"What qualities of character did Richard III have that enabled him to ascend the throne?" Name and show these characteristics in action in the play Richard III. Also: "Richard III is a consummate villain". Show that his summation of Richard's character is true. To achieve goals, in one's life, one must be determined and must have certain characteristics that reciprocate to one's goals. In the play Richard III, Richard III's goal is to ascend the throne. There are two ways that one can claim the throne, by birthright, or by might. Since Richard III cannot claim the throne by right he must therefore take it by might. To accomplish this goal Richard Duke of Gloucester must be determined to achieve his goal at all costs and he must have the characteristics to meet his determination. In the first scene of the play, Richard announces in a narration, his plan to become king. Richard plainly states that he is "Deformed, Unfinished, and sent before his time" and "since he cannot prove to be a lover; he is determined to prove a villain." As a villain Richard must be heartless, he cannot let his emotions interfere with his actions. He must also be intelligent and organized; a villain must know exactly what he has to do, when he has to do it and how he is going to do it. A villain must also be manipulative and persuasive so that if he is accused of a crime or if he finds himself between a rock and a hard place he is able to talk his way out or convince people that he did not commit the crimes in question. A villain must also have scapegoats to use if he is discovered or if he is in a dangerous situation. Richard devised a brutal stratagem to ascend the English throne. Brilliantly, he executed his plan. Heartlessly, he executed family, friends, and subjects. Richard did indeed display these characteristics and therefore fulfilled his goal to ascend the throne, as you will see in the paragraphs below. With his elder brother, King Edward IV, dying, Richard believes himself to be the most qualified to rule. He sets his plan to ascend to the throne into action. The first step was to lock up the rightful heir, his other brother George, Duke of Clarence, in the tower. He demonstrates his manipulation skills and plants the seeds of distrust in his brother Clarence's head.
In this play of challenge and debate, could it be possibly suggested that King Richard had a part to play in the murder of his uncle the Duke of Gloucester? Could the reader possibly pick up this assumption having known nothing about the play? These are all factors that one must find by reading in between the lines, noticing and understanding the silence that is exchanged. For the silence is just as important as the speech.Why is it assumed that King Richard II has anything to do with the murder? Let us review a scene from the play were Gaunt accuses Richard of being accountable for Gloucester's death.
to behave in the same way as King Richard, and since he is acting this way, the
Richard being generous gave his younger brother rewards of several lands in England and he also made John the Count of Mortain in France. Whilst he was planning to go through a series of wars, Richard did not want his brother to enter England and he forced John to promise that he wouldn’t and John kept his word until he found out that Richard was intending to give the role of successor to the throne to their nephew. John felt that he should be king and he entered England, breaking his promise and tried to persuade the English people in order to gain the throne but the English woul...
Jealous of his brother's power, Richard, Duke of Gloucester, starts to secretly aspire the throne and plots to guilt trip his brother, King Edward, to death and lock up Edward's two sons. The same pool of blood consumes Richard, for the murders were endless. He did whatever ...
Richard displays qualities of a Fascist leader from the beginning of the play. Richard is jealous of his brother’s power and the happiness of his family and friends. He has grown malicious and plots to take the throne. He has no qualms at the thought of killing anyone who gets in his way declaring “I am determined to prove a villain” Embarrassment over his physical deformities also plays a role in fueling this malicious intent. In the opening dialogue Richard declares himself cruel and evil “I am subtle, false, and treache...
differed in the way they viewed Richard III. This could have been because the writer’s attitudes
... bloody pathway to kingship. Filled with scorn against a society that rejects him and nature that curses him with a weakened body, Richard decides to take revenge and ultimately declares a war between himself and the world. By achieving goals for the mere sake of self-advancement, a self-made hero, an ambitious king, and an atrocious villain were created. Richard assumes that love forms a bond which men can break, but fear is supported by the dread of ever-present pain (Machiavelli ch. XXIV); thus, for true success the hero must be a villain too. Richard III becomes one of literature’s most recognized anti-heroes under the hands of Shakespeare as he has no objective or thought to take up any other profession than the art of hatred; however, ironically being a representative of a heroic ruler sent by God, he is made to commit murder to redeem society of their sins.
