For centuries, authors have been writing stories about man's journey of self-discovery. Spanning almost three-thousand years, the Epic of Gilgamesh, Homer's Odyssey, and Dante's Inferno are three stories where a journey of self-discovery is central to the plot. The main characters, Gilgamesh, Telemachus, and Dante, respectively, find themselves making a journey that ultimately changes them for the better. The journeys may not be exactly the same, but they do share a common chain of events. Character deficiencies and external events force these three characters to embark on a journey that may be physical, metaphorical, or both. As their journeys progress, each man is forced to overcome certain obstacles and hardships. At the end …show more content…
They must each overcome obstacles and face hardships. For instance, Gilgamesh has already been wandering in the wilderness for some time and has "struck [the lions], scattered, [and killed them]" (Epic of Gilgamesh.IX.18). He then comes to a mountain passage guarded by scorpion monsters. This passage is part of the path the sun takes as it rises and sets. Gilgamesh explains his goal of finding Utanapishtim and manages to convince the monsters to allow him into the passage despite the male monster's assertion that no one can make it through the tunnel before the sun enters on its way through (IX.57-71). Gilgamesh has twelve hours to race through the tunnel in absolute darkness. He is successful, coming out of the tunnel to find himself at a seaside and that "bright light still reigned" (IX.114). Sometimes, the character's hardships are of their own making. Upon reaching the shore, Gilgamesh destroys the "Stone Charms," which are necessary for crossing the sea to reach the home of Utanapishtim (IX.188-95). Gilgamesh has to cut one-hundred and twenty poles to push the boat with, for each one can only be used once in order to avoid touching the "waters of death" (IX.196-217). Against all odds, Gilgamesh makes it to the other side of the sea and meets Utanapishtim. Twice Gilgamesh is given the opportunity to gain eternal life, and twice he fails. Utanapishtim challenges Gilgamesh to stay awake for "six days and seven nights," but Gilgamesh falls asleep almost immediately (XI.210-17). Out of pity, Utanapishtim tells Gilgamesh about a plant that has rejuvenating powers. Gilgamesh obtains the plant and sets out for home, but on the way, he loses it due to his own inattention
Every hero goes through multiple stages accompanying many obstacles on his or her journey. Although the journeys may differ in detail, structurally, they resemble a sound format. Along the designed adventures, the heroes come into contact with characters that possess fixed personalities or “archetypes.” The stages and archetypes of stories are somewhat predictable, but may take shape in peculiar forms. Both exemplifying heroic characteristics, Sir Gawain from Sir Gawain and the Green Knight by J.R.R. Tolkien and Thomas Becket from Murder in the Cathedral by T.S. Eliot structurally go on the same archetypical journey, but diverge in the lessons they learn and where the characters start and end in their journeys.
In the Hero’s journey, The Odyssey, the main protagonist, Odysseus, changes in a way which helps him gain self-knowledge. Odysseus ' experiences transformed his personality from how he was in the beginning to the end, by leading him through a heroic journey, also known as a quest. The real reason for a quest never involves the stated reason, and this is no different with Odysseus. As the story developed, many of Odysseus’ sides were exposed through the challenges he faced. Out of the countless dangers and obstacles every step back home, him and his crew have only acquired minimal character changes. Even though they are minimal, they are those which take many decades to achieve.
In “ The Odyssey ” by homer Odysseus goes on a journey to get home after twenty years the trojan war. The “ Hero’s Journey “ by Joseph Campbell represents the journey the hero's take on their journey as a hole in the story. The main parts of most stories include twelve parts to the hero's journey and some additional points.. The three parts of the hero's journey supernatural aid, test and supreme ordeal , and reward and journey home. These are some of the most important parts of the odyssey.
