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love's alchemy summary john donne
how do greek myths present the ideas of love
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“I love you”. No other sequence of words has so much power; these words have the power to strengthen a bond, weaken a relationship, ruin a friendship or bring two people together. The concept of love is puzzling and we have struggled to understand it for centuries, everything between the Greek goddess Aphrodite and today’s Romantic comedies have attempted to comprehend and explain it. The theme of love is popular in Donne’s early poetry. His understanding of love from the perspective of a protestant preacher reveals much about the anti-Christian sentiments and of the scientific revolution of the 17th century. A close analysis of Donne’s poem, “Love’s Alchemy” and of the film “When Harry Met Sally” reveals the strength behind Donne’s idea that sex is the end goal in relationships and that true love is physical.
In the first two lines of “Love’s Alchemy” Donne sets up his attack on platonic love when he compares it to the unsuccessful results of alchemy. The words “deeper digged love’s mine” (1) creates the association between platonic love and alchemy. The mine represents both the physical mine in which we find base metals, and secondly the spiritual mine in which we find love. For Donne, the idea of platonic love is as worthless as the metals pulled from the mine – and much like the alchemist cannot turn it into gold, the Platonist will never turn his idea into true love. The metaphor of depth implies a direction inward, mainly into one’s soul. The “centric happiness” (2) of the next line reinforces the idea of inner digging; the center of the soul is where Platonists believe love to be. Another interpretation of the mine demonstrates how digging deep is necessary for love; since alchemy never produces gold, the on...
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...this way could represent how this notion of love plagues society and that it is an enemy we must unite against. The speaker also warns against the inevitable loss of these qualities should platonic love be pursued “for this vain bubble’s shadow pay?” (14) The use of the word “pay” likens the pursuit of platonic love to crime in which the guilty person must pay a fine. The image of the bubble on the other hand represents fragility and transparency which means that these are characteristics of platonic love. The concept of platonic love as fragile and transparent is also present in “When Harry Met Sally”. Initially when Harry tells his friend about his platonic relationship with Sally, his friend is unconvinced. This reaction is justified because near the end of the film, the platonic relationship dissipates and they have sex which eventually leads to marriage.
When we think about the force that holds the world together and what makes humans different from animals, one answer comes to our minds - that humans can love. Love is a state of mind that cannot be defined easily but can be experienced by everyone. Love is very complicated. In fact it is so complicated that a person in love may be misunderstood to be acting in an extremely foolish manner by other people. The complexity of love is displayed in Rostand’s masterpiece drama Cyrano de Bergerac. This is accomplished by two characters that love the same woman and in the course neither one achieves love in utter perfection.
In classical Greek literature the subject of love is commonly a prominent theme. However, throughout these varied texts the subject of Love becomes a multi-faceted being. From this common occurrence in literature we can assume that this subject had a large impact on day-to-day life. One text that explores the many faces of love in everyday life is Plato’s Symposium. In this text we hear a number of views on the subject of love and what the true nature of love is. This essay will focus on a speech by Pausanius. Pausanius’s speech concentrates on the goddess Aphrodite. In particular he looks at her two forms, as a promoter of “Celestial Love” as well as “Common Love.” This idea of “Common Love” can be seen in a real life context in the tragedy “Hippolytus” by Euripides. This brings the philosophical views made by Pausanius into a real-life context.
Humans have many ambitions in life, yet most people’s ambitions fall into one spectrum. This spectrum? Love. People often express their desire for love, yet don’t realize that love is carried with them throughout their lives. In today’s society, ‘love’ is a commonly used term to describe a relationship based on affection for another person. However, love has many levels of complexities. Ancient greeks recognized the various forms love can take. Some of which include eros, storge, and philia. William Shakespeare, in his classic drama “Romeo and Juliet,” and other authors use eros, storge, and philia to explore the complexities of love and its effects.
Can a simple emotion such as love be regarded as one of the greatest weapons to create or attain power? It’s a renowned fact that human beings are by nature designed to need, crave, and even require love as part of their survival mechanisms. It comes to no surprise that one of the first accounts of antique poetry maintains love and the craving for it as its main theme; thereby, reinforcing the deep importance that it upholds in the lives of many individuals. Sappho’s “Deathless Aphrodite” clearly epitomizes the suffering and bitterness that arises from an unrequited love. In Sappho’s case, which portrays the case of many, she constantly finds herself in loneliness and despair for though she tries repeatedly, she is only let down recurrently as no one reciprocates the love she gives. It is only the Greek goddess Aphrodite, who holds
Love and hate are powerful and contradicting emotions. Love and hate are also the subjects under examination for several centuries yet even to the present day; it remains to be a mystery. For the past centuries, writers and poets have written about love showing that the stories of love can never fade way. For this essay, I will discuss three English literature sources that talk about the theme of love and hate. These are the poem Olds "Sex without Love”, the poem Kennel "After Making Love We Hear Footsteps and the story by Hemingway "Hills like White Elephants. I will use the poems to compare the traditional stance of sex that are within the parameters of marriage and love versus the belief that love is in itself an act of pleasure
Why does one love? One loves for the sake of happiness. This was the common mindset in the pre-modern worldview from the time of ancient Greece. The ideas present in Plato’s The Symposium have however been replaced with a more contemporary view, particularly in Western societies. Allan Bloom details this transition in his work Love and Friendship. Bloom argues that the idea of “eros” has lost its true meaning; it has been morphed into a selfish and self-less act of mere sex: “Eros, in its Freudian version, is really all just selfishness and provides no basis for intimate human connection” (Bloom 24). Sex is no longer a form of a strong, intimate connection, but rather our contemporaries have allowed sex to become “no different from a description of eating habits” (Bloom 20). Society today sees sex everywhere, it is forced upon us by the media, but there’s no beauty in it. Love relationships once were for the purpose of exchanging knowledge, today it is a label frequently and erroneously used.
