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impact of colonialism on africa
impact of colonialism on africa
impact of colonialism on africa
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Marlow's Assessment of Africa in Heart of Darkness
Marlow's assessment of the African wilderness in the beginning of the story is like that of something that tempts him and his fellow explorers to Africa. When Marlow says, "And as I looked at the map of it in a shop-window, it fascinated me as a snake would a bird - silly little bird" (Conrad, Longman 2196). If we take note of the phrase "silly little bird" it may be noted that the Marlow is comparing Britain to that silly little bird. It could be that he felt Britain's occupancy of Africa was nothing more than his own country falling into a trap. It was not a designed trap but one of destiny. It was his countries destiny to fall prey to the allures of that Dark Continent. Millions would die in the attempt to make monetary gains while occupying Africa.
When Marlow mentions "the whited sepulcher" he could be referring again to his homeland, and when he makes this statement he may be referring to the fact that Britain has sent many of its people to be buried in that deep and mysterious place referred to as the Congo. According to YourDictionary .com, the word sepulcher means, "to bury" (YourDicitonary.com). In combination with the word white, referring to his Caucasian race, could Marlow be referring to the death of his fellow countrymen, or could he be referring to the death of a continent, Africa, at the hands of the white race invading her? These thoughts may both have validity when deciphering this text.
When Marlow describes the, "Two women, one fat and the other slim, sat on straw-bottomed chairs, knitting black wool" he may be describing the future of two races combined in utter disarray in Africa. He may be using the "black wool" as something akin to insight into what future had in store for millions of people both black and white in the Congo (Longman 2197). The "black wool" may be referring to black shards for covering the dead. It may also be an idea of not human death but the death of an area such as the Congo. He may have been sensing that the influx of his own countrymen may be taking away the spirit of that wild and forbidden Congo. Marlow's utterance of, "guarding the door of Darkness, knitting black wool as for a warm pall, one introducing, introducing continuously to the unknown, the other scrutinizing the cherry foolish faces with unconcerned old eyes" could give more clues to Marlow's characterization of the African wilderness (Longman 2198).
In both "Sonny’s Blues" and "The Rich Brother", one of the two brothers encounters success through his life whereas the younger one does not follow the same path and constantly disappoints the other. Pete and Sonny’s brother unconditionally love their own brothers for numerous different reasons and they feel an obligation to the other. They believe that it is their duty to take care of Donald and Sonny, but at the same time they cannot or at least in the beginning understand what drives their brothers in life and moreover the reasons that push them to make the choices they are constantly making. Although Sonny’s bad decisions put him through a lot, he finally reinvents himself and proves to his brother his value. Unfortunately Donald does not evolve enough to meet his brother’s expectations. Both young brothers fail in their lives but for very different reasons. Sonny’s drugs addiction puts him to jail and Donald’s quest for the faith of his soul results in many issues with Pete. Nevertheless, Sonny’s brother sees and witnesses what his brother is really capable of, while sadly for Donald, Pete definitely cannot live with his brother’s way of living. "Sonny's Blues" and "The Rich Brother" are perfect examples of how brothers relationships are: full of love but paved with insurmountable obstacles at the same time. At the end of Sonny's story, both brothers can finally "see" each other and are able to live together, while unfortunately for Donald and Pete, it is impossible for them to reach an understanding.
When Sonny was trying to express how he felt on the inside and reveal his drug abuse, the narrator did not want to accept his younger brother's drug abuse and he 'kept putting them away. I told myself that Sonny was wild, but he wasn't crazy"(79). Just as Sonny felt alone and helpless, he could not talk about it to anyone.
