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The cult of domesticity and the cult of true womanhood
Effects of african slavery in america
Effects of african slavery in america
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The aim of this essay is to examine Harriet Jacob’s struggle to live up to the values encouraged by the Cult of Domesticity. This essay will advance the premise that this ideology of true womanhood fails to apply to nineteenth-century antebellum slave women of America, and was an impossible standard for them to attain due to the burden of slavery. It will do so through a threefold perspective: sexual purity, marriage, and motherhood. Loss and pain endured by the black antebellum family. By exploring these texts that record Jacob’s journey as a wife and daughter, it finds that the slave woman found America’s template for true womanhood as inadequate to express the realities of her
In Harriet Jacobs’ autobiography, Incidents in the Life of a Slave Girl, personal accounts that detail the ins-and-outs of the system of slavery show readers truly how monstrous and oppressive slavery is. Families are torn apart, lives are ruined, and slaves are tortured both physically and mentally. The white slaveholders of the South manipulate and take advantage of their slaves at every possible occasion. Nothing is left untouched by the gnarled claws of slavery: even God and religion become tainted. As Jacobs’ account reveals, whites control the religious institutions of the South, and in doing so, forge religion as a tool used to perpetuate slavery, the very system it ought to condemn. The irony exposed in Jacobs’ writings serves to show
Men and Women’s treatment has been different as long as the two have been around to notice the difference. Even in the realm of slavery women and men were not treated the same although both were treated in horrible ways. Harriet Jacobs and Fredrick Douglass’ story is very similar both were born into slavery and later rose above the oppression to become molders of minds. In time of subjugation to African Americans these two writers rose up and did great things especially with their writing. Both Douglass and Jacobs’ experienced different types of slavery, it shaped their perspective on everything and it also shows the importance of their freedom.
It is well known that slavery was a horrible event in the history of the United States. However, what isn't as well known is the actual severity of slavery. The experiences of slave women presented by Angela Davis and the theories of black women presented by Patricia Hill Collins are evident in the life of Harriet Jacobs and show the severity of slavery for black women.
Harriet Jacobs was born in 1813 into a slave family. Her father, a carpenter, was highly skilled in his trade. For the first few years of her life, Jacobs lived a happy, normal childhood. She was fortunate enough to live in the same household as her parents and her younger brother, William. When she turned six, her mother passed away, leaving her under the care of her grandmother. In her narrative, Incidents in the Life of a Slave Girl, Harriet describes her life as a southern slave, calling herself Linda. She discusses the abuse she endured during servitude and how she managed to overcome it.
Jacobs, Harriet. Incidents In The Life Of A Slave Girl. 2nd Edition. Edited by Pine T. Joslyn. Mineola, New York: Dover Publications, INC., 2001.
The debate raging in the years 1836-1837 over women's proper duties and roles in regards to abolitionism was publicly shaped primarily by two opposing forces: on the one hand, sisters Angelina and Sarah Grimke, abolitionists and champions of women's rights; and on the other, Catharine Beecher, who opposed suffrage and women's involvement in abolitionism and argued in favor of woman's place in the home. After the printing of Angelina Grimké's pamphlet Appeal to the Christian Women of the Southern States (1836), Grimké and Catharine Beecher engaged in a written debate over woman's public role in regards to the slavery issue. Beecher responded to Grimké's assertions that Southern women should actively protest the system of slavery in her Essay on Slavery and Abolitionism (1837), in which she claimed that women, true to their naturally subordinate natures, were not fit to interfere in such matters. In light of these facts, it is surprising to note that Harriet Beecher Stowe was Catherine Beecher's sister. How could the author of Uncle Tom's Cabin be related to the same woman who wrote Essay on Slavery and Abolitionism-- an anti-abolitionist document which pleaded with women to keep their thoughts on slavery to themselves? In Uncle Tom's Cabin, Stowe not only frames both sides of the debate, but also actively incorporates it into her female characters and into her narrative voice, fictitiously dramatizing the issues with which Grimké and Beecher were concerned fifteen years earlier.
Harriet Jacobs and Fredrick Douglass are both very incredible and powerful writers who narrated their enslavement encounters in a passionate and compelling manner. Jacob’s narrative describes the abuses she had to go through personally especially because of her gender. She describes how the women slaves were exploited not only for their productive capabilities but reproductive ones as well. This is why she remarked, “Slavery is terrible for men but is far more terrible for women”. This is a clear indication that in addition to being enslaved, Jacob’s had to overcome the hurdle of being a female as well.
Whereas it may at first be overlooked, the description of different types of kitchens in Uncle Tom’s Cabin is in fact a recurring theme in the novel and not to be trivialized. On the contrary, Harriet Beecher Stowe uses the image of the kitchen to encompass one of the most pertinent aspects of her argument against slavery: that of the importance of the home and domestic life in the fight against oppression and injustice. An indoctrinated member of the infamous “Cult of True Womanhood,” an unofficial sisterhood designed to combat women’s lack of physical and political power by encouraging them to develop the power of influence, Stowe uses representations of the ideology of this alliance – whose central tenets are piety, purity, submissiveness, and domesticity – as weapons in her narrative battle against slavery’s evils. She aims these weapons straight at the heart of female readers belonging to the same sisterhood, especially mothers; and with what territory should her feminine readership be more closely acquainted...