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
All in all, to my way of thinking, Richard's actions and behaviour were the subject of attention and analysis and were presented, after his death, as those of a wicked and immoral tyrant. However, despite the Tudor's attempts to load charges on Richard III, historians now take a balanced approach to avoid either side of the pendulum as the available evidence is not enough to corroborate their claims. His portrait may have been due to his enemy’s plot to call him an inhumanly cruel and wicked person; a ruthless despot, who only longed to achieve his aim–to become King of England.
	Many historian look upon Richard as a villain. Others attribute this view as tainted due to the perverse nature of England following his reign, and the need for support of Henry Tudor's ascension to the throne. One aspect that almost all of the historian agree with is that Richard did have some moments where his actions were for the better of England. Looking at such actions can shed light on the true characteristics of his rule, and that he quite may have been a beneficial part of English history.
Shakespeare’s, Richard III depicts the unscrupulous rise to power and ensuing short reign of Richard III of England. Through all of his plays, Richard is becoming known as the perfect villain for the way he raises to power. We know that Richard is obviously a villain by the way he single-handedly orchestrates all of the chaos and violence throughout the course of the play. However, Richard III makes the readers reevaluate the meaning of what a hero really is. As malevolent as he is, there is no question that he is the play’s protagonist. He is motivated by self-interest and the play’s plot is ultimately developed around his battle to become the king and remain in power over the people. The reader’s get in depth looks at his character and they almost develop a false sense of sympathy for the jealousy and pain that he had endured, while blatantly disregarding the fact that he is a murderer. On the other hand, he can be viewed in some aspects as the hero of the play. As crazy as this may be, Richard shares some noble qualities that heroes have. During his rise to power, he displayed perseverance and courage in a way that was never thought possible.
Throughout these different stages that Richard experiences, the reader reactions change as well. Although there is negative feedback throughout the first half, it seems as if Richard’s character is supposed to slowly elicit sympathy from the reader. In a journal article Paula Blank asserts, “Richard seems, for some readers, to emerge as the victim rather than the perpetrator of a crime.” (Blank, 328). By cleverly assuming the position of victim by the end, the King captures the emotions and feelings of many readers; thus, William Shakespeare orchestrates riveting transformations for King Richard in Richard II, and in return creates evolving reactions from the reader.
also said that Richard was always plotting ways that he could become king such as killing his brother Clarence and killing young
Richard II is not your average king. He is useless with his power and does not know how to use it. He is the king of England when the play begins but shortly after his kingship is taken away from him. Richard II is a young man who has not matured much since his adolescence. He is disconnected from his land and its people, which becomes one of the downfalls of his crown. He has an extraordinary flair for poetic language. He is witty and poetic personality doesn’t work with his higher calling in life. A king should be strong and fearless. King Richard II is not a man of action and as the play advances, he gets into more and more trouble. As his end approaches, he becomes very poetic. Like most Shakespearean heroes, Richard II has a strong theatrical personality. He likes putting on a show and enjoys a bit of wordplay, even at his own expense. What sets him apart from other Shakespearean characters is the perverse joy he takes in his downfall.
In actuality, his mind overpowers his self. Because he firmly holds on to the belief that he “cannot prove a lover” without offering any proof that he really is incapable of wooing “a wanton ambling nymph,” Richard chooses “to prove a villain” (Shakespeare 6). His mind constantly rejects optimism and instead thrusts him back into the darkness where he can protect himself from disappointment. By doing so, Richard’s body becomes a canvas upon which his mind can paint any identity. Richard plays the concerned, supportive brother to an imprisoned Clarence, a good-hearted, loyal citizen in front of Brackenbury, and a drooling lover in front of Lady Anne. In reality, however, neither of these personas come even remotely close to the truth of his identity. By hiding behind these facades as well as expressing evil intentions and a strong connection to the dark side, Richard finds himself capable of being someone amazing. But that someone is not him. He revels in being able to “seem a saint…when mostly…play[ing] the devil,” and thus gains an identity through his villainous and monstrous ideas (36) Every physical action he takes can be traced back to its origin in the mind as a carefully crafted piece of his overall plan to ascend the