segregation, triumph, and coping with personal tragedy. Set in Southside Chicago, A Raisin in the Sun focuses on the individual dreams of the Younger family and their personal achievement. The Younger's are an African American family besieged by poverty, personal desires, and the ultimate struggle against the hateful ugliness of racism. Lena Younger, Mama, is the protagonist of the story and the eldest Younger. She dreams of many freedoms, freedom to garden, freedom to raise a societal-viewed equal family, and freedom to live liberated of segregation. Next in succession is Beneatha Younger, Mama's daughter, assimilationist, and one who dreams of aiding people by breaking down barriers to become an African American female doctor. Lastly, is Walter Lee Younger, son of Mama and husband of Ruth. Walter dreams of economic prosperity and desires to become a flourishing businessman. Over the course of Walter's life many things contributed to his desire to become a businessman. First and foremost, Walter's father had a philosophy that no man should have to do labor for another man. Being that Walter Lee was a chauffeur, Big Walter?s philosophy is completely contradicted. Also, in Walter?s past, he had the opportunity to go into the Laundromat business which he chose against. In the long run, he saw this choice was fiscally irresponsible this choice was. In Lorraine Hansberry's A Raisin in the Sun, Walter Lee's dreams, which are his sole focus, lead to impaired judgement and a means to mend his shattered life.
A Raisin in the Sun is a set in 1950s after the Second World War which was an age of great racism and materialistic in America. It is about a black family living in south side of Chicago and struggling through family and economic hardships, facing the issues of racism, discrimination, and prejudice. The family consists of Lena Younger known as Mama; Walter Lee Younger who is an intense man, Ruth Younger who is wife of Walter Lee, Travis Younger who is son of Ruth and Walter, and Beneatha Younger who is Walter’s younger sister. The whole family lives in a two bed room apartment and don’t have money to live a better life. youngers are tired from their struggle to ...
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.