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ernest hemingway topics, themes, and motifs
ernest hemingway topics, themes, and motifs
ernest hemingway topics, themes, and motifs
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In “A Clean, Well-Lighted Place,” written by Ernest Hemingway conflict is clearly evident. Conflict in “A Clean, Well-Lighted Place” is determined by other elements of fiction, more importantly, characters, setting, and theme. Conflict is seen in this short story in many aspects, such as man versus man and man versus self.
The characters in Hemingway’s short story add to the conflict throughout and conflict appears both between the characters and within the characters themselves. Hemingway clearly depicts three major characters which include an old man, a young waiter, and a middle-aged waiter. The old man who is drinking in the Spanish café experiences his own inner conflicts; this is shown in dialogue between the two waiters: “’Last week he tried to commit suicide,’ one waiter said. ’Why?’ ‘He was in despair.’ ‘What about?’ ‘Nothing.’ ‘How do you know it was nothing?’ ‘He has plenty of money’” (Hemingway 186). This
quote shows the inner despair of the old man but also the conflict between ages. Ernest Hemingway chooses the characters at different stages of life to create this conflict among generation:” Hemingway has expressed with genius the terrors of the modern man at the danger of losing control of his world . . . provided his own kind of antidote” ("Hemingway, Ernest (1898-1961)."). Humans evolve over a lifetime to think and feel differently this can be demonstrated by the conflicting views of the old man, the young waiter, and the middle-age waiter. The young waiter states, “’I don’t want to look at him. I wish he would go home. He has no regard for those who must work’” (Hemingway 187). The young waiter has a wife to get home to and does not understand why the old man does not also want to return home, the middle-ag...
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...d theme of the story. However, without these three elements of fiction working together, conflict would have little to no effect on the story entirely.
Works Cited
"A Clean, Well-Lighted Place by Ernest Hemingway." Short Story Criticism. Ed. Jenny Cromie. Vol. 40. Detroit: Gale Group, 2001. 153-269. Literature Criticism Online. Gale. Online.
21 September 2011.
"Ernest Hemingway (1899-1961)." Short Story Criticism. Ed. Laurie Lanzen Harris and Sheila Fitzgerald. Vol. 1. Detroit: Gale Research, 1988. 204-253. Literature Criticism Online. Gale. Sheridan College. 26 September 2011
"Hemingway, Ernest (1898-1961)." Modern American Literature. 5th ed. Vol. 2. Detroit: St. James Press, 1999. 29-36. Gale Virtual Reference Library. Online. 21 Sep. 2011.
Hemingway, Ernest. “A Clean, Well-Lighted Place.” Literature. Boston: Bedford/St. Martins, 2009. 185- 189. Print.
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
The main focus of A Clean, Well-Lighted Place is on the pain of old age suffered by a man that we meet in a cafe late one night. Hemingway contrasts light and dark to show the difference between this man and the young people around him, and uses his deafness as an image of his separation from the rest of the world.
In Hemingway's short story there are three characters, two waiters and their customer. Of these three, two are older men who are experiencing extreme loneliness. The customer sits alone drinking his glasses of brandy slowly, and very carefully, peacefully becoming drunk. While he is meticulously drinking his alcohol, the two waiters talk about him. They discuss his suicide attempt of the week past. The younger waiter doesn't seem to understand why a man with money would try to end his life. Although the older waiter seems to have an insight into the customer's reason, he doesn't share this with the younger one. He seems to know why this deaf old man is so depressed, and sits there alone and silent. When the younger waiter rushes the customer, the older waiter objects. He knows what it is like to go home to emptiness at night, while the younger man goes home to his wife. The older waiter remarks on the differences between him and his younger companion when he says, "I have never had confidence and I am not young.&qu...
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
In ?Hills Like White Elephants? Hemingway utilizes the waitress as a method to help develop the character of the lead male. His interaction at the beginning of the story with the waitress in her native language show his intellectual superiority which is also emphasized in the following line, ?The girl looked at the bead curtain. 'They've painted something on it,' she said. 'What does it say?'? (Hemingway). This setup is a crucial transition from the blank slate we start at with both characters. The story of course unfolds following what the interaction with the waitress and bar setting created for us. One in which the lead male character is dominant, controlling and a person who provides information and answers not available to the female character. Additionally the male characters treatment of the female waitress creates the building blocks for our understanding of how he interacts with females. He never mentions please or thank you
We notice, right from the beginning of his life, that Ernest Hemingway was confronted to two opposite ways of thinking, the Manly way, and the Woman way. This will be an important point in his writing and in his personal life, he will show a great interest in this opposition of thinking. In this short story, Hemingway uses simple words, which turn out to become a complex analysis of the male and female minds. With this style of writing, he will show us how different the two sexes’ minds work, by confronting them to each other in a way that we can easily capture their different ways of working. The scene in which the characters are set in is simple, and by the use of the simplicity of the words and of the setting, he is able to put us in-front of this dilemma, he will put us in front of a situation, and we will see it in both sexes point of view, which will lead us to the fundamental question, why are our minds so different?
