The Virginian
The cowboy hero, The Virginian, as portrayed in Owen Wister’s novel was the first of his kind and today is known as the stereotypical mythic cowboy figure which our view of the western frontier are based from. The Virginian was the first full length western novel apart from the short dime novels which marked the final stage in the evolution of the cowboy hero to a national icon. The Virginian was published in 1902 and at that time was wildly popular because of the settlement of the west. The story of the cowboy who had the skill and courage to take control of the untamed frontier enthralled people. The cowboy hero had a few distinguished qualities, he was a self-appointed vigilante, he had a very strict moral code, he had exceptional perception skills and he had the ability to adapt. Owen Wister’s The Virginian was the first to portray these qualities and really created a deeper cowboy character.
While the western frontier was still new and untamed, the western hero often took on the role of a vigilante. The vigilante’s role in the frontier was that of extralegal verve which was used to restrain criminal threats to the civil peace and opulence of a local community. Vigilantism was typical to the settler-state societies of the western frontier where the structures and powers of government were at first very feeble and weak. The typical cowboy hero had a willingness to use this extralegal verve. The Virginian demonstrated this throughout with his interactions with Trampas, most notably in the interactions leading up to the shoot out and during the shoot-out itself. “Others struggled with Trampas, and his bullet smashed the ceiling before they could drag the pistol from him… Yet the Virginian stood quiet by the...
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...nd a man of reserve against violence. Also as a man who will stand for the good of the community, protecting those who need protecting as the Vigilante of the western frontier. The Virginian was a true cowboy hero because he was a vigilante who followed his own moral code. The cowboy’s moral code was not dictated by the laws of society because he was an independent who was working to escape civilization. The Virginian was the first of the western heroes who gave the world someone to look unto as an example. He showed a very strong moral code which had a special responsibility to the protection and respect of women such as Molly. He also had a great many skills which gave him the realistic air that made the hero’s of the west so popular in the early 1900’s as the western frontier came to a close.
Works Cited
Wister, Owen. The Virginian. Penguin Books. 1902. Print.
When looking at the vast lands of Texas after the Civil War, many different people came to the lands in search for new opportunities and new wealth. Many were lured by the large area that Texas occupied for they wanted to become ranchers and cattle herders, of which there was great need for due to the large population of cows and horses. In this essay there are three different people with three different goals in the adventures on the frontier lands of Texas in its earliest days. Here we have a woman's story as she travels from Austin to Fort Davis as we see the first impressions of West Texas. Secondly, there is a very young African American who is trying his hand at being a horse rancher, which he learned from his father. Lastly we have a Mexican cowboy who tries to fight his way at being a ranch hand of a large ranching outfit.
A young Apache at the time, Geronimo set out one day with his family from their homeland, which is now located in southeastern Arizona, on a trading mission into Mexico. Many other families also went with him. The men went into town to trade each day, leaving their families behind. On this momentous evening, they returned home to find that Mexican soldiers had ferociously attacked their camp. They had murdered their women and children and stolen their supplies and horses. The dead were scattered everywhere. Geronimo’s wife, three children, and his mother were among those slaughtered. He found their bodies lying in a pool of blood. “I had lost all,” Geronimo said. His heart was broken. He would never be the same again. The loss of his family led Geronimo to a lifelong hatred of all Mexicans. He was filled with hatred, and he would spend a lifetime pursuing vengeance for all that he and his people had lost. He became one of the most feared Apache warriors of all time. The career and accomplishments of Apache warrior Geronimo were indicative of the fight for a Native American way of life in conflict with that of the progressing American frontiersmen and Mexican soldiers.
