Have you ever read a book where you have a hard time keeping track of characters and events and the order of the book? Well than you must have come across this gothic novel called “Wuthering Heights” by Emily Bronte. She combines more than one element of a gothic novel and that is craziness, obsession and villain heroes. The novel is formed around the two similar love stories of Catherine Earnshaw and Heathcliff and the young Catherine Linton and Hareton Earnshaw. The motif of this book is full of doubles and repetitions; it has two protagonists as mentions earlier, Catherine and Heathcliff, two narrators, Mr. Lockwood and Nelly, and two houses, Wuthering Heights and Thrushcross Grange. In spite of all this, Emily Bronte wasn’t just torturing us for no reason but the cycles in violence and the repeating or scrambling the characters names even in intermarriages tells us that it is trapped in something overpowering and unresolved. Assume the chaos of doubling and repetition, their symptoms are increasing on an unresolved issue that drives this entire story around for the sake of Catherin and Heathcliff unresolved passion. Catherine and Heathcliff share a love so deep that the two souls seem to have intertwined into one. In result Bronte deliberately arranges the characters, and the place into pairs. She shows the particular difference on the double to demonstrate both the imaginary ideal and the tragic reality of relationships that are surrounded by the restraints of class, and society. The craziness, obsessive and the passion love between Heathcliff and Catherine leads to the idea of them being doubles of one another and the idea of them being two parts of a spiritual twin. When Catherine tells Nelly Dean about her dream that she... ... middle of paper ... ...al code; the here of at the earth and the there of the after-place (death); the inside of love and the outside of hate; the inside of being together and the outside of being apart. And finally it has two generations, the first destroyed in sadness and the second raised up in joy. And toward the end it has two endings; Heathcliff and Cathy walk the moors in death. And Hareton and Cathy return to the Grange to renew the Earnshaw family. To conclude, what one has learnt about doubles and repetition is that if Emily Bronte did not have doubles and repetition than maybe this story would have been a happy ending for many people rather than just Cathy and Harton. If Heathcliff didn’t have the same personality or characteristic from Catherine and was educated and calm than they both would have lived happily where Catherine didn’t need to marry Edgar from the first place.
Catherine first becomes exposed to the opposing forces as she experiments with her desires for love and a better quality of life. *6* Because she constantly shifts priorities from one man to the other, her love for Heathcliff and Edgar results in a destructive disequilibrium. *1*In the novel, Cathy is portrayed as a lady with untamable emotions. *7* In her childhood she learns to l...
Heathcliff's love for Catherine transcends the normal physical "true love" into spiritual love. He can withstand anything against him to be with her. After Hindley became the master of Wuthering Heights, he flogged Heathcliff like a slave. Although Heathcliff could have simply run away, his decision to endure the physical pains shows his unrelenting devotion to Catherine. Fortunately, Catherine feels as deeply for Heathcliff as he does for her, explaining to Nelly that "Whatever our souls are made of, his and mine are the same…" Their love for each other is so passionate that they can not possibly live apart. At Catherine's death, Heathcliff hopes that she will not rest, but will haunt him until he dies. This absurdity contradicts the traditional norm that one should pray that the dead rest in peace. Near the end of the novel, we learn that Catherine has haunted Heathcliff, allowing him only fleeting glances of her. This shows that despite their physical separation, nothing can part them spiritually. When Heathcliff dies and unites with Catherine once again, the neighbors see them haunt the moors. We finally see the power of their love; Not only does this love transcend physical barriers, it transcends time as well...