In a chapter of her book Sensational Designs: The Cultural Work of American Fiction 1790-1860 dedicated exclusively to Harriet Beecher Stowe's best-selling sentimental novel Uncle Tom's Cabin, Jane Tompkins argues against the prevailing critical opinion that Stowe's novel is an unsophisticated, abortive attempt to write meaningfully about the "peculiar institution" which divided American culture in the mid-nineteenth century. Tompkins suggests that the novel's popularity, long considered a reason for "suspicion bordering on disgust, is [actually] a reason for paying close attention" to it (Tompkins 124). Tompkins makes a good point; perhaps Uncle Tom's Cabin makes sense outside of the bounds of the conventional critical approaches which can only view Stowe's novel as an example of "cultural deformation." In this essay, I want to discuss the ways in which Stowe's protagonist Tom manipulates and exemplifies the theory of feminine "influence" (as discussed in Ann Douglas' analysis of nineteenth century women's writings) which moderate white women advocated as means for reforming (and eventually subverting) the prevailing patriarchal social system in response to the Industrial Revolution; far from deforming its culture, Uncle Tom's Cabin actually reflects the rhetoric which the women of the nineteenth century used to redefine their position in a new, industrialist economy.
Slavery is a term that can create a whirlwind of emotions for everyone. During the hardships faced by the African Americans, hundreds of accounts were documented. Harriet Jacobs, Charles Ball and Kate Drumgoold each shared their perspectives of being caught up in the world of slavery. There were reoccurring themes throughout the books as well as varying angles that each author either left out or never experienced. Taking two women’s views as well as a man’s, we can begin to delve deeper into what their everyday lives would have been like. Charles Ball’s Fifty Years in Chains and Harriet Jacobs Incidents in the Life of a Slave Girl were both published in the early 1860’s while Kate Drumgoold’s A Slave Girl’s Story came almost forty years later
Analyzing the narrative of Harriet Jacobs in the context of the writings of W.E.B. Du bois serves to demonstrate how slavery prompted the weary and self-denigrating attitudes of Negro Americans during the subsequent Reconstruction period. However, it is important to note that Harriet Jacobs does not embody the concept of double-consciousness because slavery effectively stripped away her sexuality and femininity, therefore reducing her to one identity--that of a
Motherhood, in its simplest definition is the state of being a mother; however, it isn't as clear cut and emotionless as the definition implies. Motherhood holds a different meaning for everyone. For some it is a positive experience, for others it's negative. Different situations change motherhood and the family unit. Slavery is an institution that twists those ideas into something hardly recognizable. The Master and the Mistress are parental figures. Slaves never became adults; they are called boy or girl no matter what their age. They are forced into a situation where biological parents have no say over their children. The slave owners control the slaves' lives and destroy the traditional idea of motherhood and family. Harriet Jacobs' Incidents in the Life of a Slave Girl deals with the issues of being a woman in slavery. The mothers throughout the narrative are powerless in keeping their children from harm. They watch as their children are hurt or sold and can't do anything about it. The mothers use everything in their power to protect their children and succeed in their motherly duty.
In conclusion, women were considered property and slave holders treated them as they pleased. We come to understand that there was no law that gave protection to female slaves. Harriet Jacob’s narrative shows the true face of how slaveholders treated young female slave. The female slaves were sexually exploited which damaged them physically and psychologically. Furthermore it details how the slave holder violated the most sacred commandment of nature by corrupting the self respect and virtue of the female slave. Harriet Jacob writes this narrative not to ask for pity or to be sympathized but rather to show the white people to be aware of how female slaves constantly faced sexual exploitation which damaged their body and soul.
In Harriet Jacobs Incidents in the Life of a Slave Girl, the author subjects the reader to a dystopian slave narrative based on a true story of a woman’s struggle for self-identity, self-preservation and freedom. This non-fictional personal account chronicles the journey of Harriet Jacobs (1813-1897) life of servitude and degradation in the state of North Carolina to the shackle-free promise land of liberty in the North. The reoccurring theme throughout that I strive to exploit is how the women’s sphere, known as the Cult of True Womanhood (Domesticity), is a corrupt concept that is full of white bias and privilege that has been compromised by the harsh oppression of slavery’s racial barrier. Women and the female race are falling for man’s
Over the past twenty years, sociology has gone through a process of self-evaluation, as field researchers and observers express a wariness about the empty universalism of speculative systems and look for ways in which to secure empirical foundations that give way to meaningful application in a pluralistic, postmodern world. The survival of sociology as a critical theoretical discipline is a concern expressed by many, such as contemporary social analyst George Ritzer, who are forging new paths of application that represent a paradigm shift in this classical social legacy.