The image of the cowboy as Jennifer Moskowitz notes in her article “The Cultural Myth of the Cowboy, or, How the West was Won” is “uniquely
For many Americans, the image of the cowboy evokes pleasant nostalgia of a time gone by, when cowboys roamed free. The Cowboy is, to many Americans, the ideal American, who was quick to the draw, well skilled in his profession, and yet minded his own business. Regardless of whether the mental picture that the word cowboy evokes is a correct or incorrect view of the vocation, one seldom views cowboys as being black. The first cowboy I met was from Texas and was black. After he told me that he was a cowboy, I told him that he had to be kidding. Unfortunately, I was not totally to blame for my inability to recognize that color has nothing to do with the cowboy profession; most if not all popular famous images of cowboys are white. In general, even today, blacks are excluded from the popular depiction of famous Westerners. Black cowboys were unheard of for almost a century after they made their mark on the cattle herding trade, not because they were insignificant, but because history fell victim to prejudice, and forgot peoples of color in popular depictions of the West and Western history.
Slotkin, R. Regeneration Through Violence: The Mythology of the American Frontier 1600-1860. Norman, OK: University of Oklahoma Press, 1973.
In the award-winning novel, Empire Falls, by Richard Russo, there is a glimpse into the lives of the people who live in a small mill town in Empire Falls, Maine. There are many different inhabitants of this small town, but the character who is easiest to feel connected to is Christina, or "Tick", Roby. Tick is very mature and grown-up for her age and she avoids trouble as much as possible. While she is in her junior year of high school, she seems to be experiencing many more burdens than the average teenager. One of the things she has to deal with is a menacing ex-boyfriend, Zack Minty. Another problem of Tick’s is the fact that after her parents got divorced, Janine, Tick’s mom, was given custody of Tick, even though Miles, her father, was undoubtedly better fit to be a parent. Tick also had to deal with the sudden appearance of Walt Comeau, her future stepfather, in the home she and her mother live in. An issue Tick had at school was that she decided to take an art class, but her art teacher couldn’t understand. Also, because Tick was given a special lunch hour to eat by herself, the principal decided she would be a good candidate to spend lunch with John Voss, who had no friends and needed someone to eat with. He would later prove to be dangerous and instable. All of the problems that Tick has encountered in her short life have been caused by the adults in Empire Falls.
Over the years, the idea of the western frontier of American history has been unjustly and falsely romanticized by the movie, novel, and television industries. People now believe the west to have been populated by gun-slinging cowboys wearing ten gallon hats who rode off on capricious, idealistic adventures. Not only is this perception of the west far from the truth, but no mention of the atrocities of Indian massacre, avarice, and ill-advised, often deceptive, government programs is even present in the average citizen’s understanding of the frontier. This misunderstanding of the west is epitomized by the statement, “Frederick Jackson Turner’s frontier thesis was as real as the myth of the west. The development of the west was, in fact, A Century of Dishonor.” The frontier thesis, which Turner proposed in 1893 at the World’s Columbian Exposition, viewed the frontier as the sole preserver of the American psyche of democracy and republicanism by compelling Americans to conquer and to settle new areas. This thesis gives a somewhat quixotic explanation of expansion, as opposed to Helen Hunt Jackson’s book, A Century of Dishonor, which truly portrays the settlement of the west as a pattern of cruelty and conceit. Thus, the frontier thesis, offered first in The Significance of the Frontier in American History, is, in fact, false, like the myth of the west. Many historians, however, have attempted to debunk the mythology of the west. Specifically, these historians have refuted the common beliefs that cattle ranging was accepted as legal by the government, that the said business was profitable, that cattle herders were completely independent from any outside influence, and that anyone could become a cattle herder.
When one thinks of the United States of America, they probably consider our history, our culture, our media, our impressive cities and the extremely wide variety of beautiful wildernesses that we are lucky enough to still enjoy. We are lucky enough to have a melting pot of cultures in this country, and many different kinds of people. However, when thinking of an original, all-American figure, cowboys come to mind for many people. Our history and the settlement of the U.S. was unlike any other country, and the development of the country in the more western states came with the unique and fascinating time period referred to now as “The Old West”. The Old West was a crucial time in American history, and though it was a simpler time it also came with its share of excitement. Some of the most memorable details about the Old West were the characters that came with it, and some extremely interesting ones were the least conforming- the outlaws. Jesse Woodson James was one of the most notorious outlaws in American history. His name would go down in history as one belonging to a tough as nails and fearless bank robber who led a group of outlaws across the mid-west robbing banks and trains, and even murdering people. When we look at the big picture of what the U.S. has become today, The Old West certainly has had a large impact on our culture, and Jesse James certainly had a large impact on the Old West. Though most would argue that he was not a decent or moral person, one cannot argue that he was still a very interesting and unique icon of the west. So how did Jesse Woodson James change and leave his mark on the United St...