At a young age, she defies her father and brother “with bold saucy looks,” and “ready words.” Throughout her life, they were the ones who tried to control her to be what they want her to be. She becomes friends with Heathcliff and they go out and do things that they want. Her brother was “entirely negligent how they behaved.” Her brother did not approve that Catherine and Heathcliff spent a lot of time together; so he arranged for Katherine to marry Edgar. Katherine, even when she is married, goes out and pursues her freedom. Heathcliff returns after a few years and wants to see Katherine. Edgar disapproves and wants Heathcliff out. Edgar walked out the room and Katherine “slammed the door and locked it.” Katherine was upset that Edgar talked to Heathcliff in the way that he did and that he wasn’t as happy as she was when Heathcliff showed up. A few chapters’ later, Catherine and Heathcliff ran away together. By doing so, Katherine escaped the wicked demands from a man she did not love and freed herself from the submission of a male with a higher status. After Catherine dies, another female is put in her same position. Isabella, Edgar’s sister, arrives back with Heathcliff and wants to see her brother. He disowns her and her now husband, Heathcliff, is not the man she imagined he was. Heathcliff is more violent and that no dangerous animal can “not rouse terror” in her like Heathcliff. Edgar’s daughter, Catherine, is the third female to witness his demanding behavior. She wants to visit her cousin and he denies her of that. Like her mother, Catherine goes against Edgar by writing letters to her cousin, Linton. Linton falls ill, and begs Catherine to visits him. While she’s there, he states that Catherine harmed him, and that he’s worse because of it. She’s upset and thinks it’s her fault, and Linton uses that to his advantages.
Nelly uses imagery combined with allusion to earlier days in order to propound the true love Catherine experienced for Heathcliff before her death. In earlier days, Heathcliff and Catherine were described as inseparable, in true love with each other, however, over time, began to separate from each other. Nelly’s statement solidifies the true love Catherine felt right to her death; gripping me, for I know that Heathcliff’s rage is soon to come. This sudden realization drives Heathcliff mad, for she took her own life while in love with him, he wishes that “‘she wake in torment!’...with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion” (Bronte 205). This sudden hatred towards Catherine shocks me, however, Nelly’s short but concrete statement, ungovernable passion, expounds Heathcliff’s uncontrollable, boundaryless love for Catherine that now drives him mad; a beautiful
In the gothic novel Wuthering Heights by Emily Bronte, the author hides motifs within the story.The novel contains two major love stories;The wild love of Catherine, and Heathcliff juxtaposing the serene love of Cathy,and Hareton. Catherine’s and Heathcliff's love is the center of Emily Bronte’s novel ,which readers still to this day seem to remember.The characters passion, and obsession for each other seems to not have been enough ,since their love didn't get to thrive. Hareton and Cathy’s love is what got to develop. Hareton’s and Cathy’s love got to workout ,because both characters contained a characteristic that both characters from the first generation lacked: The ability to change .Bronte employs literary devices such as antithesis of ideas, and the motif of repetition to reveal the destructiveness of wild love versus a domestic love.
There is two stereotypical types of families, one where the children learn from their parents behavior and do the same as they grow up, and the other where they dislike – and do the opposite. In Emily Bronte’s Wuthering Heights, the characters are quite intricate and engaging. The story takes place in northern England in an isolated, rural area. The main characters of the novel reside in two opposing households: Thrushcross Grange and Wuthering Heights. Wuthering Heights is a story of a dynamic love between two people. This love transcends all boundaries, including that over life and death. The author takes parallelism to great extends. Much of the events that happen in the first half of the story correspond to events in the second half; first generation of characters is comparable to the second generation. Many may argue that the characters are duplicates of each other and that they share many traits. Although Catherine Earnshaw and Cathy Linton are mother and daughter, their personalities and lifestyles are very different. This is a great example where the child is and behaves quite different than her mother.
Emily Bronte’s Wuthering Heights is a novel about lives that cross paths and are intertwined with one another. Healthcliff, an orphan, is taken in by Mr. Earnshaw, the owner of Wuthering Heights. Mr. Earnshaw has two children named Catherine and Hindley. Jealousy between Hindley and Healthcliff was always a problem. Catherine loves Healthcliff, but Hindley hates the stranger for stealing his fathers affection away. Catherine meets Edgar Linton, a young gentleman who lives at Thrushcross Grange. Despite being in love with Healthcliff she marries Edgar elevating her social standing. The characters in this novel are commingled in their relationships with Wuthering Heights and Thrushcross Grange.