Hemingway has created a situation where she is forced to depend on him because she is a young, immature, girl in an adult situation. It is when the American tells jig that “we will be fine afterward. Just like we were before, it is the only thing that bothers us. It’s the only thing that’s made us unhappy” that she realizes nothing will ever be the same no matter what he says. During one discussion she says “we could have everything” the man agrees, then she says “no we can’t it isn’t ours anymore and once they take it away, you can never get it back.” He says “But they haven’t taken it away” and her response is “we’ll wait and see.” The American doesn’t realize that at this point she has discovered that if he cannot love her and be happy while she is pregnant how he will ever truly love her as much as she loves him. According to Robert Barron many critics believe that the couple’s relationship has a bleak and ultimately poor ending (Barron). The older waiter in “A clean, Well-Lighted Place” is dealing with a similar situation when a wealthy old man who is a regular at the café he works at comes in after a failed suicide
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
..., Well-Lighted Place”, represent the opinions and views of one typical person, in one ordinary life. The theme of a world of nothingness is overwhelming to the human brain, and almost inconceivable, and everything we do in this life is simply designed to help us take our mind off of death; suicide is the ultimate escape from “despair” over “nothing” (494). Hemingway’s brilliant transitions in time explain how life eventually grows worse with age, and humans will succumb to suicide, drunkenness, or something comforting and safe, much like a clean, well-lighted cafe. Further, Hemingway has shown the world that man has created many bogus ways to cope with the insurmountable fear of nothingness, namely religion. People can try to kid their selves into feeling soulful, genuine, or meaningful, but there is no need to “fear for [the human] soul”, as it is non-existent.
appeared in a collection of short stories titled, Winner Take Nothing. Soon after the collection of stories had been published in 1933, “A Clean Well-Lighted Place quickly became one of Hemingway's most eulogized short stories. Through his excellent use of character development, Hemingway provides the reader with a lively portrayal of theme, plot, and symbolism throughout the entire piece.
The young waiter seems selfish and inconsiderate of anyone else. In the beginning of the story, he's confused why the old man tried to kill himself. "He has plenty of money," he says, as if that's the only thing anyone needs for happiness. When the old man orders another drink, the younger waiter warns him that he'll get drunk, as if to waver his own responsibility rather than to warn the old man for his sake.
Hemingway’s novel The Sun Also Rises has his male characters struggling with what it means to be a man in the post-war world. With this struggle one the major themes in the novel emits, masculine identity. Many of these “Lost Generation” men returned from that war in dissatisfaction with their life, the main characters of Hemingway’s novel are found among them. His main characters find themselves drifting, roaming around France and Spain, at a loss for something meaningful in their lives. The characters relate to each other in completely shallow ways, often ambiguously saying one thing, while meaning another. The Sun Also Rises first person narration offers few clues to the real meaning of his characters’ interactions with each other. The reader must instead collect evidence from the indirect hints that Hemingway gives through his narrator, Jake Barnes. The theme of masculinity, though prevalent in the novel, is masked in this way. Jake war wound, Jake and Robert Cohn’s relationship, and the bull-fighting scene show the theme of masculinity.
Moderation is fully evident in Hemingway’s characters. Santiago, the protagonist of The Old Man and the Sea, firmly balances two contrasting qualities - his humility and pride. Santiago reveals his humble nature when Manolin asserts that he is the best fisherman to which Santiago replies “No. I know others better.” (The Old Man and the Sea 23). Meanwhile Santiago’s attempt to capture the fish and prove that he is a capable man despite his old age signifies that he retains a certain level of pride for his masculinity. Humility is the antithesis of pride, yet, the old man has the ability to retain both through moderation. Emotions are not the only characteristics to be moderated; actions as well as speech must be balanced. In “Indian Camp”, the father explains a mature topic –the act of givin...
Hemingway uses simplicity language to convey the strength of emotions in his novel. “The old man had taught the boy to fish and the boy loved him,” (10) Manolin is the devoted pupil of Santiago.Hehas learned the art of fishing from Santigo. He has been with him since the afe of five. The boy is fully attached to Santigo. He loves the old fisherman sincerely and selflessly. Not only the disciple-teacher relationship exists, but the sone-father relation between them. “There are many good fisherman and sam great ones. But there is only you.” (23) In this dialogue, it is shows how much the old man means to Manolin and proves he respects
Santiago went through many turmoil’s in his life and his story is one of wisdom in defeat from the lengthy time of which he could not catch anything to that of his loss of the marlin to the sharks after such a lengthy battle to catch it then attempt to bring it back to shore. Now I could go on and on like any other paper about all the symbolism in The Old Man and the Sea but no matter what I did while reading it, in almost every aspect it screamed out to me as an impersonation or reflection of Hemingway’s own life in a multitude of ways that no one can deny. The Old Man and the Sea was an allegory referring to the Hemingway’s own struggles to preserve his writing i...