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How are women portrayed in mass media
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How are women portrayed in mass media
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This piece is to go against what a typical outsider views an asian women and women in general. The piece is created using sharpie and graphite and it’s to challenge the norm of what a women typically does, which is the expectation to be a housewife and take care of everything to do with the house. In piece, the figure is simply relaxed on the chair, reading her daily newspaper, smoking and the alcohol on the floor is to indicate her freedom and how she does not give a single fuck about anything.
The central focus on the table, in the painting, is what it appears to look like a book of Sor Juana. Sor Juana Inés de la Cruz, is a huge Mexican, feminist icon. During the seventeenth century, while the Spanish still occupied mexican territory, The catholic church had a significant amount of power. Sor Juana challenged the church by being a controversial figure at the time by her being a well-educated woman, nun, and poet/writer, during a time where men were
The Blind Side is a heartwarming and compelling story of the NFL player Michael Oher, who is adopted into a family that is a significantly higher social class than he. The story is a true account of a boy that went from rags to riches and depicts eloquently the social stratification in the United States.
The top piece gives a more somber feeling, with the black face staring blankly forward, showing no emotion. The portion of Ntozake Shange’s poem, no more love poems #3, lady in blue, for which the piece was painted, states “we deal wit emotion too much/ so why don’t we go on ahead, & be white then/”. This blank, emotionless stare shows the expectations for black women to be stoic, whereas it is acceptable for white women to display emotion without being labeled as overreacting or crazy. The ropes, tied around the woman’s waist, signify the restrictions this places on black women; at the bottom of the piece, the ropes appear to be loosening slightly, representing women breaking free of these constraints placed on them by
How do you label someone as an outsider? Some might say that an outsider is when a person encounters an external conflict, such as not meeting worldly standards or some who face internal conflicts by feeling like they don’t fit in or belong. The argument on whether the experience of being an outsider in universal is a very controversial topic. Some may state that outsiders are not a universal experience, and others may strongly disagree. In the stories we learned; “Sonnet, With Bird”, a poem by Sherman Alexie, “The Revenge of the Geeks”, an argumentative essay by Alexandra Robbins, and “The Doll House”, a short story by Katherine Mansfield are all stories that portrayed examples of being an outsider. In other words, the experience of being
Asia and Asian peoples have typically been portrayed by western culture to fit certain perceptions. Stereotypes and pre-ordained ideas about Geisha have been created due to many reasons. These reasons are misrepresentation in Hollywood and film, a culturally western gender-based male language as the dominator of language, a lack of esthetic-cultural appreciation and understanding from foreign males who encountered geisha, and finally the confusion between the geisha and prostitute districts and what curtails as a true geisha. Orientalism, which is a western style for dominating, restructuring, and having authority over the Orient, by placing limitations on it and defining it as the “Other” (Said, 3, 1979), has influenced the creation and strengthening of the submissive, exotic, and decadent geisha. Unfortunately these romanticized images continue to persist and are used to give false understandings of the geisha.
Living with their traditional Chinese culture in American society, these eight Chinese-American women suffer the problems of cultural conflicts in compliance with their gender. Asian women were looked at as being "positive, subservient, compliant, quiet, delicate, exotic, romantic and easy to please" (Mulan). They are nicknamed "China dolls" or " lotus blossoms", which are sexually loaded stereotypes of Asian women. These stereotypes discriminate against women by degrading their worth as people. By men taking advantage of their obedience and submissiveness they are showing that these women are not valued and that they have no voice. Judith Butler responds to these roles by saying, "Gender is an act, a performance, a set of manipulated codes and costumes rather than a core aspect of essential identity". By the middle of this century, Chinese women had been playing this manipulative, subservient role for m...
In the novel Life of a Sensuous Woman, Ihara Saikaku depicts the journey of a woman who, due to voraciously indulging in the ever-seeking pleasure of the Ukiyo lifestyle, finds herself in an inexorable decline in social status and life fulfillment. Saikaku, utilizing characters, plot, and water imagery, transforms Life of a Sensuous Woman into a satirically critical commentary of the Ukiyo lifestyle: proposing that it creates a superficial, unequal, and hypocritical society.
