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literature poverty essay
literature poverty essay
literature poverty essay
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In the memoirs A Monk Swimming by Malachy McCourt, and The Glass Castle by Jeannette Walls, there are stories of how both authors persevere through some form of poverty during their childhoods; in both cases, the authors have a history of running away from their problems, and finally both McCourt and Walls turn their stories into fame and success. Both memoirs are based on stories from the authors’ pasts, and they remain the central focus throughout the memoir. Memoirs are a subgenre of the narrative, non-fiction genre (List of Literary Genres, California Department of Education). A memoir is a book or other piece of writing based on the writer's personal knowledge of famous people, places, or events. The difference between a memoir and an autobiography is that autobiographies use physically recorded works, while memoirs are, nearly to the letter of definition, literary representations of memory. Therefore, like memories, the possibility exists that they may be inaccurate or willfully distorted (Memoir (Genre), University of California Berkeley Information Services and Technology). Not only do the memoirs show how the authors’ childhood experiences shape their lives, they also provide explanations of how they were able to take their situations and turn them into a successful life and career. It is apparent that there are numerous similarities in the lives and memoirs of A Monk Swimming by Malachy McCourt and The Glass Castle; those similarities and the slight differences are discussed throughout the essay.
Malachy McCourt grows up in Limerick, Munster, Ireland in a household riddled with familial difficulties and tragedies. While he is young, his four year-old sister Margaret dies, and then his twin siblings Eugene and Oliver...
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Works Cited
California Department of Education. "List of Literary Genres." Bellevue-Santa Fe Charter School. N.p., 31 Jan. 2012. Web. 29 Nov. 2013.
McCourt, Malachy. "Welcome to Malachy's Website." Malachy McCourt. 5 Mar. 2012. Web. 3 Dec. 2013. .
McCourt, Malachy. A Monk Swimming: A Memoir. New York: Hyperion, 1998. Print.
UC Berkeley. "Memoir (Genre)." UC Berkely Information Services and Technology. N.p., 8 July 2013. Web. 16 Dec. 2013. .
Walls, Jeannette. The Glass Castle: A Memoir. New York: Scribner, 2005. Print.
Lehmann-Haupt, Christopher. "'A Monk Swimming': A Tragedian's Brother Finds More Comedy in Life." Books of the Times. New York Times, 4 Sept. 1998. Web. 1 Dec. 2013
Human nature is filled with curiosity, imagination, the desire to learn, and constant change. Jeannette Walls, the author of The Glass Castle, has a childhood filled with all of the above, but it is constantly disrupted by greed, drugs, and fear. This memoir takes the reader on a journey through the mind of a maturing girl, who learns to despise the people who she has always loved the most. Always short on cash and food, Jeannette’s dysfunctional family consisting of father, Rex, mother, Rose Mary, brother, Brian, and sisters, Lori and Maureen, is constantly moving from one location to another. Although a humorous tone is used throughout the whole novel, one can observe the difficulty that encompasses the physical challenge
I began a study of autobiography and memoir writing several years ago. Recently I discovered two poets who believe that recording one’s place in history is integral to their art. Carol Muske and Joy Harjo are renowned poets who explore the intricacies of self in regards to cultural and historical place. Muske specifically addresses the poetics of women poets, while Harjo addresses the poetics of minority, specifically Native American, writers. Both poets emphasize the autobiographical nature of poetry. Muske and Harjo regard the self as integral to their art. In this representation of self, Muske and Harjo discuss the importance of truth-telling testimony and history in their poetics. Muske says, “…testimony exists to confront a world beyond the self and the drama of the self, even the world of silence—or the unanswerable…” (Muske 16).
In this touching, non-fiction memoir by Jeanette Walls, The Glass Castle recounts the story of her vagabond upbringing in the 1960‘s. Walls notes her parents lack of conformity while also showing their unconditional love, in rather unconventional ways. While touching the bases of alcoholism, poverty and child neglect, the author still maintains the point of a passionate determination to preserve the alliance with her siblings through it all.
The Web. The Web. 15 Jan. 2014. Bosmajian, Hamida. "The Rage for Order: Autobiographical Accounts of the Self in the Nightmare of History.