In “The Thematic Paradigm,” Robert Ray explains how there are two vastly different heroes: the outlaw hero and the official hero. The official hero has common values and traditional beliefs. The outlaw hero has a clear view of right and wrong but unlike the official hero, works above the law. Ray explains how the role of an outlaw hero has many traits. The morals of these heroes can be compared clearly. Films that contain official heroes and outlaw heroes are effective because they promise viewer’s strength, power, intelligence, and authority whether you are above the law or below it.
Although cowboys played a large role in the western United States most of the stories surrounding them are heavily steeped in myth and lure which only added to the overall grandeur of their image. This and the code that John Grady tries to live by seems to indicate that John Grady was idolizing a single cowboy or a particular cowboy but the idea of a cowboy, “The cowboy in various guises is popularly accepted by Americans as a symbol, indicative of this stature as myth” (Savage 3). All of this together may have contributed to John Grady's decision so pursue a cowboy
In "The Thematic Paradigm", Robert Ray explains how there are two distinctly different heroes, the outlaw hero and the official hero. The official hero embraces common values and traditional beliefs, while the outlaw has a clear sense of right and wrong but operates above the law (Ray). Ray explains how the role of an outlaw hero has many traits. "The attractiveness of the outlaw hero's childishness and propensity to whims, tantrums, and emotional decisions derived from America's cult of childhood", states Ray. (309) Ray also says, "To the outlaw hero's inconsistence on private standards of right and wrong, the official hero offered the admonition, you cannot take the law into your own hands." (312) The values of these two traditional heroes contrasts clearly. Society favors the outlaw hero because we identify with that character more. We see ourselves more so in the outlaw hero than in the official hero. The outlaw hero has the "childlike" qualities that most of us wish we had as adults. To civilians it may seem that the outlaw hero lives more of a fantasy life that we all wish to have.
"Relocating the Cowboy: American Privilege in "All the Pretty Horses"" Pepperdine University: Global Tides Seaver Journal of Arts and Sciences. Maia Y. Rodriguez, 2014. Web. 2 May 2016. . The Western typically illustrates the journey of a man, usually a horse riding cowboy, into the Western frontier where he must conquer nature "in the name of civilization or [confiscate] the territorial rights of the original inhabitants... Native Americans" (Newman 150). What this brand of mythology promotes is precisely the values of American culture: rugged individualism, achievement and success, activtity and work, democracy and enterprise, and--most importantly--
2. Merrin, Albert. Cowboys, Indians, and Gunfighters. United States: Maxwell Macmillon Canada Inc., 1995. P.132-148. Print.
The development of the Western genre originally had its beginnings in biographies of frontiersmen and novels written about the western frontier in the late 1800’s based on myth and Manifest Destiny. When the film industry decided to turn its lenses onto the cowboy in 1903 with The Great Train Robbery there was a plethora of literature on the subject both in non-fiction and fiction. The Western also found roots in the ‘Wild West’ stage productions and rodeos of the time. Within the early areas of American literature and stage productions the legend and fear of the west being a savage untamed wilderness was set in the minds of the American people. The productions and rodeos added action and frivolity to the Western film genre.
Alexie Sherman’s, “The Lone Ranger and Tonto Fistfight in Heaven” displays the complications and occasional distress in the relationship between Native-American people and the United States. Despite being aboriginal inhabitants of America, even in present day United States there is still tension between the rest of the country, specifically mainstream white America, and the Native-American population. Several issues regarding the treatment of Native-Americans are major problems presently. Throughout the narrative, several important symbols are mentioned. The title itself represents the struggles between mainstream America and Native-Americans. The theme of racism, violence, and prejudice is apparent throughout the story. Although the author