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Personal development essay example
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Her name was Lake, not the last name but the first. It didn't stand for anything except for itself. Her mother told her “that's where we found you, by the lake.” But she knew better now. She wasn't found at all. They made her by the lake in the way people did. The way you saw on TV. With soft moans and hard fingers and faces twisting in a pain that was really pleasure.
She was the youngest daughter, with fat cheeks and dark curls. Her oldest sister, Grace, had sleek pale hair parted in the middle. A natural part, she often said, unlike Lake's hair that decided each day which way it would lay. The middle sister was named Danice and she was the one that took Lake aside and explained all the lies Mother told her when she was five. You know, the usual ones about Santa Claus, The Tooth Fairy, Where Babies Came From, and How You Could Be Anything You Wanted When You Grew Up.
In the middle of the night, she went down to her namesake, as she often did, and watched the water repeat the stars. Letting the air that was moist and cozy in summer and stiff and crackled in winter drop around her like a blanket. It was quiet in the way small animals were, hidden within the enormity of it all, and only noticed because of the occasional falling leaf, snapping twig, or shiver of grass. When the moon shone, laying its white trail on the skin of the water, she wouldn't see it because the shadows were what moved in the silence, separated from the surrounding darkness by the light.
Here she wasn't told anything but all was understood. Here she grew larger, expanded, filling in the space until she couldn't take another breath. She gathered little sticks, puffs of moss and the weightless veins of dried leaves and made a fire out of them. Then the shad...
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...over her head while she rested there. She suddenly realized she was less sad than she had been before. An image surfaced from beneath her memory and Lake realized she knew this place.
She'd been a baby here and played under such a tree. It was here, where she belonged, that she'd been searching for this whole time. Popping her eyes open, she got to her feet and walked around the trunk. Yes, there it was. A hole in the back, right where she thought it would be. Digging in her bag, she pulled out the glass knob and fit in the metal post. It needed some adjustment, a wiggling, but finally was firmly stuck in place. She wiped her hands on her pants, then rubbed the palms together and turned the knob.
The door swung open and she entered the warm room of living wood. The antlered man sitting by the fireplace looked up from his book. “Hello Father,” she said. “I'm home.”
and as representations of True Women and the cult of domesticity, which were emphasized at the time for women. They are not portrayed as wanting or seeking freedom, but as existing through love and suffering. Cutter asks, if Mary could free George, why did she not free herself? Although Brown published three later versions of Clotel, he did not seriously change this characterization of the African-American women. Slave women such as Ellen Craft were known to have escaped slavery, but Brown did not
It shall be my endeavour in this research to explore the theme of Indian Postcolonial diaspora, the cultural dislocation and consequent alienation. The paper attempts to re-trace the multiple terrains of cultural and psychological struggle within for the expatriate, the nostalgia accompanied with the expatriate experience and the continuous conflict between past and the present. I also intend to analyse the series of crises the migrants experience in order to seek acceptance in new cultural denominations
Exploring shorelines, gazing at stars, gathering rocks, and listening to waves, they are solitary souls, but not lonely individuals: innocent, curious, and affable creatures. Elaine Risley in Cat's Eye. recall[s] idyllic days unfolded in a land of lakes, berries, and animals” which stands in stark contrast to the landscapes of her later life (275). The transformation of the Risley family’s lifestyle – abandoning a transient, rural life for a sedentary, suburban home – marks the beginning of Elaine’s
perception of a world that is whole and complete” (717). The world of reality in Housekeeping is one “fragmented, isolated, and arbitrary as glimpses one has at night through lighted windows” (Robinson 50). Many of the characters that precede Ruth in the narrative rebel against something in this world that is not right. Edmund Foster, her grandfather, escapes by train to the Midwest and his house is “no more a human stronghold than a grave” (3). His daughters, Molly, Sylvie, and Helen, all abandon their home
Unexpected alterations occur in everyone’s life. While one anticipates something to happen, adulthood changes the plan ahead. These unexpected turns have a name: irony. Consequently, ironic situations are just a part of growing up. Likewise, Alice Munro has masterly presented life’s irony. Her short stories explore the social realism of rural towns as well as practical reality. They are intellectually complex with well round engaging characters entangled within an interesting plot line. Most importantly
A Feminist Perspective of Surfacing Often referred to as a "feminist / ecological treatise" by critics, Margaret Atwood's Surfacing reflects the politics and issues of the postmodern society (Hutcheon 145). The narrator of the story (who remains nameless) returns to the undeveloped island that she grew up on to search for her missing father; in the process, she unmasks the dualities and inconsistencies in both her personal life and her patriarchal society. Through the struggle to reclaim her
Jane Eyre's Language in Charlotte Brontë Brontë portrays Jane Eyre as an untypical heroine. Examine Brontë’s language use, structure and character portrayals. The heroism of Jane Eyre is central throughout the novel of the same name. The classic Victorian novel, written by Charlotte Brontë, follows the protagonist Jane Eyre through episodic stages of her life as she strives to find her niche in life. Although she is clearly the heroine in this tale, she often displays characteristics
the author’s work, as well as to look at personal relationships, friendships, or simply to acquire the details of a specific event. He was fully informed that letters can reveal as much or as little as he chose to let them. This knowledge explains why he used papers, diaries, notes, documents, plans, letters, manuscripts, wills, messages, decrees, telegrams, and other written communications as tools to advance his stories. For ease of reading, I will call these, collectively, "writings." The frequency
umpteenth adventures. In this sense, we can assert Bilbo is tangible character despite of he represents linear life as we have and, for this reason, he is J.R.R Tolkien representation in the novel. Linearity of The Hobbit is not a innovatory narrative element, but it is present in every