Figurative Language: Anaphora

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Throughout history, poets had experimented with different forms of figurative language. Figurative language allows a poet to express his or her meaning within a poem. The beauty of using the various forms of figurative language is the ability to convey deep meaning in a condensed fashion. There are many different figures of speech that a poet can use such as: simile, paradox, metaphor, alliteration, and anaphora. These examples only represent a fraction of the different forms, but are amongst the most well-known. The use of anaphora in a poem, by a poet, is one of the best ways to apply weight or emphasis on a particular segment. Not only does an anaphora place emphasis, but it can also aid in setting the tone, or over all “feel” a reader receives from a poem. Poets such as Walt Whitman, Conrad Aiken, and Frances Osgood provide poems that show how the use of anaphora can effect unity, feeling, and structure of a poem. The term “anaphora”, by definition, is the repetition of the same word or phrase throughout a work or section of work (Longman 1435.) The anaphora can aid in the overall repetition or rhythm of a poem. It is evident that the repetition or rhythm of a poem effects the emotions of the reader. Since an underlying goal of poetry is to convey a message in a small amount of words, rhythm adds to the intangible volume of the poem. It is amazing the amount of meaning that a talented poet can compact inside of a single line or stanza in a poem. The use of anaphora is also popular in many religions. Various scriptures and holy texts contain lines of repetition and utilize the use of anaphora. There are also different mantras, or rhythmic chants, used by spiritual practitioners worship, or even reach a heighten... ... middle of paper ... ...is used for the unity of the workers. In Aiken’s “All Lovely Things,” the anaphora is used in setting the tone. In Osgood’s poem “Call me pet names,” the anaphora is used to aid in the structure. The use of anaphora as shown can be used for many different purposes. All of which are very important to the enjoyment and fluidity for the reader. Works Cited Drury, John. The Poetry Dictionary. Cincinnati, Ohio: Story Press, 1995. 21-24. Osgood, Frances. “Call me pet names.” The Poetry of American Women. Emily Watts. University of Texas: Austin, Texas. 1977. 106-107. Roberts, Edgar and Zweig, Robert. Literature: An Introduction to Reading and Writing. Ed. 5th Compact ed. New York: Pearson Longman, 2012. 583-590. Whitman, Walt. “I Hear America Singing.” Anthology of American Poetry. George Gesner. Avenel Books, New York. 1983. 262-263. Print

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