In the short story "Waiting for Mr. Kim," the main female character Gracie understands what it means to be an Asian female, but she does question the meaning because of her sisters. Her sisters ran away from home and eloped before their marriage could be arranged. This is totally against Asian culture, and it causes Gracie to question her heritage and her Asian femininity.
Albert Camus states that “In our society any man who doesn’t cry at his mother’s funeral is liable to be condemned to death” (Camus, 18). In the book The Outsider, Meursault defies local convention by not showing the sadness that is expected of him at his mother’s funeral. Ultimately, his life is dependant on this very decision of whether or not to show emotion. In the society that Meursault lives in, one is expected to conform to their standards and social norms. Anyone who deviates from these norms is considered an outcast and destined to die at the hands of society. Meursault was expected to show outwards signs of grief whether it was real or not. Even if the grief is artificial, most people will play to the audience and show signs of grief to minimize the risk of losing their life. Meursault’s was conflicted between following society’s rules and being true to himself. The nurse at his mother's funeral warned him that “if yougo slowly, you risk getting sun-stroke. But if you go too fast, you perspire and then in the church you catch a chill. She was right. There was no way out” (Camus, 22). The nurse’s admonition is consistent with his internal struggle. To Meursault, walking too fast is similar to conforming to society and walking too slow means following his own path. There is no middle ground to the situation, no happy median and no suitable compromise. Meursault faces the challenge of whether or not to conform on three main levels; physical, emotional and spiritual. He has the constant battle between following his physical self; his id, and doing what is right. Meursault also has to decide whether or not to be true to his emotions and decide if lying during his trial is a suitable course of action. Finally h...
Identity is a substantial component of a person, it’s something that determines who they are and help establish themselves with people who you find enjoyable and shares similar interests. It could bring people together, and provide a sense of belonging and unity. However, there are times where these people who are within certain cliques are perceived more negatively or believe that all people within that group perpetually have a certain set of traits. In most cases, these negative perceptions lead to discrimination and conflict, and obscures the positive and more genuine traits of an individual. In S.E. Hinton’s book, The Outsiders, there is a group of poor and lower-middle class teens who are labeled as greasers. This group of wild teenagers
Aldous Huxley uses the viewpoint of an outsider, or Savage, to give the reader different perspectives of his dystopian world in Brave New World. After traveling to the World State from the reservation, John (the savage) disagrees with the lack of intimacy, the lack of morality, and the lack of free will that he witnesses there, which shows the reader a very different side of the World State. These imperfections, along with many other factors, cause John to plunge into insanity and eventually commit suicide.
When analyzing the story we come to find that the wallpaper itself is one major symbol that has a tremendous effect on the main character. During this time around the 19th century, women are looked at a certain way causing them to all be equal in the eyes of others. They are perceived as being uncertain of their lives, messed up or unstable, and incapable of completing the jobs of men. While the wallpaper cannot be specified one specific way, it is described as having many angles, curves and patterns that interfere with one another; just as a woman’s emotions cannot be categorized. ( ).
The opening of the poem the woman is explaining why painting her nails red is sophisticated “Because a bit of colour is a public service”(1). In line two Satyamurti calls attention to the role of women in the society and in the family- that while they are not being paid for work they do everyday of their lives, it should not be neglected. She acknowledges by “Because I am proud of my hands”, she is explaining that women ar...
My worldview has been shaped and is continuously being shaped by a variety factors. The two greatest of these factors are probably my family and my educational experience. In approaching policy issues, my worldview guides my value system and subsequently, my decision making process. My worldview can be articulated in my approach to the problem of robots and artificial intelligence (AI) potentially disrupting the labor market in the US and my response to a proposed solution to the issue presented in a recent New York Times Editorial.
With it's powerful emphasis on diverse textures, shapes, use of natural materials and emotional significance to it's creator(s) and viewers, The Dinner Party is art that epitomizes the conjunction of feminists ideals and historical