According to his brother, who narrates "Sonny's Blues," Sonny was a bright-eyed young man full of gentleness and privacy. "When he was about as old as the boys in my classes his face had been bright and open, there was a lot of copper in it; and he'd had wonderfully direct brown eyes, a great gentleness and privacy. I wondered what he looked like now" (Baldwin 272). Something happened to Sonny, as it did to most of the young people growing up in Harlem. His physical journey growing up in the streets caused a great deal of inner turmoil about whom he was and what kind of life he was to have. One thing for sure, by the time his mother died, Sonny was ready to get out of Harlem. " 'I ain't learning nothing in school,' he said. 'Even when I go.' He turned away from me and opened the window and threw his cigarette out into the narrow alley. I watched his back. 'At least, I ain't learning nothing you'd want me to learn.' He slammed the window so hard I thought the glass would fly out, and turned back to me. 'And I'm sick of the stink of these garbage cans!' " (Baldwin 285).
It had been Sonny's brother's responsibility to look out for Sonny from the time Sonny was born. "When he started to walk, he walked from our mother straight to me. I caught him just before he fell when he took the first steps he ever took in this world" (52). The narrator of the story is Sonny's big brother, so he feels responsible for him. This responsibility is confirmed by their mother on page 55, and the older brother reassures her, "I won't let nothing happen to Sonny" (57). But he fails at this, Sonny leaves and gets into trouble. Perhaps the narrator felt that if he couldn't keep his brother safe,...
Sonny states, “I’m glad mama and daddy are dead and can’t see what’s happened to their son and I swear if I’d known what I was doing I would never have hurt you so, you and a lot of other fine people who were nice to me and believed in me” (Baldwin 417). This expresses disappointment within himself while addressing the hurt and disappointment he has caused to others. This is the not so sweet part of family life and in this instance, the part no-one wants to go through. Later the narrator states, “He came by the house from time to time, but we fought almost every time we met…But there were lots of others people in the room and Sonny just lay on his bed, and he wouldn’t come downstairs with me, and he treated these other people as though they were his family and I weren’t” (Baldwin 427). This portrays a potential disconnect between Sonny and his brother. To treat friends as family and your brother as a stranger demonstrates a vast amount of soreness and a serious lack of brotherly affection between the two. Sonny later states, “And I don’t know how I played, thinking about it now, but I know I did awful things, those times, sometimes, to people. Or it wasn’t that I did anything to them—it was that they weren’t real” (Baldwin 431). This statement along with the others captures how grand obscurities can enter into the family life and destroy it. He says,
After discovering what has happened to Sonny, the narrator makes it seem as if he does not care and does not want interference in the life he has worked so hard to create. This is proven when the narrator discusses what has happened to Sonny with one of his brother’s friends. As shown through this quote, the narrator is not concerned about what has happened to his brother and believes it is not his responsibili...
Conrad’s main character Marlow is the narrator for most of the story in Heart of Darkness. He is presented as a well-intentioned person, and along his travels he is shocked by the cruelties that he sees inflicted on the native people. Though he is seemingly benevolent and kindly, Marlow shows the racism and ignorance of Conrad and in fact of the majority of white people in his era, in a more subtle way. Marlow uses words to describe the blacks that, though generally accepted in his time, were slanderous and crude. He recalls that some of the first natives he saw in the Congo looked at him “with that complete, deathlike indifference of unhappy savages” (80; part 1). Marlow casually refers to the Africans with the most offensive of language: “Strings of dusty niggers arrived and departed…” (83; part 1). To Marlow, and thus to Conrad, the Africans are savages, dogs, devils, and criminals. Even the stories that Conrad creates for Marlow to narrate are twisted and false. The natives that Marlow deals with in the book are described as cannibals, and they are even given dialogue that affirms th...
