Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Alienation in literature examples of books
Sexuality in literature
Alienation in literature examples of books
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Alienation in literature examples of books
Virginia Woolf and Djuna Barnes were writers experimenting with new, modern ways of life, and they expressed new-age philosophies in their novels. Both writers explore a more emotional side Modernism than the other male writers, with greater emphasis on character relationships, thoughts and emotions. To the Lighthouse does this by posing the futility of ambitions in the novel, suggesting that it is pointless to sentimentalizing previous dreams, since actuality is unlikely to reflect them. Both Barnes and Woolf look back at the great minds of history and critique their views, often dismissing them as old-fashioned. In this essay, I shall discuss how the themes of alienation, subjective reality and traditionalism are conveyed in To the Lighthouse and Nightwood.
Many texts written during the Modernist movement have been known to evoke intense emotions in their reader by imposing ambivalent questions about topics, which play primary roles in human life, such as the interpretation of reality and the purpose of life on earth. Virginia Woolf was a Modernist writer who was encouraged to live a privileged life with her liberated parents, which fuelled her to write one of her most famous and free-spirited works. Djuna Barnes was an ex-patriot bisexual living in bohemian Paris, and she addresses problems characters experience with gender, sexuality and identity. Both writers are interested in the mind, and characters’ thoughts and private lives, with much emphasis on psychoanalysis.
In To The Lighthouse, Woolf depicts a mirrored world of the pre and post-war England in which she lived, which was constantly reflecting upon modernity, and one way in which she shows this is by illustrating psychologically curious characters. To The Lighth...
... middle of paper ...
...and the culture of Paris. Matthew calls the night an ‘unknown land’, implying that the city of Paris comes alive with café gossip and illicit, Bohemian behaviour that has yet to be explored. Nora feels exiled because she has a lesbian affair, even though homosexual relationships were not illegal in Paris. Whereas Woolf expresses the night as being a time where human life ceases, in Nightwood a darker, more mysterious side to life is revealed. To the Lighthouse has a more traditional view of the night being a time when everything looks eerie and surreal, and Nightwood is more radical in its treatment of nocturnal individuals in Paris.
Works Cited
Djuna Barnes, Nightwood, (London: Faber and Faber 2007), 106
Janet Winston, Woolf’s To the Lighthouse, (London: Continuum 2009), 21
Virginia Woolf, To the Lighthouse, (United States: Numitor Comun Publishing, 2011) 57
Muted Women in Virginia Woolf’s A Room of One’s Own and Elizabeth Barrett Browning’s Aurora Leigh. In the predominantly male worlds of Virginia Woolf’s
Altogether, these works show the phantom of society for what it is: a false counselor. After reading Woolf’s essay, readers can see examples of controlling ghosts in “To Room Nineteen” and “The Dead”. Under Milk Wood provides a glimpse into a liberated kind of lifestyle that is attainable without any ideals. With the knowledge of phantoms, readers can see the ghosts in their own lives and how the people who let the public’s expectations dominate their lives are usually unhappy and emotionally stifled. Though humans are only trying to make sense of the chaos that surrounds them by deciding what is “normal,” the effects of this epitome are far from benign. People should identify and kill their phantoms of society if they want to stand a chance of being able to comfortably live with the natural chaos in the world.
Woolf’s pathos to begin the story paints a picture in readers minds of what the
In Virginia Woolf’s “To the Lighthouse”, the struggle to secure and proclaim female freedom is constantly challenged by social normalcy. This clash between what the traditional female ideologies should be and those who challenge them, can be seen best in the character of Lily Brisco. She represents the rosy picture of a woman that ends up challenging social norms throughout the novel to effectively achieve a sense of freedom and individuality by the end. Woolf through out the novel shows Lily’s break from conventional female in multiply ways, from a comparison between her and Mrs.Ramsey, Lily’s own stream of consciousness, as well as her own painting.
By exploring the various queer references in The Hours, I have untangled some, but hardly all, of the queer references that Cunningham wove into his novel by adopting, and adapting, Virginia Woolf’s Mrs. Dalloway for his own purposes. He was able to transform the reader’s view of literature and of queer narratives by reviving an old work and giving it a modern spin – replacing World War I with AIDS and exploring the sexuality of Mrs. Woolf, Mrs. Brown and Mrs. Dalloway through their respective eras.
In reference to Virginia Woolf’s novel, “To The Lighthouse” she takes the major female characters of Mrs.