Love is a concept that has puzzled humanity for centuries. This attachment of one human being to another, not seen as intensely in other organisms, is something people just cannot wrap their heads around easily. So, in an effort to understand, people write their thoughts down. Stories of love, theories of love, memories of love; they all help us come closer to better knowing this emotional bond. One writer in particular, Sei Shōnagon, explains two types of lovers in her essay "A Lover’s Departure": the good and the bad.
From the beginning of fiction, authors have constantly exploited the one topic that is sure to secure an audience: love. From the tragic romance of Tristan and Isolde to the satirical misadventures in A Midsummer Night’s Dream, literature seems obsessed with deciphering the mysteries of affection. The concept most debated is the question of where the line falls between lust and love and what occurs when the two are combined, and few portray it more clearly than Edmund Rostand in his French drama Cyrano de Bergerac. The influence of fickle physical attraction and deep romantic love on each other are explored by the interactions of the four main characters: De Guiche, Christian, Roxane, and Cyrano.
Love has always been a controversial issue throughout centuries. However, it was, and is, still one of the most popular topics in literature.One cannot help but be reminded of Shakespeare’s Romeo and Juliet when that particular topic is brought up, which is one of the finest examples on this topic. Despite all the literary works written about love, love itself remains unexplained. The questions “why” and “when” is often asked –it can usually be answered vaguely or deeply, but sometimes it remians unanswered. In Pride and Prejudice Jane Austen makes Mr Darcy, who has captured young girls’ hearts for decades, say “I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.”, which is both very informative and a vague answer, when asked by his love of life. It is vague, because it doesn’t exactly answer the question “when”. On the other hand, it is a perfect answer to describe the mysterious nature of love.
Love has always been a controversial issue throughout centuries. However, it was, and is, still one of the most popular topics in literature. One cannot help but be reminded of Shakespeare’s Romeo and Juliet when that particular topic is brought up, which is one of the finest examples on this topic. Despite all the literary works written about love, love itself remains unexplained. The questions “why” and “when” is often asked –it can usually be answered vaguely or deeply, but sometimes it remains unanswered. In Pride and Prejudice, Jane Austen makes Mr Darcy, who has captured young girls’ hearts for decades, say “I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.” which is both very informative and a vague answer, when asked by the love of his life. It is vague, because it doesn’t exactly answer the question “when”. On the other hand, it is a perfect answer to describe the mysterious nature of love. It proves that in order to be in love, some time for each part to contemplate on the nature of the emotion must pass after two people meet. In other words, if it is described as that romantic “love at first sight” it’s not the love that brings a happily ever after, but merely a form of cursed obsession that leads to disappointing endings.
The poem opens with two lines that lay the groundwork for the analogy and that have a sexual implication. The word “digged'; and the image of “love’s mine';, obviously allow for the comparison between the Platonist’s and the alchemists. Donne explains that some have experienced more love than he has, and, in having done so, have penetrated “deeper'; into “love’s hidden mystery,'; that is, they have reached a point beyond sensual love where they have found it’s true “centric'; or essential happiness. This would be analogous to alchemists, who, after many attempts, have been able to extract gold from other metals. Due to the diction that Donne uses and the manner in which he expresses himself in these two lines, it is possible to extract their sexual meaning that serves to ridicule the claims and means of the Platonists as well as the alchemists. The words “digged love’s mine'; can be interpreted as...
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
The word “love” has always caught attention with its meanings. There have been many definitions used for this word throughout history, beginning with its start during the ninth century. With the examples of current use(from Urban Dictionary, Twitter, a student survey, a song, and a film) it is obvious that the definition of this word has been lost in translation in many different ways. Looking closely at the synonyms, along with the history and current use, the true definition is clearly seen through a usual worldly haze.
Prior to the 19th century, love and marriage were often considered to be separate concepts. Marriage was strictly business management whereas love was a pursuit outside of marriage. During the renaissance, “ideal” love was a purifying and noble experience. There were two outcomes necessary for the love to be deemed ideal: there could only be a union of the hearts, minds and soul, not the bodies; and the unrequited desire had to lead to ennobling of the lover. The play Romeo and Juliet by William Shakespeare can be read as a satire of courtly love as opposed to a tragic love story celebrating it. This is because Shakespeare mocks “ideal” beauty conventions, suggest that courtly love is not actually love, and uses irony to exaggerate its effects.
Love is not a god as the fine philosophers of Greece once suggested. Love is something far more powerful and universal, for not all people believe in gods, yet people cannot refuse the existence of love. Instead, love is a condition of the human body that cannot be denied. True love is obstinate; in the way that music pours into the ears of an audience, love pouring into the heart of a man cannot be stopped, denied, or set off course. Love is a natural instinct. You cannot artificially make love where there is none or where it does not belong. Yet, the condition of being in love grows independent of all rationale. It grows places where an observer may not understand its existence. Attempting to fight love in such a situation leaves even powerful and noble families, such as the Capulets and Montagues, suddenly powerless. When love takes control of two souls, it takes the lovers on a journey. The journey is the growth of love throughout its many progressive stages. In this way, the growth of love between two people is analogous to the growth and development of a painted masterpiece. A work of art and a bond of love both have distinct stages and characteristics. A painting initially begins with a vision in the mind of the artist. This vision is a perfect vision that the artist will strive to replicate on her canvas. Similarly, love often begins on a visual level based on the physical attractions between two people. The vision of the painter is soon transformed into quick, loose sketches. The pencil freely marks the page; the artist has no control over where it goes, he merely paints. Similarly, lovers have no control over their new feeling of love that has taken over their bodies and rendered them helpless. After an artist has loos...