Unlike Sonny, our narrator doesn't even deal with his problems at all. He doesn't cope with them in either a positive or negative way. We can see this very clearly in the way that he discusses the death of his daughter. It really only mentioned how his wife felt about the situation, not how he coped with it. The story even opens up with him talking about how he pushes the news of Sonny so deep inside of him almost so he doesn't feel it at all, or at least he attempts not to. There is a sort of irony in how our narrator and Sonny both deal with their feelings, Sonny is looked down upon for escaping his issues in a destructive way although his brother is being just as destructive just in a more internal
The narrator allows Sonny to move into his apartment. By allowing Sonny to live with him he has allowed to trust him again. For example, the narrator explains, “The idea of searching Sonny’s room made me still. I scarcely dared to admit to myself what I’d be searching for. I didn’t know what I’d do if I found it. Or if I didn’t” (pg. 91). This shows how the narrator had the opportunity to search his brother’s room, but had the ability not to. Tension grew among brothers while living under one roof. This starts the climax of both arguing in the apartment. The narrator doesn’t understand why his brother wants to be a musician. This argument was built of emotion both had and not yet discussed among each other. Such as the narrator expressing his anger towards his brother’s drug use and Sonny’s frustration towards the narrator not understanding his plan to become a jazz musician. For example, the narrator states, “I realized, with this mocking look, that there stood between us, forever, beyond the power of time or forgiveness, the fact that I had held silence – so long! – when he had needed human speech to help him” (pg.94). The argument with his brother made him realize that he abandon his younger brother when he needed him the most. He realized that if he would have spoken out and talk about his drug use that he wouldn’t have to go
" Sonny had been wild, but not crazy, he had always been a good boy and had never turned hard or evil or disrespectful the way the kids did and still do in Harlem."…His face had been bright and open, there was a lot of copper in it; and he had wonderfully direct brown eyes, and a great gentleness and privacy…." (66).
The world has experienced many changes in past generations, to the present. One of the very most important changes in life had to be the changes of children. Historians have worked a great deal on children’s lives in the past. “While we try to teach our children all about life, our children teach us what life is all about.”- Author Unknown
As "Sonny's Blues" opens, the narrator tells of his discovery that his younger brother has been arrested for selling and using heroin. Both brothers grew up in Harlem, a neighborhood rife with poverty and despair. Though the narrator teaches school in Harlem, he distances himself emotionally from the people who live there and their struggles and is somewhat judgmental and superior. He loves his brother but is distanced from him as well and judgmental of his life and decisions. Though Sonny needs for his brother to understand what he is trying to communicate to him and why he makes the choices he makes, the narrator cannot or will not hear what Sonny is trying to convey. In distancing himself from the pain of upbringing and his surroundings, he has insulated himself from the ability to develop an understanding of his brother's motivations and instead, his disapproval of Sonny's choice to become a musician and his choices regarding the direction of his life in general is apparent. Before her death, his mother spoke with him regarding his responsibilities to Sonny, telling him, "You got to hold on to your brother...and don't let him fall, no matter what it looks like is happening to him and no matter how evil you get with him...you may not be able to stop nothing from happening. But you got to let him know you're there" (87) His unwillingness to really hear and understand what his brother is trying to tell him is an example of a character failing to act in good faith.
Throughout the story, the narrator learns how important it is to Sonny for him to care and listen to him. Sonny is vulnerable and in a state where he is getting into trouble with drugs and alcohol perhaps because he feels as though no one cares enough to help him. The narrator lives his life as a teacher while Sonny spends his days using drugs hoping someday to pursue his dreams of music. Both characters end up in a place they are meant to be; acting as family and leaning on each other for support, which is the true importance of an older brother.
...n his brother’s life the theme in Sonny’s Blues would’ve have been altered. Overall, what was vital to the narrator, in this time of turmoil and frustration, was to nurture the relationship with his brother Sonny, not only because of the love he had for him but also for the obligation he had as a brother and the commitment he had toward his mother.
At the start of Jane Eyre, Jane is living with her widowed aunt, Mrs. Reed, and her family after being orphaned. Jane is bitterly unhappy there because she is constantly tormented by her cousins, John, Eliza, and Georgiana. After reading the entire book you realize that Jane was perfectly capable of dealing with that issue on her own, but what made it unbearable was that Mrs. Reed always sided with her children, and never admitted to herself that her offspring could ever do such things as they did to Jane. Therefore, Jane was always punished for what the other three children did, and was branded a liar by Mrs. Reed. This point in the book marks the beginning of Jane's primary conflict in the novel. She feels unloved and unaccepted by the world, as her own family betrays her.