Jeannette Walls, the author of the memoir, The Glass Castle, was raised by parents whose relentless nonconformity and radical ideals were both positive and negative aspects to their wellbeing. Their names were Rex and Rosemary Walls, and they were the parents of four children. While the kids were still young, the family moved from town to town, camping in the wilderness and sleeping in the car, and sometimes even had a small place to stay. Rose Mary, who was both an artist and an author, identified herself as an “excitement addict”. As a mother who despised the responsibility of caring for her family, Rose Mary preferred making a painting that will last forever over making meals for her hungry children. Rex was an alcoholic who, when sober, was a charming and intelligent man that educated his children through geology, physics, mathematics, and how to live life fearlessly.
The Glass Castle by Jeannette Walls is a memoir about Jeannette’s childhood experiencing many difficult situations. It is an excellent example of contemporary literature that reflects society. This story connects with social issues relevant to our time period, such as unstable home life, alcoholism, and poverty. Many of these issues, as well as others, are also themes of the story. One major theme of the story is overcoming obstacles, which is demonstrated by Jeannette, the Walls’ kids, and Rex and Mary Walls.
The McCourt family moved from New York to Ireland to look for a better way of living, to forget about their dead children, to try to have a regular life. Well, it didn’t work out. The father of the family was to caught up with drinking, instead of giving the money for the needs of the family, which would be just simple - food. When the father left to England to look for a job and never sent any money to his starving family Frank felt ob...
The autobiography Angela’s Ashes by Frank McCourt tells the life of the McCourt family while living in poverty in Limmerick, Ireland during the 30’s and 40’s. Frank McCourt relates his difficult childhood to the reader up to the time he leaves for America at age nineteen. The book has many prevailing themes, but one of the most notable is the settings relationship to the family. The setting of the book ultimately influences the choices and lifestyle of the McCourt family in many ways.
Frank McCourt’s strained relationship with his father, Malachy, is heartbreaking. Frank himself has proclaimed that "The central event in my life is my father's alcoholism” (Matiko). Nevertheless, this strained relationship helped define Frank and led him to strive for a better life. He left Ireland in an attempt, not to run from his past, but to seek a new beginning free from the norms of “the sickness.”
...d recommend[s] books based on [her] connection with the written word and its message” (Baillie). She claims that the publishers should be the ones to define a memoir as a memoir and she will accept the book as the category given to her, and that if it is a memoir, she understands that the dates and facts may be blurred and compressed; however, an argument forms that a memoir should not be composed of blurred and compressed facts, but the simple truth. The most important aspect of Defonseca’s book is the truth; however, when the validity is taken from a memoir, the meaning of it follows. Her book’s themes, messages, and morals derive from the fact that it is a true experience; however, when the truth of the memoir was taken away, the meaning of the memoir was too. Her inspirational story is no longer inspirational when it becomes fictional, causing it to lose value.
Charters, Ann & Samuel. Literature and its Writers. 6th ed. Boston: Bedford/St. Martins, 2013. 137-147. Print.
The mother of Frank McCourt, Angela, is an antagonist. She blamed Malachy Sr. for all of their problems calling him “useless,” “sitting on your arse by the fire is no place for a man”(218). Angela constantly ridiculing Malachy Sr. could be the cause of his alcohol addiction. Angela never made him feel like a man throughout the book she was always putting him down, the assumption of alcohol was the only thing he was really happy about. Angelas constant nagging drove him away leaving his family without much. Also, Angela constantly abandons her children. Her sexual desires caused her to continue having children despite the hunger and poverty they were already facing. Every time one of her children died she abandoned the rest of them, not taking care of them. The children had to survive on their own during her time of grieving. After Frank’s fight with Laman, Angela never once made sure Frank was okay. Instead she goes to Laman,
...conclusion, the McCourt’s decision was appropriate because concerning both, North American and Irish historical contexts at the time, Ireland was a rising country while the United States declined: hope was not present within the North Americans but it was in the Irish. In the psychological aspect, Frank’s family was willing to rebuild their life after the loss of Margaret and the progressive depression of Angela. They needed a new place to begin their lives.
Clugston, R. W. (2010). Journey into literature. San Diego, California: Bridgepoint Education, Inc. Retrieved from https://content.ashford.edu/books/AUENG125.10.2/sections/sec2.3
In studying the advent of autobiography as a genre in its own right, it would seem to be a particularly modern form of literature, a hybrid form of biography. Also, the distinctions between the forms of the biography, personal history or diary and novel are becoming questioned in that the autobiography is not an account of wisdom accumulated in a lifetime but a defining of identity. 2