After years of being told various stories in your lifetime you’ll start to see a pattern. Stories will repeat or be similar to others, known as archetypes. Joseph Campbell is the creator of monomyth also known for his work in comparative mythology and comparative religion. The Hero’s Adventures by Campbell focuses on the monomyth or hero’s journey. In the hero’s journey, the hero needs to be an antagonistic to its ego then reconcile the problems through the psychological transformation. Campbell describes the monomyth as an idea of a cycle that consists of departure, initiation, and return. The cycle will lead to the death of one’s old self because one will go through the psychological transformation and leave their old life to become a “richer
Romance narrative is a type of writing that usually features a hero and his journey or quest. The hero reaches a transcendent goal through tests or trials. The narrative is often represented as a circle because the story begins with the hero’s goal. It then continues with the hero’s journey through the difficulties that he must overcome to achieve that goal and finishes with the initial goal accomplished. It’s a popular format because it externalizes the internal struggles that people face in their own lives in overcoming problems and especially in defining themselves as they transform from childhood to adulthood. The narrative follows a pattern of initial innocence, acceptance of duties and trials, then failure and despair. The failure is
Gilgamesh, feeling the fear of his own mortality, sets out on a journey to search for a way to preserve himself. Although the journey that he endures is much larger than life, Gilgamesh comes to realize that he can never achieve immortality. Before the creation of Enkidu, Gilgamesh is a man without an equal match. He is an individual with overwhelming power, and it is because of this that makes Gilgamesh a very arrogant person.
Historically journeys were seen as the physical movement of a group of people migrating from one place to another. Additionally, journeys were usually only found throughout the history of civilization and religion. Despite this, journeys come in all aspects and are found in a variety of mediums. Specifically, two journeys that are found in the literary works of The Epic of Gilgamesh and Monkey: A Journey to the West are physical and intellectual. These two stories exemplify what a journey consists of by construction the plots around each protagonist participating in both journeys.
The Hero’s Journey is a basic template utilized by writers everywhere. Joseph Campbell, an American scholar, analyzed an abundance of myths and literature and decided that almost all of them followed a template that has around twelve steps. He would call these steps the Hero’s Journey. The steps to the Hero’s Journey are a hero is born into ordinary circumstances, call to adventure/action, refusal of call, a push to go on the journey, aid by mentor, a crossing of the threshold, the hero is tested, defeat of a villain, possible prize, hero goes home. The Hero’s Journey is more or less the same journey every time. It is a circular pattern used in stories or myths.
He, however, ruled with a tyrannical behavior in ways such as sending young men to fight in senseless wars, fulfilling his sexual satisfaction with young brides on their wedding night, and treating his people as if they were beneath him as human beings. Upon wrestling and defeating Enkidu in a battle, the two became extremely close as friends. Their friendship influenced and shaped Gilgamesh’s perception of the world, especially upon the death of Enkidu. Once his close friend passed away, Gilgamesh became more self-aware of his own mortality and sought for the answers of gaining immortality. Although this may seem like a selfish act of his part, Gilgamesh underwent a major character transformation during his journey in the underworld. Upon meeting and hearing the story of how Utnapishtim was granted immortality by the gods, Gilgamesh accepts the challenge put forth by Utnapishtim to stay awake for six days and seven nights. After failing the challenge, Utnapishtim was persuaded by his wife to provide Gilgamesh with a consolation prize due to his extensive journey to the underworld. He informed Gilgamesh of the existence of a magic plant at
The Beowulf and Dante 's Inferno are both epic poems which are still widely read, and in both works, the protagonist experiences a journey. In most ways, however, these two poems and these two journeys are nothing alike. These to text are based on a hero’s journey but they have a couple of things that aren’t the same. A hero’s journey describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization. Both Poems are very alike but there is things in their journey that set them apart.
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
Myths have been a great example of the hero’s journey. Many heroes have journeys and trials to face throughout their life. Most of their journeys start out with their origin and end with the return. However, the hero’s role remains identical to every other hero. Most heroes like Gilgamesh has heroic traits because of the stages in the hero's journey. Gilgamesh is a man who can turn into a hero by changing himself, even when he has unusual circumstances surrounding his birth. Gilgamesh is viewed as a hero due to the stages of the hero's journey.
After the death of Enkidu, Gilgamesh tries to find immortality by trying to cross the ocean to find it.
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.
... Gilgamesh is unable to go back to get another plant because he lost both the boat and his tools. Gilgamesh has the hope that this plant will free him from his burden of the idea of death; he says “I myself will eat it and so return to my carefree youth” (80). After the snake took the plant away Gilgamesh began to weep “Thereupon Gilgamesh sat down weeping, His tears flowed down his face” (81) showing that Gilgamesh is saddened by his reality. At this point Gilgamesh tells Ur-Shanabi “I have come much too far to go back, and I abandoned the boat on the shore” (81).