Her selfishness lies within the reality that she married Linton for the things he could have provided for her. Nothing parted Catherine and Heathcliff. Not God, nor Satan, it was Catherine herself – Catherine was the cause of her broken heart. Along with breaking her heart, she also broke Heathcliff’s, which led him to loathe and yearn for vengeance against what Heathcliff thought was the cause of Catherine’s death – her daughter.
...ctive. Catherine is pushed to death and Heathcliff to brutal revenge, bordering on the psychotic. Yet before Cathy’s death, the knowledge that the other loves them is strong enough to make Wuthering Heights such a classic love story, and “that old man by the kitchen fire affirming he has seen two of 'em looking out of his chamber window, on every rainy night since his death,” shows that as they walk together on the moors, their self destruction may have led them to death, but also to what they most desired-being together.
During the first half of the book, Catherine showed different types of love for two different people. Her love for Heathcliff was her everything, it was her identity to love and live for Heathcliff but as soon as she found out how society views Heathcliff, she sacrificed their love and married Edgar Linton in the hopes of saving Heathcliff from Hindley and protecting him from the eyes of society. In her conversation with Nelly, Cathy who professed her love for Heathcliff quoted “My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself.” Catherine proved Nelly Dean that the only person who can make her feel pain and sorrow is Heathcliff. The extent of her love was uncovered when she sang her praise of “I am Heathcliff” because this was the turning point in the book that allowed the readers to truly understand and see the depth of Cathy's love for Heathcliff. On the other hand, Catherine's love for Edgar wasn't natural because it was a love that she taught herself to feel. It might have come unknowingly to Cathy but she did love Edgar as she said “My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees.” Cathy knew that it was not impossible to love Edgar for he was a sweet and kind gentleman who showed her the world but unlike ...
It seems to be a simple love story of two suffering souls - Heathcliff and Catherine Earnshaw. But this love can hardly exist in reality - it's a fantasy of Emily Bronte, she created a sample of a real eternal passion - powerful and boundless. Only death seemed to be stronger than it. Though, after Cathy and Heathcliff are dead, these similar souls joined... There's no doubt in it.
In the novel “Wuthering Heights” by Emily Brontë, an obscure love triangle entangles three characters into a fatal web of jealousy, revenge and affliction. At the apex of this triangle is Catherine Linton Earnshaw. She struggles with the choice of either Heathcliff or Edgar. She is at war not only with these two men, but with herself. Constantly swinging between her innate, wild nature and her materialistic aspirations slowly corrodes Catherine’s delicate mind into insanity. Catherine copes with these conflicting emotions through projection, repression, sublimation and other defense mechanisms until they fail, leaving her in ruin.
Wuthering Heights, written by Emily Bronte, has 323 pages. The genre of Wuthering Heights is realistic fiction, and it is a romantic novel. The book is available in the school library, but it was bought at Barnes and Nobles. The author’s purpose of writing Wuthering Heights is to describe a twisted and dark romance story. Thus, the author conveys the theme of one of life’s absolute truths: love is pain. In addition, the mood of the book is melancholy and tumultuous. Lastly, the single most important incident of the book is when Heathcliff arrives to Edgar Linton’s residence in the Granges unannounced to see Catherine’s state of health. Heathcliff’s single visit overwhelmed Catherine to the point of death.
Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a destructive force, motivating him to enact revenge and wreak misery. The power of Heathcliff’s destructive love is conquered by the influence of another kind of love. Young Cathy’s love for Hareton is a redemptive force. It is her love that brings an end to the reign of Heathcliff.
Wuthering Heights is not just a love story, it is a window into the human soul, where one sees the loss, suffering, self discovery, and triumph of the characters in this novel. Both the Image of the Book by Robert McKibben, and Control of Sympathy in Wuthering Heights by John Hagan, strive to prove that neither Catherine nor Heathcliff are to blame for their wrong doings. Catherine and Heathcliff’s passionate nature, intolerable frustration, and overwhelming loss have ruined them, and thus stripped them of their humanities.