Ernest Hemingway’s short story, A Clean Well Lighted Place, created literary controversy when it was initially published in 1933. During this time, there were several literary critics concerned with the dialogue inconsistencies. In the original story, the reader would not be able to distinguish between the two waiters. Hemingway failure to identify the characters by name leaves the story flawed according to the literary critics. Hemingway does not go into the mind of any characters but chooses to describe events from a distance. Thomson (1983) postulates that there are three issues with the text of A Clean Well-Lighted Place:”
1. The content of the story is difficult to understand and requires revision.
2. The flow of conversation in the story is not the traditional way to present literary discussion.
3. The content of the story is correct but difficult to decipher.
It is important to note that the three issues are crucial, but it does not obliterate the concept of the story. Although there is not a main idea stated, the tone establishes the cadence for the story.
The introduction offers the reader the first glimpse of loneliness. For example, Hemingway introduces the deaf man first but does not describe him. All the reader knows is that he is deaf, drinks a little too much and that he has a leather purse. Empathy is an immediate emotion as the story begins. The reader is saddened by the fact that the old man sits in the shadows and becomes inebriated. The old man is lonely and has no one to go home to so he stays at the café and drinks. Loneliness can be darkness, dankness, depression and desperation. Hemingway offers different ideas of loneliness throughout this story.
The café represents brightn...
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...eaving the café, both men are thrown back into reality and into the throes of loneliness. The final criticism evolves in the recitation of the Lord’s Prayer which reveals his feelings about the non-existent God. The reader has to assume that this is a suggestion of depression and loneliness. The old man is lonely and stumbles drunkenly home to nothing and loneliness. The old waiter strolls into another bar to avoid going home to loneliness and insomnia. In the end, both men are denied the comfort of a clean, well lit café.
References
Hemingway, E. (2013). A Clean, Well-lighted Place. In X.J. Kennedy & D. Goia (Eds.). The Literature Collection: an e-text (Vita Source digital version) (p.48). Boston,
MA: Pearson Education, Inc.
Thomson, G. (1983). A Clean, Well-Lighted Place. Interpreting the Original Text. Hemingway
Review, 2 (2), 32-43.
The main focus of A Clean, Well-Lighted Place is on the pain of old age suffered by a man that we meet in a cafe late one night. Hemingway contrasts light and dark to show the difference between this man and the young people around him, and uses his deafness as an image of his separation from the rest of the world.
In Hemingway's short story there are three characters, two waiters and their customer. Of these three, two are older men who are experiencing extreme loneliness. The customer sits alone drinking his glasses of brandy slowly, and very carefully, peacefully becoming drunk. While he is meticulously drinking his alcohol, the two waiters talk about him. They discuss his suicide attempt of the week past. The younger waiter doesn't seem to understand why a man with money would try to end his life. Although the older waiter seems to have an insight into the customer's reason, he doesn't share this with the younger one. He seems to know why this deaf old man is so depressed, and sits there alone and silent. When the younger waiter rushes the customer, the older waiter objects. He knows what it is like to go home to emptiness at night, while the younger man goes home to his wife. The older waiter remarks on the differences between him and his younger companion when he says, "I have never had confidence and I am not young.&qu...
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
Ernest Hemingway and Raymond Carver are two of the most influential authors of American literature. Carver’s literary works are often considered to have a close connection to Hemingway’s, because of their similar writing styles, such as simplicity and clarity (Mclnerney, 1989). However, though their works share the same aesthetic feature, their works convey fairly different philosophical inquiry on values of faith and existence. Ernest Hemingway’s A Clean, Well-lighted Place and Carver’s Cathedral are two works with distinctive views on questioning the life and manhood.
In conclusion, it is hard to grasp the true meaning of the story unless the story is read a second time because of the author's style of writing.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
Hemingway has created a situation where she is forced to depend on him because she is a young, immature, girl in an adult situation. It is when the American tells jig that “we will be fine afterward. Just like we were before, it is the only thing that bothers us. It’s the only thing that’s made us unhappy” that she realizes nothing will ever be the same no matter what he says. During one discussion she says “we could have everything” the man agrees, then she says “no we can’t it isn’t ours anymore and once they take it away, you can never get it back.” He says “But they haven’t taken it away” and her response is “we’ll wait and see.” The American doesn’t realize that at this point she has discovered that if he cannot love her and be happy while she is pregnant how he will ever truly love her as much as she loves him. According to Robert Barron many critics believe that the couple’s relationship has a bleak and ultimately poor ending (Barron). The older waiter in “A clean, Well-Lighted Place” is dealing with a similar situation when a wealthy old man who is a regular at the café he works at comes in after a failed suicide
Ryan, Ken. "THE CONTENTIOUS EMENDATION OF HEMINGWAY'S 'A CLEAN, WELL-LIGHTED PLACE'." The Hemingway Review 18.1 (1998): 78. Academic OneFile. Web. 8 Feb. 2014.
Many years ago our society was filled with moral and ethical values, unfortunately they have all but disappeared. Hemingway captures a moment in history when the tides were turning from an ethical and ordered society to a less ordered and much less ethical society. Using his ability to manipulate the readers’ imagination, Hemingway creates a realistic setting that conveys powerful and raw-edged emotions. Through the use of various landscapes and structures he is able to give the reader insight into the human condition without actually telling what it is. A good example of this is the hot, dry atmospheric conditions that set the mood in the story and communicate a sense of tension to the reader. The expression "They look like white elephants"(23) is a metaphor used to imply the sacred...
The art, literature, and poetry of the early 20th century called for a disruption of social values. Modernism became the vague term to describe the shift. The characteristics of the term Modernism, all seek to free the restricted human spirit. It had no trust in the moral conventions and codes of the past. One of the examples of modernism, that breaks the conventions and traditions of literature prior to Modernism, is Ernest Hemingway’s short story “Hills Like White Elephants”. The short story uses plot, symbolism, setting, dialogue, and a new style of writing to allow human spirit to experiment with meaning and interpretation.
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
In 1933, Ernest Hemmingway wrote A Clean, Well-Lighted Place. It's a story of two waiters working late one night in a cafe. Their last customer, a lonely old man getting drunk, is their last customer. The younger waiter wishes the customer would leave while the other waiter is indifferent because he isn't in so much of a hurry. I had a definite, differentiated response to this piece of literature because in my occupation I can relate to both cafe workers.
In a symbolic reading, the opening paragraph describes the crisis that exists in the marriage of the couple. In other words, the description of the bad weather, of the "empty square"[1](l.10) and of their isolation, reflects this conflict and also sets the negative mood. In fact, since the beginning, Ernest Hemingway insists on the isolation of the couple that "does not know any of the people they passed" (ll.1-2) and are "only two Americans"(l.1). Here it is interesting to notice that they are isolated from the outside world but also from each other. There is no communication and they have no contact, they are distant from each other.