Lily definitely undergoes a transformation, from being unable to make sense of her painting to an artist who completes her painting, through which she finally establishes her homosexual identity aesthetically through art. From “the Lighthouse had become almost invisible, had melted away into a blue haze, and the effort of looking at it and the effort of thinking him landing there, which both seemed to be one and the same effort, had stretched her body and mind to the utmost. Ah, but she was relieved” (169), Woolf highlights Lily’s enthusiasm when she was able to eliminate Mr Ramsay from her physical, emotional and psychological realm. By mentioning that the Lighthouse has melted away, Woolf metaphorically emphasizes the deconstruction of the patriarchal conditions through which Lily has come to terms with her homosexual identity. Lily clearly feels liberated and independent, although after undergoing great amount of emotional and psychological torment where she suppressed her homosexual desires in the face of patriarchy. By expressing and figuring out her emotional and psychological turmoil through art and her painting, Lily is able to visualise her immense independence autonomous of the patriarchal conditions. Hence, Lily finally asserts a masculine ambiance similar to the men in patriarchal order, where she can eventually be who she wants to be without any external pressure, particularly from male hegemony, that tells her how she is expected to act like a woman. Thus, Lily does not simply advocate gender equality, but radically promote acceptance of homosexuality as the truer reality of woman empowerment and
Woolf, Virginia. To the Lighthouse. Introduction by D.M. Hoare, Ph.D. London: J.M. Dent and Sons Ltd., 1960
The early twentieth century was a time filled with great anguish. World War I had resulted in a massive death toll, and England’s strict social standards made it nearly impossible for people to grieve without seeming bizarre. This repression fostered a sense of dislocation amongst the citizens, and a rebuttal in the Christian faith. It should come as no surprise, then, that modernism emerged as a way for contemporaries to defy the “prescriptions and limits” (1901) of the Victorian Age. Virginia Woolf and D.H. Lawrence were among the most influential writers of the modernist era – Woolf with her appeal to “look within” (2152) the human consciousness, and Lawrence with his call for expression of the “deep-rooted, [and] elemental… in people and nature” (2481). Together, they created a completely new type of narrative – the modernist “English” narrative.
In the early 1800s, the world was being introduced to a new type of writing that strayed from the scientific ideals of the Enlightenment Era and entered the world of Romance. Elizabeth Barrett Browning was a highly influential person in this movement. She led a life full of oppression, which had an extreme impact on her writings. Browning’s life experiences through the adversity that she faced, influenced her career by providing inspiration for her works.
Woolf, therefore, takes advantage of the lyrical short stories’ structure to create a liminal space that both breaks through barriers to form a unified, impressionistic world and to emphasize the imposing negative aspects of such a transitory structure. As a result, Woolf prompts the reader to question whether the liminal space created within the short story is positive in its ability to unite nature and human or negative in its apparent unsustainability. Regardless, the form and structure of the short story are pivotal in Kew Gardens. Without the liminal space of the short story, it is questionable if Woolf could have succeeded in creating the unstable, yet peaceful, world in Kew Gardens.
Throughout her life Virginia Woolf became increasingly interested in the topic of women and fiction, which is highly reflected in her writing. To understand her piece, A Room of One’s Own Room, her reader must understand her. Born in early 1882, Woolf was brought into an extremely literature driven, middle-class family in London. Her father was an editor to a major newspaper company and eventually began his own newspaper business in his later life. While her mother was a typical Victorian house-wife. As a child, Woolf was surrounded by literature. One of her favorite pastimes was listening to her mother read to her. As Woolf grew older, she was educated by her mother, and eventually a tutor. Due to her father’s position, there was always famous writers over the house interacting with the young Virginia and the Woolf’s large house library.
A lighthouse is a structure that warns and navigates ships at night as they near land, creating specific signals for guidance. In Virginia Woolf’s To The Lighthouse, the Lighthouse stands a monument to motivation for completion of long-term goals. Every character’s goals guides him or her through life, and the way that each person sees the world depends on goals they make. Some characters’ goals relate directly to the Lighthouse, others indirectly. Some goals abstractly relate to the Lighthouse. The omnipresent structure pours its guiding light over every character and every action.
In the Broadview Anthropology of Expository Prose, Buzzard et al. describe Virginia Woolf’s essay “Professions for Women” as a “lecture to a society of professional women” (100). As a queer writer, Woolf’s voice during the 1930’s received much attention, along with praise and criticism. Woolf’s fight for women’s empowerment and gender equality are evident throughout her essay, and as of now, in the 21st century, it is unequivocal that Woolf saw herself as a feminist. However, as Woolf writes her “Professions for women” she makes use of the blanket terms “the woman” and “herself” to refer to a general professional woman. It leads us to question who the woman really is: which kinds of individuals are included in and excluded from Woolf’s filtered view of women. How does